00:00
Rossini - La Cenerentola
Gioachino Rossini's opera La Cenerentola ('Cinderella'), with a libretto by Jacopo Ferretti, was first performed in February 1816 following the success of Il Barbiere di Siviglia. Interestingly, much like its predecessor, the first performance of the opera was received with some hostility, but the work soon became popular throughout Italian theaters and beyond. The opening of La Cenerentola is one of the most famous Rossini pieces, evoking a spirit of lightness and freshness. The work’s originality lies in the violent contrast between the heroin’s tenderness and the plot’s sentimentalism mixed with Rossini’s virtuosity and unbridled sense of humor. This 2015 performance of La Cenerentola at the Opéra de Rennes is conducted by Darrell Ang and features the Symphonic Orchestra of Brittany and choir of the Opéra de Rennes and José Maria Lo Monaco, Daniele Zanfardino, Marc Scoffoni and Bruno Pratico.
02:52
Legato - The World of the Piano
Swedish pianist and composer Roland Peter Pöntinen performs Couperin’s Les Baricades mistérieuses, Rameau’s Gavotte in a minor, Busoni’s Albumblatt No. 1, Saariaho’s Prelude and Ballade, Chopin’s Ballade No. 4 in F minor, Albéniz’ Ibera (book 2, Nos. 1 and 3), Rachmaninov’s Sérénade in B flat minor and Ravel’s Oiseaux tristes (from Miroirs), recorded in July 2007, in the Folwang Hochschule in Essen.
04:08
The Violin's Voice
How can we describe the intimate connection between an instrument and its player? World renowned violinist Frank Peter Zimmerman refers to his 1711 Stradivarius "Lady Inchiquin" as the "love of his life," but what does it take for a piece of wood to achieve such reverential status? After having to return his beloved instrument, which was owned by West LB, Zimmerman turned to Martin Schleske, a violin maker considered by many to be a "21st Century Stradivari." This documentary intertwines Zimmerman's tale of separation and reunion with behind the scenes demonstrations of Schleske's work, charting the life of the violin from workshop to concert hall.
05:00
Bach - Partita for Violin No. 2 (BWV 1004)
Celebrated German violinist Isabelle Faust performs J. S. Bach’s Partita No. 2 in D minor (BWV 1004). The work is part of the composer’s well-known Sonatas and Partitas for Solo Violin (BWV 1001-1006). Partita No. 2 is made up of four dance movements, concluded by its famous Chaconne, a monumental piece within the violin repertoire. In this Chaconne, Bach develops a series of continuous variations from a theme, exploring a complex range of harmonic possibilities. This performance was recorded at St. Thomas Church in Leipzig, Germany, in 2020.
05:33
Telemann - Der am Ölberg zagende Jesus, TWV 1: 364
The film Jaroussky sings Bach & Telemann is a portrait of a very special vocalist, and of two exceptional composers. When Philippe Jaroussky - whose angelic voice seems almost timeless, not belonging to any one epoque or decade - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished over the centuries. The works performed in this film are Telemann's Jesus liegt in letzten Zügen and Sinfonia from Brockes-Passion; Der am Ölberg zagende Jesus, and Bach's Sinfonia from Ich hatte viel Bekümmernis and Ich habe genug.
06:00
Bach - Cello Suite No. 1 in G major, BWV 1007
At St. Bartholomew Church in Dornheim, Germany, where composer Johann Sebastian Bach married his first wife Maria Barbara, renowned Dutch cellist Anner Bijlsma performs the composer's Cello Suite No. 1 in G major, BWV 1007. It is likely Bach wrote his collection of six Suites for unaccompanied cello during the years 1717-1723. His cello suites are an essential part of the cello repertoire, highlighting the instrument's manifold polyphonic possibilities. As customary in a Baroque suite, each movement is based on a dance type. Bach's Suite No. 1 opens with a prelude, and is followed by six dance movements, divided over five sections: an allemande, a courante, a sarabande, two minuets, and a final gigue.
06:22
Saint-Saëns - Intro and Rondo Capriccioso, Op. 28
The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With over 22.000 in attendance, they are some of the most popular classical music concerts in the world. This year the outstanding orchestra under the baton of Neeme Järvi take us on a trip to Arabian “Thousand and One Nights”, with soloist Janine Jansen, a rising star who quickly gained the reputation of one of the foremost young violinists on the international concert stages. On the program are Rimsky-Korsakov's Scheherazade, Symphonic Suite, op. 35, Grieg's 'Peer Gynt' Suite No.1, op. 46, excerpts from Nielsen's Aladdin Suite for Orchestra op. 34, Saint-Saëns's Introduction und Rondo capriccioso and "Meditation” from 'Thais' by Massenet.
06:32
Beethoven - Piano Concerto No. 1 & Symphony No. 2
At the age of seven, Argentine pianist Martha Argerich made her debut with Ludwig van Beethoven’s Piano Concerto No. 1 in C major, Op. 15, a piece that would accompany her throughout her career. The celebrated pianist performs this signature piece at the Lucerne Festival with the Lucerne Festival Orchestra under the baton of Swedish conductor Herbert Blomstedt, who makes his festival debut with the orchestra. Beethoven’s Symphony No. 2 in D major, Op. 36, is also on the program. This performance was recorded at the Lucerne Culture and Congress Center (KKL), Switzerland, in August 2020.
07:52
IVC 2021 - Semi-finals: Schubert, Wolf a. o.
Soprano Heidi Baumgartner (Austria, 1998) and pianist Asuka Tagami (Japan, 1991) perform Franz Schubert’s Suleika I, Op. 14 No. 1, D. 720; ‘Er ist’s’ from Hugo Wolf’s Mörike-Lieder; Bart Visman’s Vermeer’s Gold; ‘Sua katselen’ (Looking at you) from Kaija Saariaho’s Leino-Laulut (Leino songs); and ‘Pantomime’ and ‘Apparition’ from Claude Debussy’s Quatre chansons de jeunesse, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.