Schedule

Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Gustav Mahler’s Symphony No. 1 in D major, “Titan”. Composed between 1887 and 1888, the symphony blends traditional form with innovative ideas like folk melodies, march rhythms, and fanfare motifs. The work contrasts idyllic natural scenes with moments of profound melancholy, military fanfares, and a funeral march for a “woodland creature” that uses a famous folk round in a minor key. It’s characterized by its bold use of harmony, unexpected melodic juxtapositions, and an expansive form rooted in a classical framework. This performance was recorded at Sala Nezahualcóyotl of the Centro Cultural Universitario in Mexico City, in 2012.

Pianist Jaeden Izik-Dzurko (Canada, 1999) performs Johannes Brahms’s Piano Concerto No. 2 in B-flat major, Op. 83, during the final round of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). Izik-Dzurko is accompanied by the Orchestre symphonique de Montréal under the baton of Xian Zhang. This performance was recorded at Maison symphonique de Montréal.

In 2013, the Finnish conductor Hannu Lintu was appointed principal conductor of the Finnish Radio Symphony Orchestra. Lintu studied piano and cello at the Sibelius Academy and the Turku conservatorium in Sweden’s southeast. He started conducting at the Sibelius Academy. His many concerts with the Finnish Radio Symphony Orchestra in 2012 made him the obvious replacement for Sakari Oramo, who, after many years as conductor and concert master, terminated his contract in 2012. The orchestra specializes in the performance of Finnish music, but also performs the great masterpieces of Gustav Mahler and Béla Bartók. The Finnish composer Jean Sibelius is the orchestra’s favourite, as well as the conductor. In cooperation with Finland’s national public broadcasting company Yle, all seven Sibelius symphonies are recorded and broadcast. After a brief spoken introduction about the piece, the orchestra performs the complete symphony. After Sibelius was diagnosed with throat cancer in 1908, he changed his lifestyle as well as his approach to composition. Fearing death, he quit using alcohol and tobacco. Simultaneously, the harmonies in his works grew darker and more sombre. Devils and death are among the images conjured up by the gloomy sounds of this Symphony.

Italian cellist Silvia Chiesa and Italian pianist Maurizio Baglini perform a wonderful recital of works by Ferruccio Busoni, Franz Liszt, Frédéric Chopin, and Sergei Rachmaninoff. On the program are Busoni’s Kultaselle – 10 variations on a Finnish folksong; Liszt’s Two Elegies for cello and piano; Chopin’s Introduction and Polonaise brillante in C major, Op. 3; and Rachmaninoff’s Sonata in G minor for cello and piano, Op. 19. As an encore, the duo plays Leonard Bernstein’s iconic composition ‘Tonight’ from the musical West Side Story. This performance was recorded at Sala Verdi of the Conservatorio Giuseppe Verdi in Milan, Italy, on November 4, 2024.

On December 24, 2011, one of the world’s most renowned classical orchestras, the Israel Philharmonic Orchestra, celebrated the 75th anniversary of its founding. The film portrays the orchestra and its eventful history against the backdrop of Israel and the holocaust. Interwoven with individual biographies and archival footage, the Israel Philharmonic Orchestra’s 75 years of history are brought back to life in concerts featuring Arturo Toscanini, Arthur Rubinstein, Leonard Bernstein, Isaac Stern, Zubin Mehta, Daniel Barenboim and Itzhak Perlman. We also get the opportunity to watch the Israel Philharmonic in rehearsals, concerts and on tour

Can we get into Beethoven’s creative mind, especially in the last phase of his life, when he was coping with severe hearing loss? Tom Beghin’s new recording of Beethoven’s Piano Sonatas Opus 109, 110, and 111 is an artistic exploration of how Beethoven’s musicking was shaped by the work environment he created with the help of colleagues and friends. Not only does pianist Tom Beghin perform Beethoven’s trilogy of pianistic masterpieces on a magnificent new replica of Beethoven’s Broadwood piano, he uses a reconstruction of the Gehörmaschine that was mounted on the composer’s piano so he could continue to create music as his hearing declined. ‘You do hear better when you bring your head under this machine, don’t you?’ André Stein asked Beethoven. Two centuries later, we too can bring our heads under the machine and wonder: Do we hear Beethoven differently? Beghin draws us inside the hearing machine, where we feel as well as hear the essence of Beethoven’s rambunctious and irresistibly poetic musical vibrations. Inside the Hearing Machine invites us into the multisensory playground of a deaf composer for whom the machine was more than a hearing aid and who interacted with his instrument through much more than sound.

The 2007 Europa-Konzert takes place in Berlin, on the occasion of the 125th anniversary of the Berliner Philharmoniker. Under the theme "The Year 1882", the acclaimed orchestra is lead by conductor Sir Simon Rattle as it interprets Brahms’ “Concerto for violin, cello and orchestra”, his Fourth Symphony and Wagners’ “Prelude to Act I” from Parsifal - the piece that marked the orchestra's first recorded work of September 1913 under the baton of Alfred Hertz. The soloists are Lisa Batiashvili (violin) and Truls Mørk (cello), established as sought-after young virtuosos and appearing regularly with leading orchestras and in recitals throughout the world. The “Kraftwerk und Kabelwerk Oberspree (power and cable factory)”, the remarkable venue of this concert, is one of the most impressive historical industrial building from the late 19th century in Berlin. As its impressive presence is infused with Brahms and Wagner, there is an air of total commitment, only enhanced further by the unusual surroundings. The collaboration of Lisa Batiashvili and Truls Mørk ensures a moving performance of Brahms’s last orchestral work, his Double Concerto. Following this, Rattle and the orchestra continue to demonstrate their outstanding musicianship, delivering Wagner's amazingly fresh and dynamic Fourth Symphony.

Pianist Vadim Repin and Violist Murad Hüseynov perform Gara Garayev's Violin Sonata and 24 Preludes for Piano. Recorded at La Grange au Lac. Written and directed by Juliette Swierczewski and recorded at La Grange au Lac. Although Garayev is a 20th century composer, his music nonetheless carries allusions to romantic music. Murad, the main actor, will represent one of those characters carried by solitude that can be found in the romantic paintings of Friedrich. The overall atmosphere of the musical program is rather melancholic, tending either towards a certain musical lightness, or, on the contrary, towards drama. The production is a cinematographic accompaniment of the music and its performers.

Pianist Arisa Onoda (Japan, 1996) joins the CMIM ensemble, consisting of three principal strings players of the Montreal Symphony Orchestra, in a performance of the first movement, Allegro molto moderato, of Gabriel Fauré’s Piano Quartet No. 1 in C minor, Op. 15. This performance took place during the chamber music round of the two-part semi-final of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). It was recorded at Bourgie Hall in the Montreal Museum of Fine Arts.

Mahler's Symphony No. 8, also known as the "Symphony of a Thousand," is a monumental choral epic composed in 1906 that requires an enormous ensemble of soloists, choruses, and a massive orchestra to perform its vast musical tapestry. The work is a unique and grandiose tribute to love and the spiritual salvation of mankind, drawing from two distinct textual sources to create its sublime effect. Audiences most value its overwhelming, ecstatic emotional power and the sheer spectacle of the grand performing forces.

For twenty years, the Berlin Philharmonic has celebrated its 1882 founding with a concert at a major European venue, and the 2011 event takes place at the magnificent Teatro Real in Madrid. Under the baton of Sir Simon Rattle, the renowned orchestra performs Joaquín Rodrigo’s beloved Concierto de Aranjuez, Emmanuel Chabrier’s exuberant España, and Sergey Rachmaninov’s dramatic Second Symphony. For the first piece, the orchestra is joined by famous flamenco guitarist Cañizares, whose virtuosity and sensitivity are on full display in this multi-faceted and subtle work. The soloist's virtuosity, his technique, harmony, strength and sensitivity have distinguished Cañizares as a unique artist, considered one of the great flamenco musicians of the turn of the century. Above anything else, however, Cañizares praises simplicity and purity of sound, transmitting a message with a high emotional impact, as is proven in this splendid concert.

The legendary pianist Vladimir Horowitz (1903-1989) won his first praise on his interpretation of Rachmaninoff's Third Piano Concerto from the composer himself. When Rachmaninoff heard the young Kiev-born pianist play his work shortly after Horowitz's arrival in New York in 1928, he exclaimed: "He swallowed it whole." Fifty years later, on September 24, 1978, Horowitz electrified his audience once again with this monumental work. Accompanied by the New York Philharmonic under Zubin Mehta, he gave a special performance of this work as part of the celebrations honoring his U.S. debut 50 years earlier. His unforgettable account was recorded live on video and broadcast simultaneously throughout the United States. It was the last time Horowitz played the Third in his lifetime. The work itself, reverently called "Rach 3" by pianists brave enough to tackle its monstrous technical challenges, achieved international celebrity of a different kind in recent years.

The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, maestro Daniel Harding leads the Orchestra del Maggio Musicale Fiorentino in a wonderful concert program featuring Gustav Mahler’s Symphony No. 1 in D major, ‘Titan’. Mahler completed his first symphony in 1888. Originally a five-movement piece, the composer discarded the second movement ‘Blumine’ some years later, resulting in the final four-movement version we know today. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

Alexander Ullman (1991, United Kingdom) performs Liszt’s Études d'exécution transcendante, No. 11 Harmonies du soir (S139/11), Nuages gris (S199), Bagatelle sans tonalité (S216a) and Grandes Études de Paganini No. 6, Quasi presto, (S141/6) during the Solo Finals of the 11th International Franz Liszt Piano Competition, held in TivoliVredenburg, Utrecht, in 2017. The competition actively presents, develops, and promotes piano talents from around the world. In doing so, it has become one of the prominent gateways to the international professional classical music scene for young musicians. The International Franz Liszt Piano Competition was founded in 1986 in the Netherlands and has since built a reputation as one of the world’s most prestigious piano competitions.

Riccardo Frizza conducts the Orchestra Gli Originali and the Coro Donizetti Opera in a performance of Geatano Donizetti’s comic opera L’elisir d’amore (‘The Elixer of Love’, 1832). L’elisir d’amore is perhaps the most famous work in Donizetti’s extensive repertoire. It tells the story of the poor peasant Nemorino who is in love with the beautiful landowner Adina. After hearing about the legend of Tristan and Isolde, the desperate Nemorino wonders if a love potion would help him to gain Adina’s love. He seeks help of the travelling quack Dr. Dulcamara, from whom he purchases a bottle of magic elixir. Directed by Frederic Wake-Walker, this 2021 production is unique as it features the complete, original score as reconstructed by Alberto Zedda based on Donizetti’s autographs. In addition, the orchestra plays on historical instruments to recreate the sound of Donizetti’s orchestra. Among the soloists are Caterina Sala (Adina), Javier Camarena (Nemorino), Florian Sempey (Belcore), Roberto Frontali (Dulcamara), Anaïs Mejías (Giannetta), and Manuel Ferreira (Master of ceremonies). This performance was part of the Donizetti Opera Festival, recorded at Teatro Donizetti in Bergamo, Italy, in 2021.

Conrad van Alphen conducts Sinfonia Rotterdam in a performance of Wolfgang Amadeus Mozart’s Symphony No. 35 in D Major, K. 385, recorded at the Nieuwe Kerk, The Hague, in 2020. Van Alphen founded Sinfonia Rotterdam in 2000. Under his passionate leadership, this orchestra has developed into one of the Netherland’s best-known orchestras. Mozart’s Symphony No. 35 is also known as the “Haffner Symphony”. In 1782, the Haffner family from Salzburg commissioned Mozart to write a new piece on the occasion of the ennoblement of Sigmund Haffner. Mozart agreed, and initially composed a serenade before recasting it as a symphony a few months later: the “Haffner Symphony”. One of his revisions was the addition of more instruments in the first and last movement, resulting in a fuller sound. The symphony consists of four movements: Allegro con spirito, Andante, Menuetto, and Presto.

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored repertoire for piano and violin in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists, including pianists Evgeny Kissin, Theodosia Ntokou, and Cristina Marton-Argerich, and violinist Maxim Vengerov. On the program are Dmitri Shostakovich’s Concertino for two pianos, Op. 94; Frédéric Chopin’s Impromptu No. 3, Op. 51, Polonaise No. 6, Op. 53 “Heroic”, and Waltz No. 6, Op. 64 No. 1; Camille Saint-Saëns’s Polonaise for two pianos, Op. 77; César Franck’s Sonata for violin and piano in A major; and Fritz Kreisler’s Liebesleid and Schön Rosmarin. This performance was recorded on June 12, 2021.

Baritone Geng Lee (China, 1994) and pianist Nils Basters (Germany, 1989) perform Henri Duparc’s Chanson triste; ‘Ein Jüngling liebt ein Mädchen’ and ‘Am leuchtenden Sommermorgen’ from Robert Schumann’s Dichterliebe, Op. 48; ‘Litany’ from John Musto’s Shadow of the Blues; Bart Visman’s Vermeer’s Gold; ‘Hôtel’ from Francis Poulenc’s Banalités, FP 107; and ‘Ging heut’ Morgen über’s Feld’ from Gustav Mahler’s Lieder eines fahrenden Gesellen, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.