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00:00
Rossini - La Cenerentola
PG02:53:002015HD
Gioachino Rossini's opera La Cenerentola ('Cinderella'), with a libretto by Jacopo Ferretti, was first performed in February 1816 following the success of Il Barbiere di Siviglia. Interestingly, much like its predecessor, the first performance of the opera was received with some hostility, but the work soon became popular throughout Italian theaters and beyond. The opening of La Cenerentola is one of the most famous Rossini pieces, evoking a spirit of lightness and freshness. The work’s originality lies in the violent contrast between the heroin’s tenderness and the plot’s sentimentalism mixed with Rossini’s virtuosity and unbridled sense of humor. This 2015 performance of La Cenerentola at the Opéra de Rennes is conducted by Darrell Ang and features the Symphonic Orchestra of Brittany and choir of the Opéra de Rennes and José Maria Lo Monaco, Daniele Zanfardino, Marc Scoffoni and Bruno Pratico.
02:53
Hearing the Silence
G01:08:002003HD
Claudio Abbado was one of the world's finest and most-respected conductors. He held the post of musical director with La Scala in Milan from 1968 to 1986, with the Vienna Opera from 1986 to 1991, and the Berlin Philharmonic from 1989 to 2002. He was strong advocate of the development of young musical talent, and was instrumental in the foundation of the Chamber Orchestra of Europe, the European Union Youth Orchestra, and the Gustav Mahler Youth Orchestra. He also founded the new Lucerne Festival Orchestra. Filmmaker Paul Smaczny has followed his career over the years, regularly filming and interviewing him. In this profile, Abbado talks about his life and work, his conception of music, and his favourite compositions. Discover never-before-seen interviews combined with images of the conductor during rehearsals and concerts, interviews with friends and colleagues, and archival material. The result: a complete portrait under a new and unexpected light.
04:02
Cello: Busoni, Liszt, Chopin & Rachmaninoff
G01:07:002024HD
Italian cellist Silvia Chiesa and Italian pianist Maurizio Baglini perform a wonderful recital of works by Ferruccio Busoni, Franz Liszt, Frédéric Chopin, and Sergei Rachmaninoff. On the program are Busoni’s Kultaselle – 10 variations on a Finnish folksong; Liszt’s Two Elegies for cello and piano; Chopin’s Introduction and Polonaise brillante in C major, Op. 3; and Rachmaninoff’s Sonata in G minor for cello and piano, Op. 19. As an encore, the duo plays Leonard Bernstein’s iconic composition ‘Tonight’ from the musical West Side Story. This performance was recorded at Sala Verdi of the Conservatorio Giuseppe Verdi in Milan, Italy, on November 4, 2024.
05:10
Copland - Appalachian Spring
G00:49:002021HD
Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Aaron Copland’s Appalachian Spring Suite. Originally commissioned as a ballet for the legendary dancer Martha Graham, Aaron Copland's Appalachian Spring (1944) has since become an American classic. While first scored for a thirteen-piece ensemble, Copland later arranged the work for a full orchestra. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.
06:00
Lucerne Festival 2004 - Pollini plays Beethoven
G00:36:002004HD
Maurizio Pollini and the Lucerne Festival play under the baton of maestro Claudio Abbado. At the yearly Lucerne Festival in Switzerland they perform the beautiful Piano Concerto No 4 by Ludwig van Beethoven. This Piano Concerto was composed between 1805 and 1806 and Beethoven himself played the solo when the concerto premiered in December 1808. In this concert the solo is played by the Italian pianist Maurizio Pollini, well known for his interpretations of works by Beethoven, Brahms, and Chopin. This concert was recorded at the Lucerne Festival in 2004.
06:36
Shostakovich - 24 Preludes and Fugues, Op. 87
G01:57:002023HD
English-French pianist David Levy performs Dmitri Shostakovich’s 24 Preludes and Fugues, Op. 87. The work is a set of twenty-four pieces for piano, one in each of the major and minor keys of the chromatic scale. Each piece is in two parts: a prelude followed by a fugue. The composer was doubtlessly inspired by J. S. Bach’s famous The Well-Tempered Clavier (BWV 846-893), a collection of forty-eight preludes and fugues published in two books. A panel member at Leipzig’s Bach competition, Shostakovich was deeply inspired by Russian pianist Tatiana Nikolayeva’s performance of Bach’s 48 Preludes and Fugues. Shostakovich wrote these pieces between the autumn of 1950 and February 1951, dedicating them to Nikolayeva, who agreed to perform the Leningrad premiere in December 1952. David Levy’s performance was recorded at the Budapest Music Center, Hungary, in September 2023.
08:34
Orquesta de Minería - Anniversary Concert II
G00:50:002018HD
Léon Spierer conducts the Orquesta Sinfonica de Minería during the Concerto de San Silvestre. Soloist is soprano Jéssika Arévalo. The second and last part of this anniversary concert, shown in this program, opens with the Adagio from Joseph Haydn's "Farewell" Symphony No. 45 (Hob I:45) and concludes with Antonin Dvořák's Symphony No. 8, Op. 88. The symphony was completed in 1889 and saw its premiere the following year. In contrast to Dvořák's other works from this period, the music is cheerful and optimistic.
09:24
CMIM Piano 2024 - Semi-final I: Derek Wang
G00:18:002024HD
Pianist Derek Wang (USA, 1998) joins the CMIM ensemble, consisting of three principal strings players of the Montreal Symphony Orchestra, in a performance of the first movement, Allegro, of Johannes Brahms’s Piano Quartet No 1. in G minor, Op. 25. This performance took place during the chamber music round of the two-part semi-final of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). It was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.
09:43
Barber - Adagio for Strings
G00:13:002021HD
Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Samuel Barber’s Adagio for Strings. Completed in 1936, Barber arranged the piece for string orchestra from the second movement of his String Quartet, Op. 11. Adagio for Strings is one of the most recognizable pieces of classical music. The work’s emotional weight has led to its frequent use in film, often to evoke scenes of sorrow or tragedy. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.
09:57
Liszt - Elegie for Cello & Piano, No. 2 (S. 131)
G00:05:002024HD
Italian cellist Silvia Chiesa and Italian pianist Maurizio Baglini perform a wonderful recital of works by Ferruccio Busoni, Franz Liszt, Frédéric Chopin, and Sergei Rachmaninoff. On the program are Busoni’s Kultaselle – 10 variations on a Finnish folksong; Liszt’s Two Elegies for cello and piano; Chopin’s Introduction and Polonaise brillante in C major, Op. 3; and Rachmaninoff’s Sonata in G minor for cello and piano, Op. 19. As an encore, the duo plays Leonard Bernstein’s iconic composition ‘Tonight’ from the musical West Side Story. This performance was recorded at Sala Verdi of the Conservatorio Giuseppe Verdi in Milan, Italy, on November 4, 2024.
10:02
Beethoven - Symphony No. 9, Op. 125
G01:08:002000HD
Karita Mattila (soprano), Violeta Urmana (alto), Thomas Moser (tenor), Eike Wilm Schulte (bass), Swedish Radio Choir, Eric Ericson Chamber Choir, Berlin Philharmonic Orchestra, conductor: Claudio Abbado. Ludwig van Beethoven (1770-1827): Symphony No. 9 in D minor, Op. 125. The European Concert has been a tradition of the Berliner Philharmoniker since 1991. The musicians commemorate the anniversary of the orchestra's founding on May 1st, 1882, playing in different European cities. In 2000, the orchestra played at home in the Berlin Philharmonic Hall.
11:10
Beethoven - String Quartets No. 2, 14 & 16
G01:34:002020HD
Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 2 in G major, Op. 18, No. 2; String Quartet No. 16 in F major, Op. 135; and String Quartet No. 14 in C-sharp minor, Op. 131. This concert was recorded at Philharmonie de Paris on December 16, 2020.
12:44
Discovering Masterpieces – Symphonie Fantastique
G00:29:002001HD
Watch the series ‘Discovering Masterpieces’, your audio-visual concert guide to the great masterpieces of classical music. The series brings you 20 half-hour documentaries on 20 classical masterpieces: acclaimed experts, famous soloists and outstanding conductors take you on a journey back to the time and place of composition. In today’s documentary, Hector Berlioz’ ‘Symphonie Fantastique’. This ‘Fantastic Symphony’ is widely regarded as one of the most important and representative pieces of the early Romantic period. Leonard Bernstein once called it “the first musical expedition into psychedelia” because of its hallucinatory and dream-like nature. The German musicologist Wulf Konold describes the idea behind and the realization of this fascinating work.
13:14
Schumann - Humoreske, Op. 20
G00:26:002023HD
After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. In this performance, Schwartz performs Humoreske in B-flat major, Op. 20. Schumann composed the work in 1839 and dedicated it to German-Austrian composer Julie von Webenau. The piece’s title refers to humor as an emotional state. Schumann took his inspiration from German Romantic writer Jean Paul, who defines humor as “an infinity of contrast”, “a setting of the small world beside the great”, and where “a kind of laughter results which contains pain and greatness”. Humoreske is one continuous piece consisting of contrasting sections. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.
13:40
Prokofiev - Excerpts from Romeo & Julia, Op. 64
G00:26:001996HD
The beautiful Mariinsky Theatre in St. Petersburg formed the background for the 1996 edition of the annual Europakonzert of the Berliner Philharmoniker. In honour of the Russian hosts, the concert opened with highlights from Prokofiev's 'Romeo and Juliet', followed by the Cavatina from Rachmaninoff's opera 'Aleko'. After the intermission, Kolja Blacher featured in the two 'Violin Romances' by Beethoven, followed by a performance of his 'Seventh Symphony'. The orchestra is led by maestro Claudio Abbado.
14:06
Josquin - Missa Gaudeamus
G00:49:002018HD
Energetic, intellectual, eloquent and confident: in the Missa Gaudeamus we encounter a grown-up Josquin Desprez, who shows off with bravura all the compositional techniques and stylistic elements of his day. Cantus firmus and canon techniques go hand in hand with melodic ingenuity, rhythmic complexity and sophisticated climax-building. In the hands of the multiple prize-winning Stile Antico, this work, alternated with Josquin’s motets including Ave Maria and Salve Regina, shines like new.
14:56
Orquesta de Minería: Anniversary Concert I
G00:54:002018HD
Léon Spierer conducts the Orquesta Sinfonica de Minería during the Concerto de San Silvestre. Soloist is soprano Jéssika Arévalo. The first part of this anniversary concert, shown in this program, features the following works: Johann Strauss Jr.'s Wiener Blut, Op. 354, "Meine Lippen, sie küssen so heiß" from Franz Léhar's musical comedy Giuditta, the Ouverture from Gioachino Rossini's opera Barber of Seville, "Vilja's Lied" from Franz Léhar's musical comedy Die Lustige Witwe, Johann Strauss Jr.'s An der Schönen Blauen Donau, Op. 314, "Carceleras" from Ruperto Chapi's Las Hijas del Zebedeo, and Johan Strauss's Sr.'s famous Radetzky March, Op. 228. This concert was recorded at Academia de Música del Palacio de Minería, Mexico City.
15:51
Beethoven - Symphony No. 9
G01:06:002019HD
Conrad van Alphen conducts Sinfonia Rotterdam, the Octopus Symphonic Choir, and four vocal soloists in a performance of Ludwig van Beethoven’s Symphony No. 9 in D Minor, Op. 125 at De Doelen, Rotterdam, in 2019. Van Alphen founded Sinfonia Rotterdam in 2000. Under his passionate leadership, this orchestra has developed into one of the Netherland's best-known orchestras. Beethoven’s Symphony No. 9 is widely considered Beethoven’s greatest composition. He completed this symphony in 1824, when he was almost completely deaf. This symphony is unique, since Beethoven included a choir and vocal soloists in the last movement, in which he set parts of Friedrich Schiller's poem “Ode an die Freude” (“Ode to Joy”) to music. The symphony consists of four movements: Allegro ma non troppo, un poco maestoso, Molto vivace, Adagio molto e cantabile, and Finale. The four vocal soloists are Gulnara Shafigullina (soprano), Claire Barnett-Jones (mezzosoprano), Matthew Newlin (tenor), and Frederik Bergman (baritone).
16:58
Rachmaninoff: Piano Concerto No. 3,Op 30
G00:54:001978HD
The legendary pianist Vladimir Horowitz (1903-1989) won his first praise on his interpretation of Rachmaninoff's Third Piano Concerto from the composer himself. When Rachmaninoff heard the young Kiev-born pianist play his work shortly after Horowitz's arrival in New York in 1928, he exclaimed: "He swallowed it whole." Fifty years later, on September 24, 1978, Horowitz electrified his audience once again with this monumental work. Accompanied by the New York Philharmonic under Zubin Mehta, he gave a special performance of this work as part of the celebrations honoring his U.S. debut 50 years earlier. His unforgettable account was recorded live on video and broadcast simultaneously throughout the United States. It was the last time Horowitz played the Third in his lifetime. The work itself, reverently called "Rach 3" by pianists brave enough to tackle its monstrous technical challenges, achieved international celebrity of a different kind in recent years.
17:52
Beethoven - String Quartets Nos. 1, 9 & 10
G01:37:002020HD
Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 1 in F major, Op. 18, No. 1; String Quartet No. 10 in E-flat major, Op. 74, "Harp"; and String Quartet No. 9 in C major, Op. 59, No. 3, "Razumovsky". This concert performance was recorded at Philharmonie de Paris on October 13, 2020.
19:30
J. S. Bach - Arias, solos, and duets
G01:03:002020HD
Baritone Matthias Goerne teams up with violinist Vilde Frang, cellist Nicolas Altstaedt, flutist Stathis Karapanos, and harpsichordist Michaela Hasselt in this program dedicated to the music of J. S. Bach. They perform baritone arias from Bach’s most beautiful cantatas, as well as solo pieces and duets. On the program are Sonata No. 3 in C major for violin solo, BWV 1005; arias ‘Hier, in meines Vaters Stätte’, BWV 32 and ‘Die Welt mit allen Königreichen’, BWV 59; Suite No. 5 in C minor for cello solo, BWV 1011; ‘Wenn Trost und Hülf ermangeln muß’, BWV 117; ‘Ja, ja, ich halte Jesum fest’, BWV 157; Invention No. 7 in E minor, BWV 778; Invention in A major, BWV 783; and ‘Welt ade, ich bin dein müde’, BWV 158. This performance was recorded at St. Mary’s Church in Wittenberg, Germany.
20:34
Puccini - La Bohème
PG02:03:002017HD
Gustavo Dudamel conducts the Paris Opera Orchestra and Choir in a performance of Giacomo Puccini’s La Bohème. Recorded at the Opéra National de Paris in 2017 and directed by Claus Guth. Among the soloists are Nicole Car, Aida Garifullina Atalla Ayan and Artur Ruciński. La Bohème premiered in 1896 at the Teatro Regio in Italy. The opera's libretto focuses on the relationship between Rodolfo and Mimì. When young poet Rodolfo meets seamstress Mimì, it's love at first sight. But faced by the cruel realities of poverty and ill health, will the flame that burns between them flicker and die? Or will the timeless strength of their youthful passion withstand every trial and tribulation that life can throw at them?
22:37
Bruch - Violin Concerto No. 1, Op. 26
G00:26:002008HD
Sir Simon Rattle conducts the Berliner Philharmonic during the 2008 edition of the Europakonzert, held in the renowned hall of the Tchaikovsky Conservatory in Moscow. The first edition of the Europakonzert was in 1991, and since then, the founding of the Berlin Philharmonic on May 1st in 1882 is annually celebrated with a concert in a European city of cultural significance. The orchestra opens with an outstanding performance of Stravinsky’s Symphony in Three Movements. Furthermore, Vadim Repin, one of today’s most fascinating artists, features as soloist in Bruch’s Concerto for Violin No. 1, Op, 26. The orchestra concludes with a performance of Beethoven’s Symphony No. 7, of which the second movement, Allegretto, gained instant popularity after its premiere in 1813 and remains a crowd favorite.
23:04
Rachmaninoff & Dvořák Trios
G00:25:002018HD
The Valerius Ensemble, consisting of Eeva Koskinen (violin), René Geesing (cello) and Ingo Lulofs (piano) plays Rachmaninoff’s Trio élégiaque Nr. 1 and the Finale of Dvořák’s Piano Trio No.3, Op. 65. Rachmaninoff composed this Trio in 1892 at the age of 19. The work does not have an opus number and consists only of one movement, which is highly unusual for a Piano Trio. This concert was recorded at Muziekcentrum Enschede in the Netherlands on March 18, 2018.
23:29
PIAM - Semi-final: Mendelssohn and Chopin
G00:30:002021HD
Acclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Leonardo Colafelice (Italy, 1995) performs Felix Mendelssohn’s Variations sérieuses, Op. 54, and Frédéric Chopin’s “Heroic” Polonaise in A-flat major, Op. 53. This performance was recorded at Nuovo Teatro Ariberto in Milan, in May, 2021.