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14A01:51:002020HD

Iphigénie en Tauride (1779) is a four-act tragic opera by German-born composer Christoph Willibald Gluck. Written for the French stage, the work’s premiere in 1779 at the Parisian Royal Academy of Music was a great success. Iphigénie en Tauride is one of the composer’s ‘reform operas’, meaning that the music was to follow the drama and its expression. Nicolas-François Guillard’s libretto is based on Claude Guimond de La Touche’s play of the same name, but ultimately it derives from Euripides’s famous ancient Greek drama. Set shortly after the Trojan War, Iphigénie, who was to be sacrificed by her father Agamemnon, is saved and carried off by the goddess Diana to Tauris, where Iphigénie becomes Diana’s high priestess. Diego Fasolis conducts the Orchestre National des Pays de la Loire and the Chœur d’Angers Nantes Opéra in this production. Among the soloists are Marie-Adeline Henry (Iphigénie), Charles Rice (Oreste), Sébastien Droy (Pylade), Jean-Luc Ballestra (Thoas), and Élodie Hache (Diane). This performance was recorded at the Grand Théâtre d’Angers, France, in 2020.

G02:01:002000HD

On August 19, 2000, the Teatro Colón was filled to the brim with spectators longing to hear Daniel Barenboim play the piano. Barenboim, who is currently best known as a conductor, started his career half a century ago as a child prodigy, playing his first piano recital at age 7. This concert celebrates the maestro's on-stage career. Only after the maestro had performed for a full three hours, including no less than 13 encores, the audience was willing to let him leave the stage: a special evening if ever there was one! The concert included Ludwig van Beethoven's Sonata No. 23 ‘Apassionata’, Frederic Chopin's Waltz in e minor, and Wolfgang Amadeus Mozart's Sonata in C major.

G01:06:002006HD

This gala concert at Prague's beautiful Estates Theatre is one of the highlights of Mozart Year 2006. Conducted by Manfred Honeck, the Czech Philharmonic performs W. A. Mozart's finest compositions connected to the city of Prague in general or to the Estates Theatre in particular. Among them is Mozart's Clarinet Concerto, which premiered in Prague in 1791. This 2006 recording features clarinettist Sharon Kam. Mozart's Prague Symphony is invariably on the program. The Overture to Don Giovanni is also associated with the Estates Theatre, which is where Mozart conducted it in 1787.

G01:01:002015HD

Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.

06:00
Mozart - Symphony No. 40, K. 550
G00:32:001991HD
Gianluigi Gelmetti conducts the Radio-Sinfonieorchester Stuttgart in a performance of W. A. Mozart’s Symphony No. 40 in G Minor (K. 550), directed for television by Janos Darvas. The work was composed in 1788 and is sometimes referred to as the "Great G minor symphony", with the Symphony No. 25 being the "Little G minor symphony". The two are the only of Mozart’s 41 symphonies that were written in a minor key. It is arguably the most popular of all of Mozart’s symphonies. The catchy opening melody became one of the most popular ringtones of mobile phones in the 90s. Scholars are not in agreement whether it was popular in Mozart’s own time. The composer performed it a few times and rewrote some parts of the score.

G01:36:002017HD

Belgian conductor Jos van Immerseel leads Anima Eterna Brugge in a concert program dedicated to American composer George Gershwin. The program opens with Gershwin’s symphonic suite Catfish Row (arr. Steven D. Bowen) which is based upon music from his famous opera Porgy and Bess (1935). This is followed by the well-known tone poem An American in Paris (1928). After, soprano Claron McFadden joins the orchestra, presenting a selection of Gershwin’s classic jazz songs, including ‘The man I love’ (1924-27), ‘I got rhythm’ (1930), and ‘By Strauss’ (1936). She also performs ‘My man’s gone now’ and ‘Summertime’ from Porgy and Bess. The concert ends with Gershwin’s celebrated Rhapsody in Blue, with Bart Van Caenegem as featured pianist. This performance was recorded at Concertgebouw Brugge, Belgium, on March 3, 2017.

G01:20:002012HD

The Tafelmusik Baroque Orchestra, also known simply as Tafelmusik, is a Toronto-based Canadian baroque orchestra, specialised in early music. The ensemble is directed by violinist Jeanne Lamon. In ‘The Galileo Project: Music of the Spheres’ they perform music by Monteverdi, Vivaldi, Bach and Handel to a backdrop of high-definition images from the Hubble telescope, NASA and Canadian astronomers. Explore the fusion of arts, science and culture in the 17th and 18th centuries in this imaginative concert commemorating Galileo’s first public demonstration of the telescope. Actor Shaun Smyth narrates a compelling script while the musicians weave in and around a magical stage set by Marshal Pynkoski. Created and scripted by Alison Mackay.

G00:31:002021HD

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored chamber music repertoire in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists, including pianists Evgeny Kissin, Iddo Bar-Shaï, and Arielle Beck; violinists Gidon Kremer, Maxim Vengerov, and Tedi Papavrami; cellist Mischa Maisky, Flugelhorn player Sergei Nakariakov, as well as her daughter and grandson: Lyda Chen-Argerich (piano and viola) and David Chen-Argerich (piano). On the program are Alfred Schnittke’s Congratulatory rondo for piano and violin; Preludes No. 5, 21, and 24 from Mieczysław Weinberg’s 24 Preludes, Op. 100 (arranged for solo violin by G. Kremer); ‘Waltz’ and ‘Slava’ from Sergei Rachmaninoff’s 6 Morceaux, Op. 11, and Romance for six hands; Fritz Kreisler’s Liebesleid; Robert Schumann’s Fantasiestücke Op. 73, and Piano Quintet in E-flat major, Op. 44; and ‘Laideronnette, impératrice des Pagodes’ from Maurice Ravel’s Ma mère l'Oye. This performance was recorded on June 11, 2021.

G00:51:002019HD

“No mortal ever played the violin better than Signor Nichola.” The English rubbed their eyes in disbelief when in the late 17th century Nicola Matteis demonstrated his superior playing. Josef Žák, Czech and violin prodigy of the latest generation, has selected three suites from Matteis’ Ayres for violin and basso continuo. He combines these with work by Giovanni Antonio Guido, who also studied in Naples and developed his career in France.

G01:07:002003HD

Claudio Abbado was one of the world's finest and most-respected conductors. He held the post of musical director with La Scala in Milan from 1968 to 1986, with the Vienna Opera from 1986 to 1991, and the Berlin Philharmonic from 1989 to 2002. He was strong advocate of the development of young musical talent, and was instrumental in the foundation of the Chamber Orchestra of Europe, the European Union Youth Orchestra, and the Gustav Mahler Youth Orchestra. He also founded the new Lucerne Festival Orchestra. Filmmaker Paul Smaczny has followed his career over the years, regularly filming and interviewing him. In this profile, Abbado talks about his life and work, his conception of music, and his favourite compositions. Discover never-before-seen interviews combined with images of the conductor during rehearsals and concerts, interviews with friends and colleagues, and archival material. The result: a complete portrait under a new and unexpected light.

G00:50:002015HD

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances play Ludwig van Beethoven’s Violin Concerto in D major, Op. 61. Leading violinist Grimal is the soloist. Beethoven’s Violin Concerto was composed in 1806 and is the composer’s only work in this genre. Its premiere was not very successful, and the work saw few performances in the decades that followed. However, a remarkable performance by 12-year old violinist Joseph Joachim in 1844 gave the Violin Concerto a new lease of life. Ever since, it is one of the most performed works in the genre. As an encore, Grimal performs the Allegro from J. S. Bach’s Violin Sonata No. 2 in A minor, BWV 1003. This performance was recorded at Philharmonie de Paris, France, in 2015.

G00:48:002021HD

After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. In this performance, Schwartz presents Schumann’s Novelletten, Op. 21. The eight pieces for piano that make up this song cycle are often performed separately. It bears a dedication to pianist Adolph Henselt. Schumann composed the pieces between January and April of 1838, around the same time as Kinderszenen, Op. 18, and Kreisleriana, Op. 16. Novelletten is the most substantial yet least-known of Schumann’s piano cycles. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.

G00:25:001993HD

Every year, the Europakonzert is hosted by the Berliner Philharmoniker in a notorious concert hall or on a special location. This years concert is performed at the magnificent Royal Albert Hall in London. The Dutch conductor Bernard Haitink closes with Stravinsky's The Rite of Spring which he wrote in 1913 for Sergei Diaghilev's Ballets Russes. The première caused a lot of sensation and near-riot in the audience because of the avant-garde nature, music and choreography of the piece. The Rite of Spring is now considered as one of the masterpieces of classical music history and has influenced many 20th-century music composers. The encore is Tchaikovsky's Flower Waltz from the Nutcracker.

G00:57:002018HD

Why make use of a brilliant idea only once…? Guillaume Dufay upcycled his Marian antiphon Ave Regina Coeloruminto, a four-part mass, probably intended for the dedication of the cathedral of Cambrai. This dazzling piece of polyphony is a reminder of the extraordinary history of Kamerijk, which managed to maintain its position as an independent bastion in Burgundian territory. This is music of rebellion and devotion, powerfully performed by Cantica Symphonia’s specialists!

G01:25:002024HD

Superstar tenor Juan Diego Flórez brings to life the most iconic roles of the bel canto repertoire, joined by the vibrant young musicians of Sinfonía por el Perú, led by the celebrated conductor Ana María Patiño-Osorio! Embark on a lyrical adventure with them, from the powerful drama of Bellini's I Capuleti e I Montecchi and the majestic Jerusalem by Verdi, to the boisterous and spirited cancan of Offenbach's operetta Orpheus in the Underworld. Sinfonía por el Perú is a nonprofit organization founded by Juan Diego Flórez, with a mission to inspire social change through collective music education. Since its inception in 2011, over six thousand young Peruvians have embraced the opportunity to play an instrument or sing in a choir. Students from the program have graced the world's most prestigious stages, from Salzburg to Gstaad, including the Lucerne Festival, and they accompany Juan Diego Flórez for this concert.

G01:09:002021HD

Sir Simon Rattle leads the London Symphony Orchestra (LSO) and Chorus in a performance of Ludwig van Beethoven’s Symphony No. 9 in D minor, Op. 125. The soloists are Iwona Sobotka (soprano), Anna Stephany (mezzo-soprano), Robert Murray (tenor), and Florian Boesch (baritone). Engineered with unmatched symphonic finesse, Beethoven set aside ruminations on fate and heroism to compose his utterly musical and wholly satisfying Ninth Symphony. It is a monumental work, renowned for its innovative use of a chorus and vocal soloists in the final movement, singing a setting of Friedrich Schiller's poem "Ode to Joy". Premiered in 1824, it remains one of the most performed and recognizable pieces of classical music. This performance was recorded at Barbican Hall in London, on February 16, 2020.

G01:20:002019HD

For the Anniversary Gala, Cleveland Orchestra Music Director Franz Welser-Möst led a program featuring pianist Lang Lang as soloist. The program offered works touching on more than a century of Viennese musical traditions with Lang Lang performing Mozart’s Piano Concerto No. 24. The pianist made his Cleveland Orchestra debut in 2000 at Blossom Music Center and most recently performed with the Orchestra in 2014 at Severance Hall. The remainder of the concert features the Wiener Blut Waltzes, Opus 354 by Johann Strauss, Jr., the Fantasie from R. Strauss' Die Frau ohne Schatten and Ravel's La Valse, which dramatically evokes the changing artistic worlds between the 19th and 20th centuries. Recorded at Severance Hall, Cleveland on September 29th, 2018.

G01:01:002017HD

French lutenist Thomas Dunford performs various works for lute by J. S. Bach in this intimate chamber music concert, recorded at Concertgebouw Brugge, Belgium, in 2017. On the program are Suite for lute in G minor, BWV 995; Suite for solo cello in G major (arr. for lute), BWV 1007; and Chaconne from Partita for solo violin in D minor (arr. lute), BWV 1004. Paris-born lutenist Thomas Dunford (*1988) discovered the lute at the age of nine. He studied at the Conservatory of Paris and the Schola Cantorum in Basel, and participated in masterclasses with lutenists such as Rolf Lislevand and Julian Bream. He has made various solo and ensemble appearances at Europe’s most prestigious festivals.

G00:35:002022HD

Luca Vignali (oboe), Angelo De Angelis (clarinet), Carmine Pinto (horn), Eliseo Smordoni (bassoon), and Linda Di Carlo (piano) perform Ludwig van Beethoven’s Quintet for piano and winds in E-flat major, Op. 16. The piece, completed in 1796, is assumed to have been modelled on Mozart’s Quintet for piano and winds, K. 452. Both quintets are scored for the same unusual instrument combination, are in the same key, and feature the same three-movement structure. A marked difference is that Beethoven, as a piano virtuoso, wrote the piano parts to highlight the strengths of his playing. Besides, the composer regularly places this instrument in the center of attention. Beethoven published the work in 1801 in two versions: as a quintet for piano and winds, and as a quartet for piano and strings (also designated Op. 16). This performance was recorded at Perugia’s Auditorium Santa Cecilia, Italy, on June 23, 2022.

G01:27:002021HD

Young Venezuelan conductor Glass Marcano is a rising star. Having played in various local youth and symphony orchestras as a violinist, her first experience conducting an ensemble followed in 2012. In September 2020, she won the Orchestra Prize at La Maestra Competition – the first orchestra direction contest for women – held in Paris. In this concert, recorded at Opéra de Tours in February 2021, Marcano leads the Orchestre Symphonique Région Centre-Val de Loire/Tours in performances of two Romantic masterpieces. The program opens with Ludwig van Beethoven’s Violin Concerto in D major, Op. 61, featuring Stéphanie-Marie Degand as the soloist. This piece is one of the most important works in its genre. The program concludes with Georges Bizet’s 1855 Symphony in C major, written when the composer was only 17 years old.

G01:10:002021HD

The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, Sir John Eliot Gardiner leads the Orchestra del Maggio Musicale Fiorentino in a wonderful concert program that includes Pyotr Ilyich Tchaikovsky’s Symphony No. 2 in C minor, Op. 17, ‘Little Russian’, and Edward Elgar’s Variations on an Original Theme, Op. 36, better known as the Enigma Variations. Written in 1872, Tchaikovsky’s Symphony No. 2 bears the nickname ‘Little Russian’, as the composer used folk tunes in his work from Ukraine, then known as ‘Little Russia’. Completed in 1899, Elgar’s Enigma Variations is an orchestral work comprising a theme and fourteen variations, each variation being a musical sketch of one of the composer’s friends. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

G00:14:002020HD

Argentinian conductor and harpsichordist Leonardo García Alarcón leads his ensemble Cappella Mediterranea in a program of Italian Baroque music. The ensemble performs some of the finest Baroque pieces composed by Francesco Cavalli, a prominent composer in 17th-century Venice, and two of his famous students, Barbara Strozzi and Antonia Bembo. Argentinian soprano Mariana Flores presents the vocal works. On the program: Strozzi’s Sino alla morte. This performance was recorded at the magnificent Église Notre-Dame of Sablé-sur-Sarthe, France, on August 26, 2020.

G00:32:002021HD

J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 1 in F major, BWV 1046. This concerto was written for strings, woodwinds, and brass, and features solos from each instrument group.