00:00
Les Bains Macabres
French composer Guillaume Connesson (*1970) is building an impressive musical oeuvre, to which he has recently added an opera: 'Les bains macabres'. For this romantic contemporary thriller opera he worked closely with librettist Olivier Bleys (*1970), a successful French author with dozens of novels to his credit. The result is an enigmatic narrative with a film noir soundtrack about the macabre 'Bains Terminus': ailing patrons who come to take the waters here never leave. When the Pool police investigates their mysterious deaths, the realms of life and death turn out to be not as separate as expected... In this February 2020 production, directed by Florent Siaud, soprano Sandrine Buendia plays the part of Célia and baritone Romain Dayez plays Mathéo. Conductor Arie van Beek conducts the Orchestre des Frivolités Parisiennes.
02:05
Mozart - Mass in c minor, K. 427
This rendition of Mozart’s Mass in c minor, KV 427 by the Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart and conductor Helmuth Rilling is recorded at the Knights Hall in Schloss Wolfegg. Soloists are Ibolya Verebics, Andrea Rost, Uwe Heilmann and Daniel Lichti. After Wolfgang Amadeus Mozart had married Constanze Weber on the 4th of August 1782, he promised to compose a mass in her honour. He intended for the mass to be performed during the newlyweds’ visit to Mozart’s father in Salzburg. In January 1783 Mozart wrote to his father that his Mass in C minor ‘Grosse Messe’ was halfway finished, but when he arrived in Salzburg in July of the same year the mass was still incomplete. He would never finish the mass.The parts of the mass that Mozart did manage to compose (the Kyrie and Gloria) had their opening on the 26th of October 1783 in Salzburg, with Constanze as solo soprano.
03:07
Israel Philharmonic Orchestra: Coming Home
On December 24, 2011, one of the world’s most renowned classical orchestras, the Israel Philharmonic Orchestra, celebrated the 75th anniversary of its founding. The film portrays the orchestra and its eventful history against the backdrop of Israel and the holocaust. Interwoven with individual biographies and archival footage, the Israel Philharmonic Orchestra’s 75 years of history are brought back to life in concerts featuring Arturo Toscanini, Arthur Rubinstein, Leonard Bernstein, Isaac Stern, Zubin Mehta, Daniel Barenboim and Itzhak Perlman. We also get the opportunity to watch the Israel Philharmonic in rehearsals, concerts and on tour
03:59
Beethoven - Violin Concerto, Op. 61
Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances play Ludwig van Beethoven’s Violin Concerto in D major, Op. 61. Leading violinist Grimal is the soloist. Beethoven’s Violin Concerto was composed in 1806 and is the composer’s only work in this genre. Its premiere was not very successful, and the work saw few performances in the decades that followed. However, a remarkable performance by 12-year old violinist Joseph Joachim in 1844 gave the Violin Concerto a new lease of life. Ever since, it is one of the most performed works in the genre. As an encore, Grimal performs the Allegro from J. S. Bach’s Violin Sonata No. 2 in A minor, BWV 1003. This performance was recorded at Philharmonie de Paris, France, in 2015.
04:50
Schubert - Four Impromptus, Op. 90
Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.
06:00
Bach – Musical Offering in C minor
The Kuijken Ensemble is made up of the three Belgian Kuijken brothers on flute, violin, and viola da gamba, as well as harpsichordist Robert Kohnen. The brothers don’t look alike, but their shared musical heritage is evident. Together, The Kuijken Ensemble are among the most distinguished present-day early-music specialists. Though each has branched out into conducting and other far-reaching ways of propagating authentic Baroque style, they are each masters of a different set of instruments. Their occasional reunions for concerts are legendary. With J. S. Bach's The Musical Offering, played here in a shorter score, they show off their stylish flair and extensive experience. Bach’s late masterpiece, The Musical Offering (1747) is a homage to King Frederick the Great of Prussia in Potsdam. Recorded in the beautiful setting of the historical Old Town Hall in Leipzig during the Bach year of 2000, the film captures some of the essence of the composer’s era.
06:54
Schumann - Cello Concerto in A minor, Op. 129
Manfred Honeck conducts Yo-Yo Ma and the Berlin Philharmonic in a performance of Schumann's Cello Concerto in A minor, Op. 129 from the Festspielhaus in Baden-Baden 2016.
07:18
Works for cello and piano by Schumann, Chopin a.o.
In Geneva, the Swiss city where she has spent most of her life, Argentinian pianist Martha Argerich invites her lifelong music partner, the cellist Mischa Maisky, to play chamber music. Between the pieces, Martha opens up to her daughter Annie Dutoit in an intimate interview that addresses both their relationship and the music. On the program are Ludwig van Beethoven’s 7 variations after "The Magic Flute"; Robert Schumann’s Fantasiestücke, Op. 73; Frédéric Chopin’s Introduction and Polonaise brillante in C major, Op. 3; ‘Lerchengesang’ (No. 2) from Johannes Brahms’s 4 Gesänge, Op. 70; and ‘Largo’ from Chopin’s Cello Sonata in G minor, Op. 65. This broadcast was recorded on November 12 and 13, 2020, in Geneva, Switzerland.
08:11
Beethoven Egmont Overture & Tchaikovsky Symphony 4
Experience a concert of high drama as conductor Nicolás Pasquet leads the Freixenet Symphony Orchestra of the Reina Sofía School of Music. The program opens with the heroic power of Ludwig van Beethoven’s Overture to Egmont, Op. 84. The concert culminates in a journey through fate and passion with Pyotr Ilyich Tchaikovsky’s monumental Symphony No. 4 in F minor, Op. 36. This performance was recorded at Sala Sinfónica of the Auditorio Nacional de Música in Madrid, Spain, on October 3, 2024.
09:03
Discovering Masterpieces – Beethoven No. 5
Watch the series ‘Discovering Masterpieces’, your audio-visual concert guide to the great masterpieces of classical music. The series brings you 20 half-hour documentaries on 20 classical masterpieces: acclaimed experts, famous soloists and outstanding conductors take you on a journey back to the time and place of composition. In today’s documentary, Ludwig van Beethoven’s ‘Symphony No. 5’ is discussed. The piece has the character of an appeal from the very start, when the four-note “fate” motif casts a spell on listeners. The German musicologist Armin Koch analyses the work, while the German Beethoven expert Wulf Konold illustrates the ingenious variations of the “fate” motif on piano, and also explains other features of this magnificent work.
09:31
Berg - Piano Sonata, Op. 1
Italian pianist Andrea Molteni (1998) performs Alban Berg’s Piano Sonata in B minor, Op. 1. Molteni began studying the piano at the age of six. He graduated with honors and honorable mention at the Conservatorio di musica Giuseppe Verdi di Como, and was awarded a master’s degree Magna cum Laude in Advanced Performance Studies by the Conservatorio della Svizzera Italiana in Lugano. He has appeared at the Wiener Saal of the Mozarteum University in Salzburg, Scriabin Museum in Moscow, National Opera Center in New York, and several other international venues. This performance was recorded at the Verbrugghen Hall of the Sydney Conservatorium of Music, Australia, in 2023.
10:00
Mahler - Symphony No. 9
The Gustav Mahler Jugendorchester was founded in 1986 at the initiative of Claudio Abbado and has since become the world’s best youth orchestra. Named after the great composer, the programme is marked by the special relationship between the maestro and the young orchestra, as well as their special relationship to Gustav Mahler. Claudio Abbado is undeniably the supreme Mahler conductor of our time and his long-time association with this repertoire culminates in this stirring performance of Mahler’s last Symphony, written shortly before the composer’s untimely death. Recorded at Accademia di Santa Cecilia in Rome 2004, the film vividly shows the joy, talent, and professionalism of the young musicians drawn from all over Europe and their devotion to Claudio Abbado. A wonderful homage to orchestra, conductor, composer and to a triumphant master work - Gustav Mahler’s magnificent 9th symphony.
11:21
Beethoven - String Quartets No. 6 and 15
Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 6 in B-flat major, Op. 18 No. 6; and String Quartet No. 15 in A minor, Op. 132. This concert performance was recorded at Philharmonie de Paris on November 24, 2020.
12:39
Discovering Masterpieces - Brandenburg Concertos
This episode presents the Brandenburg Concertos by Johann Sebastian Bach (1685-1750). Musical excerpts played by the Freiburger Barockorchester conducted by Gottfried von der Goltz. Bach's six Brandenburg Concertos rank among the undisputed favorites of all baroque fans. They have become a firm fixture in music education and an integral part of our international musical heritage. So what's their secret? The internationally acclaimed pianist and Bach expert Robert Levin provides an answer.
13:08
Grieg - String Quartet in G minor, Op. 27
String quartet Cuarteto Mendelssohn de BP, in its 2018 configuration of violinists Olga Artyugina and Eva Rabchevska, violist Bella Chic and cellist Hayk Sukiasyan, performs Edvard Grieg’s String Quartet in G minor, Op. 27. Completed in 1878, it is the composer’s second attempt in the genre. His first string quartet, written in the early 1860s, was lost, and the third one was left incomplete at the composer’s death. Grieg based the main theme of the quartet on the song ‘Spillemænd’ (Minstrels, from Six songs, Op. 25), appearing in all four movements. This performance was recorded at Auditorio Sony of the Reina Sofía School of Music in Madrid, Spain, on May 17, 2018.
13:46
Bach - Brandenburg Concerto No. 6
J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 6 in B-flat major, BWV 1051. Contrary to the other five concertos, this piece does not include violins, instead offering the floor to the lower strings and the harpsichord.
14:02
Riccardo Chailly conducts Mendelssohn
Riccardo Chailly’s inaugural concert as Kapellmeister of the Leipzig Gewandhaus Orchestra captures the full atmosphere of a unique musical occasion. The concert centers round composer Felix Mendelssohn, who founded the Gewandhaus Orchestra in 1743. It includes an overwhelming performance of Mendelssohn’s Symphony No. 2, Lobgesang with its celebratory choral last movement, as well as the ever-popular overture A Midsummer Night’s Dream with outstanding vocal soloists including Anne Schwanewilms and Peter Seiffert. The Gewandhaus Orchestra can look back with pride at its 250-year history. It has made music history and evolved into one of the world’s best-known and most renowned orchestras.
15:37
Brahms - Tragic Overture in D minor Op. 81
The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, maestro Daniel Harding leads the Orchestra del Maggio Musicale Fiorentino in a performance of Johannes Brahms’s Tragic Overture in D minor, Op. 81. Brahms composed his concert overture during the summer of 1880. With its dark and tumultuous character, it could be regarded as the serious counterpart of his more joyful Academic Festival Overture, Op. 80. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.
