Schedule

Sir Simon Rattle leads the London Symphony Orchestra in Gustav Mahler’s poignant song cycle ‘Das Lied von der Erde’ (The Song of the Earth). Joining him are two of today's leading vocalists: mezzo-soprano Magdalena Kožená and tenor Andrew Staples. Written in the final years of his life, Mahler’s masterpiece contemplates the beauty of life and the sorrow of parting through some of his most personal and beautiful symphonic writing. Written in the final years of his life and following the tragic death of his daughter, Mahler wrestles with the transience of life, contrasting moments of vivacity and happiness with introspection and melancholy. This performance was recorded at the Barbican Hall in London, UK, on May 9, 2021.

Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Sergei Prokofiev’s Peter and the Wolf, Op. 67. Written in 1936, Peter and the Wolf is a short, narrated orchestral suite, telling the story of a brave boy named Peter, who lives with his grandfather on the edge of a forest. With the help of his animal friends, Peter outsmarts a villainous wolf and captures it, eventually leading it to the zoo. Maestro Prieto gives an introduction to the different parts of the suite. In each part, each character is represented by a different instrument or instrument section, offering a vivid introduction to the orchestra's instrumental families. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.

French violinist Renaud Capuçon appears at the festival Les Coups de Cœur de Chantilly, presenting a chamber music program consisting of classical and 20th century repertoire. He performs with the soloists of the International Menuhin Music Academy led by French conductor Jean-Jacques Kantorow. First on the program is Wolfgang Amadeus Mozart’s Sinfonia Concertante in E-flat major, K. 364, in which Capuçon and violist Gérard Caussé appear as the soloists. Capuçon is then joined by pianist Iddo Bar-Shaï for a performance of Mozart’s Sonata for violin and piano in E minor, K. 304. The program closes with Dmitri Shostakovich’s Chamber Symphony in C minor, Op. 110a, which is a transcription of Shostakovich’s String Quartet No. 8 by Russian conductor Rudolf Barshai, the composer’s close friend. This performance was recorded at Château de Chantilly, on May 15, 2021.

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored chamber music repertoire in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists. As part of this concert, Argerich and pianist Iddo Bar-Shaï perform Franz Schubert’s Rondo in A major, D. 951.

The documentary “The Three Lives of Clara Schumann” traces the fascinating life story of German pianist and composer Clara Schumann. Born Clara Wieck in Leipzig in 1819, she was an exceptionally talented pianist, with an impressive international music career. She first met Robert Schumann, whom she married in 1840 and eventually had eight children with, in 1828. Basing itself on her letters and diaries, her compositions, and on accounts from musicians who have intensively studied her music, this 2019 documentary offers a multi-angled perspective on Clara Schumann. It records the various places where she lived, and the cities she visited as a pianist. This thought-provoking film was directed by Andreas Morell and Magdalena Zieba-Schwind.

The exceptional Russian pianists Nikolay Lugansky and Vadim Rudenko join forces in a performance of Maurice Ravel’s La Valse, in an arrangement for two pianos. This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on November 25, 2021.

Every summer, the Greek island of Patmos hosts the Patmos Musical Festival, a unique musical event comprising both a Chamber and a Sacred Music Festival. This documentary captures the 2024 edition, featuring performances by distinguished soloists and ensembles from around the world. The lineup includes the festival’s artistic director and pianist Roberto Prosseda, Steven Isserlis, Irène Duval, Michael Guttman and the Brussels Chamber Orchestra, and Peter Phillips and The Tallis Scholars. In interviews, several artists share their experiences of this intimate festival and the unique atmosphere of the island. The documentary was produced by the Patmos Music Festival Association and directed by Alberto Girotto.

Italian cellist Silvia Chiesa and Italian pianist Maurizio Baglini perform Franz Liszt’s Two Elegies for cello and piano. This performance was recorded at Sala Verdi of the Conservatorio Giuseppe Verdi in Milan, Italy, on November 4, 2024.

Sir Simon Rattle conducts the London Symphony Orchestra (LSO) in Antonín Dvořák’s spirited Slavonic Dances, Op. 46 (Nos. 1-8). These 16 folk dances earned Dvořák, who was a relative newcomer when he wrote them, great success. Originally composed for piano four hands, the London Symphony Orchestra plays the orchestral version of these brilliant works. This performance was recorded at LSO St. Luke’s on Old Street in London, UK, on September 23, 2020.

In this recital, Roberto Giordano plays the Six Pieces for Piano, op. 118 of Brahms, a collection completed in 1893 and dedicated to Clara Schumann who will be the penultimate produced by the composer during his lifetime. The concert program also includes two Beethoven sonatas, the famous Moonlight Sonata No. 14, op. 27, and Sonata No. 31, op. 110, one of the last sonatas signed by the composer. This concert was recorded at Villa Visconti Borromeo Litta, in the Italian city of Lainate, in 2017. Directed by: Pietro Tagliaferri.

At the age of eleven, Italian pianist Andrea Bacchetti (*1977) debuted with Italian chamber orchestra I Solisti Veneti under the baton of Claudio Scimone. He performed on international festivals and in prestigious concert halls worldwide. Besides, he appeared with several renowned orchestras such as Lucerne Festival Strings, Camerata Salzburg, and Prague Chamber Orchestra. In this recital, Bacchetti performs works of J. S. Bach. On the program is a selection of Preludes and Fugues from Bach’s The Well-Tempered Clavier, Book II: No. 9 in E major, No. 14 in F-sharp minor, No. 15 in G major, No. 20 in A minor, No. 2 in C minor, No. 1 in C major, No. 4 in C-sharp minor, No. 6 in D minor, No. 7 in E-flat major, No. 8 in D-sharp minor, and No. 13 in F-sharp major. Bacchetti closes the recital with Bach’s Aria variata alla maniera italiana in A minor, BWV 989. This performance was recorded at Teatro Sociale di Camogli, Italy, on December 9, 2022.

Since his spectacular debut recital at the Amsterdam Concertgebouw in 2002, pianist Misha Fomin has become an indispensable part of Dutch musical life. National and international press praise his playing for its fluently natural virtuosity, rich color palette, and great musical intelligence. In this concert, recorded at the Concertgebouw Amsterdam, Fomin performs a number of pieces including Modest Mussorgsky’s Pictures at an Exhibition (1874). The movements are separated by the Promenade: a recurring, varied theme that evokes the walk from one painting to the next. The various promenades are variations on the same theme, which recurs in two other movements (Cum mortus in lingua mortua and The Bogatyr Gates (In the Capital in Kiev)). Mussorgsky wrote this cycle in three weeks’ time in 1874. When Mussorgsky visited the exhibition of his friend, the late painter Viktor Hartmann, he wrote to a friend that “sounds and ideas hung in the air, I am gulping and overeating, and can barely manage to scribble them on paper.”

J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 2 in F major, BWV 1047. This piece features trumpet, violin, recorder, and oboe solos. Especially outstanding are the high, virtuoso trumpet parts.

In multidisciplinary project ‘Preludes - Danze al pianoforte’, dance and music come together in a wonderful and sophisticated show. Recognized Italian choreographer Massimo Moricone choreographed some of the most beautiful piano pieces by Frédéric Chopin, Claude Debussy, J. S. Bach, and Sergei Rachmaninoff, played by Italian pianist Costanza Principe. The protagonists are three Italy’s finest dancers: Anbeta Toromani, Alessandro Macario, and Amilcar Moret Gonzales. This performance was recorded at Teatro Romano di Verona, Italy, on July 25, 2023.

On the occasion of International Women’s Day, Italian violinist Laura Marzadori and Italian pianist Andrea Bacchetti performed a wonderful concert at Teatro Sociale di Camogli, Italy. On the program are Wolfgang Amadeus Mozart’s Sonata No. 18 in G major, K. 301; Ludwig van Beethoven’s Sonata No. 5 in F major, Op. 24; Manuel de Falla’s Suite Populaire Espagnole (transcription by Paul Kochaniski); Camille Saint-Saëns’ Introduction and Rondo Capriccioso in A minor, Op. 28; and ‘Méditation’ from Jules Massenet’s opera Thaïs. This performance was recorded on March 8, 2022.

The Tafelmusik Baroque Orchestra, also known simply as Tafelmusik, is a Toronto-based Canadian baroque orchestra, specialised in early music. The ensemble is directed by violinist Jeanne Lamon. In ‘The Galileo Project: Music of the Spheres’ they perform music by Monteverdi, Vivaldi, Bach and Handel to a backdrop of high-definition images from the Hubble telescope, NASA and Canadian astronomers. Explore the fusion of arts, science and culture in the 17th and 18th centuries in this imaginative concert commemorating Galileo’s first public demonstration of the telescope. Actor Shaun Smyth narrates a compelling script while the musicians weave in and around a magical stage set by Marshal Pynkoski. Created and scripted by Alison Mackay.

Franz Liszt (1811 - 1886) composed 13 symphonic poems, largely inspired by literary texts. The composer himself wrote piano duet arrangements for these pieces, showcasing his incredible ability of imitating a full orchestra on the piano. Liszt, one of the 19th century’s most important piano virtuosos, strongly influenced the further development of piano music. The Romantic period was the era of the virtuoso pianists: the piano was the instrument of choice for countless musicians and listeners alike. No house of standing could do without a piano: it was a status symbol. Piano music was played in concert halls, palaces, salons, churches and public houses alike. Liszt’s symphonic poem no. 4, ‘Orpheus’, breathes a meditative atmosphere. No. 3, ‘Les Préludes’, is best known in its symphonic version – the piano version presented here is rarely heard. The work dates back to the period 1848 – 1854 and was initially meant to serve as introduction to a choral cycle to be based on the texts of the poet Joseph Autran, ‘Les quatre éléments’: earth, air, water and fire. In this broadcast, the Italian piano duo of Marco Sollini and Salvatore Barbatano performs these Liszt piano works. These recordings were made at the beautiful 12th century church of San Marco in the small but picturesque village of Ponzano di Fermo, as part of the 2015 edition of the annual, itinerant festival ‘Armonie della sera’ in the Italian province of Le Marche.

Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Aaron Copland’s Appalachian Spring Suite. Originally commissioned as a ballet for the legendary dancer Martha Graham, Aaron Copland's Appalachian Spring (1944) has since become an American classic. While first scored for a thirteen-piece ensemble, Copland later arranged the work for a full orchestra. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.

Conrad van Alphen leads Sinfonia Rotterdam in a performance of Pyotr Ilyich Tchaikovsky’s Symphony No. 1 in G minor, Op. 13, ‘Winter Daydreams’, recorded at De Doelen in Rotterdam, the Netherlands in September 2022. Having completed a number of shorter orchestral works, Tchaikovsky embarked on a more ambitious project in March 1866: to write his first symphony. In the summer of that year, the young composer showed his still-unfinished score to his former teachers Anton Rubinstein and Nikolai Zaremba, whose harsh criticism thoroughly disillusioned him. With significant changes, the entire symphony was first performed in 1868, but Tchaikovsky further revised the work in 1874. Not only did the composer subtitle his symphony ‘Winter Daydreams’, he used descriptive titles for the first two of the four movements as well: ‘Dreams of a Winter Journey’ and ‘Land of Desolation, Land of Mists’.

The documentary “Clara Haskil - Le mystère de l’interprète” (2017) tells the remarkable life story of Romanian pianist Clara Haskil (1895-1960). Born in Bucharest into a Jewish family, she began her career as a child prodigy, entering the Bucharest Conservatory at a very young age. She continued her music studies in Vienna and Paris. Haskil suffered from chronic health issues and lived through two world wars, which held back her career. Only after WWII, Haskil’s fame began to take off and she finally enjoyed international recognition. She performed as a soloist over the world with the foremost orchestras, and collaborated with acclaimed musicians including Eugène Ysaÿe, George Enescu, and Pablo Casals.

Chamber music ensemble The Philharmonics pays tribute to the music of Vienna in this March 9, 2011 concert from Vienna's Café Sperl. The ensemble, which consists of musicians from the Vienna Philharmonic and the Berlin Philharmonic, performs arrangements of five popular waltzes by Johann Straus II. Among them are Kaiser-Walzer, Op. 437, and Schatz-Walzer, Op. 418, from the operetta The Gypsy Baron. In May 1921, the likes of Arnold Schönberg, Alban Berg, and Anton Webern wrote these chamber music arrangements to raise funds for their Society for Private Musical Performances. Although both the concert and the auction of the scores were very successful, the Society eventually went under. In addition to these pieces by Strauss, The Philharmonics perform works by Fritz Kreisler, Leopold Godowsky, as well as The Philharmonics's first violinist, Tibor Kováč. The program comes to an end with Godowsky’s tribute to the city: Alt Wien.