00:00
Haydn - The Creation
Director Carlus Padrissa created an astonishing avant-garde production of Joseph Haydn’s oratorio The Creation (Die Schöpfung), Hob. XXI:2 with internationally acclaimed Catalan theatre group La Fura dels Baus. This multimedia production presents the viewer with a continuous stream of imagery, text and spectacle, transforming the composer’s masterpiece into an immersive theatrical experience. The show utilizes huge helium-filled balloons, a stage crane, and singers submerged in an aquarium. In this performance, French conductor Laurence Equilbey leads her own insula orchestra and choir accentus. Vocal soloists are soprano Mari Eriksmoen, baritone Daniel Schmutzhard, and tenor Martin Mitterrutzner. This performance was recorded at La Seine Musicale in Paris, France, on May 12, 2017.
01:44
Vocal baroque works by Cavalli, Strozzi & Bembo
Argentinian conductor and harpsichordist Leonardo García Alarcón leads his ensemble Cappella Mediterranea in a program of Italian Baroque music. The ensemble performs some of the finest Baroque pieces composed by Francesco Cavalli, a prominent composer in 17th-century Venice, and two of his famous students, Barbara Strozzi and Antonia Bembo. Argentinian soprano Mariana Flores presents the vocal works. On the program are ‘Mira questi due lumi’ from Cavalli’s Le nozze di Teti e di Peleo, ‘Dimmi, Amor, che farò’ from L'Oristeo, ‘Sinfonia della notte’ from L’Egisto, and ‘E vuol dunque Ciprigna’ from Ercole Amante; ‘M’ingannasti in verità’ from Bembo’s Produzioni armoniche consacrate a Luigi XIV; Strozzi’s Sino alla morte, Che si può fare, Lagrime mie, L’amante segreto, and è Pazzo il moi core; Biagio Marini’s La Romanesca; Tarquinio Merula’s Aria Sopra La Cieccona; and Dario Castello’s Sonata Seconda. This performance was recorded at the magnificent Église Notre-Dame of Sablé-sur-Sarthe, France, on August 26, 2020.
02:59
The Unanswered Ives
“The Unanswered Ives” is the first documentary about American modernist composer Charles Ives (1874-1954). Ives was among the first generation of American composers that achieved international acclaim. Born in 1874, in Danbury, Connecticut, Ives took music lessons at a young age, becoming a church organist at the age of 14. Following his graduation from the music department at Yale University, the young composer decided to pursue a career outside of the arts. He started working in insurance, co-founding an innovative and highly successful insurance company. It was in his spare time that Ives composed his ambitious music, in which he experimented with advanced features including polytonality, twelve-tone technique, and quarter tones. The documentary film “The Unanswered Ives” (2018) sheds light on Ives’s life and work in all its facets, exploring his aural world by showing music performances in churches, concert halls, open-air venues, and a circus tent. Using interviews with relatives, insurance brokers, musicologists, and musicians, documentary filmmaker Anne-Kathrin Peitz explores the question “who was Charles Ives?"
03:52
Mahler - Symphony No. 1 in D major, ‘Titan’
The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, maestro Daniel Harding leads the Orchestra del Maggio Musicale Fiorentino in a wonderful concert program featuring Gustav Mahler’s Symphony No. 1 in D major, ‘Titan’. Mahler completed his first symphony in 1888. Originally a five-movement piece, the composer discarded the second movement ‘Blumine’ some years later, resulting in the final four-movement version we know today. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.
04:49
Schumann - Fantasie in C, Op. 17
After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. Schumann composed his Fantasie in C, Op. 17 in 1836, revising it prior to publication in 1839. Bearing a dedication to Franz Liszt, it is one of Schumann's greatest works for solo piano, and a central work of the early Romantic period. Written in a loose sonata form, the first movement is rhapsodic and passionate, the middle movement is a grandiose rondo, and the finale is slow and meditative. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.
06:00
Bach - Preludes and Fugues & Alla variata BWV 989
At the age of eleven, Italian pianist Andrea Bacchetti (*1977) debuted with Italian chamber orchestra I Solisti Veneti under the baton of Claudio Scimone. He performed on international festivals and in prestigious concert halls worldwide. Besides, he appeared with several renowned orchestras such as Lucerne Festival Strings, Camerata Salzburg, and Prague Chamber Orchestra. In this recital, Bacchetti performs works of J. S. Bach. On the program is a selection of Preludes and Fugues from Bach’s The Well-Tempered Clavier, Book II: No. 9 in E major, No. 14 in F-sharp minor, No. 15 in G major, No. 20 in A minor, No. 2 in C minor, No. 1 in C major, No. 4 in C-sharp minor, No. 6 in D minor, No. 7 in E-flat major, No. 8 in D-sharp minor, and No. 13 in F-sharp major. Bacchetti closes the recital with Bach’s Aria variata alla maniera italiana in A minor, BWV 989. This performance was recorded at Teatro Sociale di Camogli, Italy, on December 9, 2022.
07:09
Shusha Renaissance (2023)
“Shusha, the Renaissance” is a musical journey featuring pianist Murad Huseynov. The city of Shusha is often considered the cradle of Azerbaijan's music and poetry and one of the leading centres of the Azerbaijani culture, having been declared the cultural capital of Azerbaijan in January 2021. On the program are the following works: Fikret Amirov’s (1922-1984) Twelve Miniatures for Piano Solo: I. Ballade - II. Ashigsayagi – III. Nocturne – IV. Humoresque – V. Lyrical Dance – VI. Hunting - VII. Lullaby – VIII. Waltz – IX. Barcarolle – X. Toccata – XI. Elegy – XII. March; Adil Babirov’s (1934-2021) ‘s Prelude & Scherzo; Gara Garayev’s (1918-1982) Sonatine: I. Allegro – II. Moderato assai – III. Vivo ; Tofik Kouliyev’s (1917-2000) ‘Gaytagi’ and F. Amirov’s Romantic Sonata: I. Allegro energico - II. Andante espressivo - III. Allegro non troppo). This performance is filmed in Shusha in October 2023 and in the Heydar Aliyev Center, Baku, in December 2023. Written and directed by Michel Swierczewski.
08:01
Schumann - Piano Quintet in E-flat major, Op. 44
On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored chamber music repertoire in this wonderful concert, recorded at Château de Chantilly, France. As part of this concert, the ‘Grande Dame’ of the piano is joined by violinists Maxim Vengerov and Tedi Papavrami, cellist Mischa Maisky, and her daughter Lyda Chen-Argerich on viola in a performance of Robert Schumann’s Piano Quintet in E-flat major, Op. 44. This performance was recorded on June 11, 2021.
08:33
In the Organ's Stomach
Olivier Latry is the current holder of the Great Organ of Notre Dame. Between its original religious function and the interest of composers of all times, the great organ Cavaillé-Coll reveals its absolute modernity. Latry is considered one of the greatest organists of his generation, both in France and internationally. He sees himself as an ambassador of French music from the 17th through the 20th centuries as well as an advocate for the art of improvisation. Pieces played in the film are: Pierre Cochereau’s Boléro, Louis Vierne’s Carillon of Westminster and Scherzo from Symphony No. 2, Alexandre Guilmant’s Sonata No. 1, Charles-Marie Widor’s Gothic Symphony, Marcel Dupre’s Cortège, Litanie and J. S. Bach’s Passacaille & Fugue.
09:25
Schumann - Piano Sonata No. 3, Op. 14
After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. Schumann composed his Piano Sonata No. 3 in F minor, Op. 14 (a "Concerto for piano without orchestra", in the words of music publisher Tobias Haslinger) in 1836. He dedicated it to piano virtuoso Ignaz Moscheles. In 1853, Schumann revised the work and added a Scherzo as a second movement. The final movement is reminiscent of Schumann’s earlier composition Kreisleriana, Op. 16. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.
10:01
Approaching the Maelström
The 2019 documentary ‘Approaching the Maelström’ follows the process leading up to a recording of American composer Philip Glass’s composition ‘A Descent into the Maelström’. The work is based on American writer Edgar Allan Poe’s 1841 short story of two fishermen caught in torrents raging between the mountainous islands of Lofoten, Norway. Glass’s work, originally a choral piece for the Australian Dance Theatre, was only ever performed at the Adelaide Festival of Arts in 1986. Over thirty years later, in 2019, Beacon Isle Films recorded a symphonic arrangement of Glass’s work, performed by the Arctic Philharmonic Orchestra and Choir conducted by Tim Weiss with soprano Berit Norbakken Solset as the soloist. Their recording was made against the backdrop of Lofoten’s spectacular landscape: the very surroundings that inspired Poe’s story. Moreover, this inspiring documentary features a rare interview with Glass.