00:00
Tchaikovsky - Iolanta
‘Iolanta’ and ‘Perséphone’ – A double bill consisting of two stage works that “represent an ideal of beauty, poetry and hope” forms this new production by Peter Sellars in Madrid from the Teatro Real from 2012. In both works, the progression from darkness to light acts as an initiation rite that completely transforms the existential attitude of the leading characters. This broadcast features ‘Iolanta’, a mature composition by Tchaikovsky, which was premiered in 1892. It contains all aspects of the composer’s mastery: beautiful melodies, clear structure, and genuine passion in its many varieties. The Chorus and Orchestra of the Teatro Real are conducted by Teodor Currentzis. The soloists in this production are Ekaterina Scherbachenko (Iolanta), Alexej Markov (Robert), Pavel Cernoch (Vaudémont), Dmitry Ulianov (King René), Willard White (Ibn-Hakia), Vasily Efimov (Alméric), Pavel Kudinov (Bertrand), Ekaterina Semenchuk (Marta), Irina Churilova (Brigita) and Letitia Singleton (Irina Churilova).
01:48
Mahler - Symphony No. 2
Bernhard Haitink conducts the Berlin Philharmonic and the Ernst Senff Choir in a performance of Gustav Mahler’s Symphony No. 2. This concert took place at the Berliner Philharmonie in 1992. The final chorus of Mahler's beautiful and impressive second symphony never fails to move its listeners. The epic character of the work is not only due to the impressive size of the orchestra and the use of an organ and soloists, but also due to the themes of life and death that are addressed. The listener may recognize a number of Mahler's earlier compositions from his song collection Des Knaben Wunderhorn. Soloists are Sylvia McNair (soprano) and Jard van Nes (contralto).
03:18
In Rehearsal: Zubin Mehta
Indian conductor Zubin Mehta (1936) became Music Director of the Israel Philharmonic Orchestra (IPO) in 1977 and was appointed Music Director for Life in 1981. On July 18, 1996, Mehta led the IPO in its first-ever performance of Richard Strauss’s tone poem Till Eulenspiegels lustige Streiche, Op. 28. Renowned as one of the world’s foremost interpreters of the great symphonic repertoire—especially the Romantic works of Anton Bruckner, Gustav Mahler, and Richard Strauss—Mehta had conducted this popular masterpiece many times before. However, this was the first occasion he rehearsed it from the very beginning with the orchestra. This episode of ‘In Rehearsal’ offers an intimate look at the dialogue between Mehta and the musicians as they explore Strauss’s tone poem together.
04:13
Beethoven - Piano Concerto No. 3 in C minor
Conductor Eduard Topchjan leads the Armenian National Philharmonic Orchestra in a performance of Ludwig van Beethoven’s Piano Concerto No. 3 in C minor, Op. 37. Russian-born pianist Maya Oganyan (*2005) makes her solo debut with the orchestra. Beethoven composed this concerto in 1800 and played the piano part himself at the piece’s premiere in 1803. Like two of his other major works –Symphony No. 5 and Piano Sonata No. 8 ‘Pathétique’ – this piano concerto is written in the key of C minor, which contributes to the work’s stormy character. As an encore, Oganyan performs Der Bote (‘The Messenger’) by Ukrainian composer Valentin Silvestrov. This performance was recorded at the Aram Khachaturian Concert Hall in Yerevan, Armenia, in 2021.
05:03
IVC 2021 - Final: Diepenbrock, Fauré a. o.
Tenor Zhuohan Sun (China, 1993) and pianist Sara Pavlovic (Serbia, 1996) perform ‘Wanderlied’ from Robert Schumann’s Kerner-Lieder, Op. 35; ‘Der Abend kommt gezogen’ from Alphons Diepenbrock’s Drie ballades, Op. 1; Gabriel Fauré’s Prison, Op. 83, No. 1; ‘Ganymed’ from Hugo Wolf’s Goethe-Lieder; Franz Schubert’s Nacht und Träume, D. 827; Zaiyi Lu’s The bridge in my homeland; ‘Mit Myrten und Rosen’ from Schumann’s Liederkreis, Op. 24; ‘C’ from Francis Poulenc’s Deux poèmes de Louis Aragon, FP 122; and ‘Scheiden und Meiden’ from Gustav Mahler’s Lieder und Gesänge aus der Jugendzeit, during the final round of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at De Verkadefabriek in ’s-Hertogenbosch, the Netherlands.
06:00
Bach - Works for organ
The Dutch musicologist, conductor, organ and clavecimbel player Ton Koopman specilizes in the performance of Early Music, in particular the music of Johann Sebastian Bach. Although Koopman performs across the globe with his Amsterdam Baroque Orchestra, Koopman is also a sought-after organist. In this broadcast in St. Mary's Cathdral in Leipzig, the treasured musician performs organ compositions by Johann Sebastian Bach: 'Wachtet Auf', BWV 645; 'Nun komm der Heiden Heiland', 'Fugue in g minor', 'Schmücke dich, o liebe Seele', and the 'Toccata in d minor'.
06:23
Chopin - Ballade No. 1, Op. 23
Roberto Giordano performs Chopin's Ballade No. 1, Op. 23. The sketches of the work date back to 1831 during Chopin's eight-month stay in Vienna. The first ballade was completed in 1835 after the composer moved to Paris. The main section of the ballade is built from two main themes which return in different keys after which a thundering chord introduces the Presto con fuoco, which eventually ends the piece in a fiery double octave scale run down the keyboard. The work gained popularity after appearing on the soundtrack to the 2002 Roman Polanski film The Pianist, where it is played by Janusz Olejniczak.
06:36
Jaroussky sings Bach & Telemann
The film Jaroussky sings Bach & Telemann is a portrait of a very special vocalist, and of two exceptional composers. When Philippe Jaroussky - whose angelic voice seems almost timeless, not belonging to any one epoque or decade - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished over the centuries. The works performed in this film are Telemann's Jesus liegt in letzten Zügen and Sinfonia from Brockes-Passion; Der am Ölberg zagende Jesus, and Bach's Sinfonia from Ich hatte viel Bekümmernis and Ich habe genug.
07:58
IVC 2021 - Semi-finals: Schönberg, Britten a. o.
Baritone Arvid Fagerfjäll (Sweden, 1991) and pianist Hikaru Kanki (Japan, 1993) perform Franz Schubert’s An mein Herz, D. 860; ‘Die Aufgeregten’ from Arnold Schönberg’s Sechs Lieder, Op. 3; ‘A poison tree’ from Benjamin Britten’s The red cockatoo and other songs; Bart Visman’s Vermeer’s Gold; ‘La mer est plus belle’ from Claude Debussy’s Trois mélodies de Paul Verlaine, L. 81; Gabriel Fauré’s Prison, Op. 83, No. 1; and ‘Die Geister am Mummelsee’ from Hugo Wolf’s Mörike-Lieder, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.
08:21
Documentary: Gianandrea Noseda
Although the great Italian composer Giuseppe Verdi applied unsuccessfully to study at the Milan Conservatory, this renowned college of music was eventually named after him. Today, the ‘Conservatorio Giuseppe Verdi’ counts numerous successful musicians among its alumni: from Giacomo Puccini, Alfredo Catalani, Claudio Abbado, Riccardo Chailly, Luigi Einaudi and Daniele Gatti, to Gianandrea Noseda. The acclaimed conductor Noseda (*1964) is one of the most important conductors of his generation. Recently, he taught a conducting masterclass at his alma mater for promising students from all over the world. For three days, Noseda joined forces with a hand-picked group of students to work on a varied concert programme. This documentary shows you these young, talented musicians rehearse compositions by Mozart, Tchaikovsky, and Stravinsky under the enthusiastic guidance of Maestro Gianandrea Noseda himself.
08:58
PIAM - Semi-final I: Chopin and Mozart
Acclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Su Yeon Kim (South Korea, 1994) performs various works by Frédéric Chopin: Nocturne in C minor, Op. 48, No. 1; Mazurka, Op. 2, No. 2 and 4; Scherzo No. 3 in C-sharp minor, Op. 39; and Waltz in A-flat major, Op. 34 No. 1. The recital comes to a close with Wolfgang Amadeus Mozart’s Gigue in G major, KV 574. This performance was recorded at Teatro EDI Barrio’s in Milan, in January 2020.
10:00
Handel - Messiah, HWV 56
The Messiah (HWV 56) by Georg Frederich Handel, also known as “A New Sacred Oratorio”, tells the life and suffering of Christ: a story of passion, fire, and sacrifice. This is one of Handel's best-known works, which took only three weeks to compose this oratorio and its famous "Hallelujah". The work has immense popularity since its premiere in Dublin in 1742, and is often presented at Easter. This performance of the Dutch ensemble Ribattuta Musica under the direction of conductor Dick Duijst was filmed in the grand church of the city of Ermelo, the Netherlands, in 2016. The soloists are Elvire Beekhuizen (soprano), Rosina Fabius (viola), Oscar Verhaar (counter-tenor) Satriya Krisna (tenor), and Hans Voschezang (bass). Ribattuta Musica is a professional ensemble that delivers authentic performances based on current musical practices at the time of the composers.
11:28
Roberto Giordano plays Brahms and Beethoven
In this recital, Roberto Giordano plays the Six Pieces for Piano, op. 118 of Brahms, a collection completed in 1893 and dedicated to Clara Schumann who will be the penultimate produced by the composer during his lifetime. The concert program also includes two Beethoven sonatas, the famous Moonlight Sonata No. 14, op. 27, and Sonata No. 31, op. 110, one of the last sonatas signed by the composer. This concert was recorded at Villa Visconti Borromeo Litta, in the Italian city of Lainate, in 2017. Directed by: Pietro Tagliaferri.
12:31
Modena - City of Belcanto
This documentary by Mark Perna shows the training and professional growth actions for opera singers, the promotion and enhancement of the cultural offer of the city and province of Modena and the maintenance and development of the Modenese musical tradition in the field of opera.
12:56
Bach Concerto & Mendelssohn Symphony No. 4
The legendary Sir András Schiff takes on the dual role of conductor and soloist in this special concert with the Freixenet Symphony Orchestra of the Reina Sofía School of Music. The program opens with Johann Sebastian Bach’s Keyboard Concerto No. 5 in F minor, BWV 1056, with Schiff himself at the piano. The concert concludes with Felix Mendelssohn’s magnificent ‘Italian’ Symphony No. 4. This performance was recorded at Auditorium 400 of the Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain, on June 18, 2024.
13:39
Ravel - Piano Concerto in G major
Mikhail Pletnev leads the Russian National Orchestra in a performance of Maurice Ravel's Piano Concerto in G major, featuring Lucas Debargue as the soloist. The composer completed this lively three-movement Piano Concerto in 1931. He incorporated several jazz elements in the work, especially in the two outer movements. This performance was recorded at Tchaikovsky Concert Hall in Moscow, Russia, in 2017, as part of the Ninth RNO Grand Festival.
14:04
Naples, City of Keyboards - Gaetano Greco
Before Porpora, Scarlatti and Pergolesi ruled the Neapolitan music scene there was Gaetano Greco, one of the finest music teachers and composers of his day. Andrea Buccarella, a young harpsichordist from Rome (also performing in the Festival with his Abchordis Ensemble), pairs Greco’s most beautiful toccatas and famous Ballo di Mantua with works by his pupil Durante, who with his ‘quattro stagioni’ explores every nook and cranny of the keyboard.