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G01:58:002023HD

English-French pianist David Levy performs Dmitri Shostakovich’s 24 Preludes and Fugues, Op. 87. The work is a set of twenty-four pieces for piano, one in each of the major and minor keys of the chromatic scale. Each piece is in two parts: a prelude followed by a fugue. The composer was doubtlessly inspired by J. S. Bach’s famous The Well-Tempered Clavier (BWV 846-893), a collection of forty-eight preludes and fugues published in two books. A panel member at Leipzig’s Bach competition, Shostakovich was deeply inspired by Russian pianist Tatiana Nikolayeva’s performance of Bach’s 48 Preludes and Fugues. Shostakovich wrote these pieces between the autumn of 1950 and February 1951, dedicating them to Nikolayeva, who agreed to perform the Leningrad premiere in December 1952. David Levy’s performance was recorded at the Budapest Music Center, Hungary, in September 2023.

G01:05:002021HD

Maestro Iván Fischer leads the Orchestra del Maggio Musicale Fiorentino in a remarkable concert program of works by Wolfgang Amadeus Mozart and Antonín Dvořák. Mozart’s Symphony No. 34 in C major, K. 338 opens the program. Completed in the summer of 1780, this was the last symphony Mozart wrote in Salzburg, where he worked as a court musician. The three-movement symphony features two vibrant outer movements with fanfares and rousing themes, while the quieter second movement is scored for strings alone, deviating from the typical four-movement structure of the time. Next on the program is Dvořák’s Symphony No. 7 in D minor, Op. 70, completed in March 1885 and premiered one month later in London conducted by the composer himself. With its dramatic and dark style, this symphony stands in stark contrast to the predominantly optimistic tone of Dvořák’s broader oeuvre. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, on January 29, 2021.

G00:30:002016HD

Few Italian theatres can boast of being an absolute point of reference for national and world culture. The Teatro Regio in Turin is both a symbol of excellence in the national operatic tradition and a prestigious stage hosting operas, ballets, concerts, and musicals of great substance. This short documentary offers a behind-the-scenes tour of the Teatro Regio Torino and bears witness to the enviable reputation that has prevailed since its opening in 1740.

G01:24:002024HD

The Danish National Symphony Orchestra and Concert Choir take you on a musical journey through the greatest Oscar-winning films, from timeless classics like Casablanca to monumental masterpieces like The Godfather and iconic blockbusters like Forrest Gump —epic movies with music that deserves its very own place in film history. These are famous soundtracks that, for nearly a century, have made us shiver, melt, and cry in the darkness of the cinema. Christian Schumann conducts The Danish National Symphony Orchestra and Concert Choir and soloists are Silas Bjerregaard and eee gee with host Caspar Phillipson as special guest.

G01:00:002006HD

Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.

G01:12:002021HD

Sir Simon Rattle leads the London Symphony Orchestra in Gustav Mahler’s poignant song cycle ‘Das Lied von der Erde’ (The Song of the Earth). Joining him are two of today's leading vocalists: mezzo-soprano Magdalena Kožená and tenor Andrew Staples. Written in the final years of his life, Mahler’s masterpiece contemplates the beauty of life and the sorrow of parting through some of his most personal and beautiful symphonic writing. Written in the final years of his life and following the tragic death of his daughter, Mahler wrestles with the transience of life, contrasting moments of vivacity and happiness with introspection and melancholy. This performance was recorded at the Barbican Hall in London, UK, on May 9, 2021.

G00:15:002021HD

J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 6 in B-flat major, BWV 1051. Contrary to the other five concertos, this piece does not include violins, instead offering the floor to the lower strings and the harpsichord.

G01:04:002021HD

In May and June 2021, Argentinian star pianist Martha Argerich celebrated her 80th birthday performing at Château de Chantilly, France. In this concert, recorded at the festival Les Coups de Cœur de Chantilly, Argerich is joined by three musicians who are particularly close to her heart: cellist Mischa Maisky, violinist Maxim Vengerov, and pianist Iddo Bar-Shaï. They perform with the orchestra Les Siècles under the baton of Romanian-Austrian conductor Ion Marin. The concert opens with Ludwig van Beethoven’s Triple Concerto in C major, Op. 56, with Argerich, Vengerov, and Maisky as soloists. Written in 1803, it is Beethoven’s only concerto for more than one solo instrument. This is followed by Camille Saint-Saëns’s musical suite The Carnival of the Animals (Le carnaval des animaux), featuring Argerich and Bar-Shaï as the pianists. This musical suite from 1886 consists of 14 movements, each depicting a different animal. The work was published posthumously in 1922, as Saint-Saëns was concerned that his animal miniatures, full of delightful jokes, might damage his reputation as a serious composer. This performance was recorded at Château de Chantilly, on May 4, 2021.

G00:17:00HD

Italian conductor Andrea Vitello leads his Ensemble BIOS in a performance of ‘Someone Out There is Praying for Peace (Let Us Not Be the Reason), I’, by contemporary Canadian composer Rita Ueda. This piece is written for strings and tar, a traditional plucked string instrument of Persian music, played here by Saeed Mirzazadeh. Ensemble BIOS specializes in 20th and 21st century music. This performance was recorded at Chiesa di San Cristo in Brescia, Italy.

G00:52:002017HD

One of the world’s most popular pieces of classical music, Maurice Ravel’s Boléro (1928), was no longer copyrighted as of May 1, 2016. Up to then it had made Ravel and his heirs millions. Ravel died in 1937 and left all he owned to his brother Edouard. Edouard’s death in 1960 unleashed a complex legal battle over the rights, involving among others Edouard’s nurse and her husband. This 2017 documentary gives a fascinating account of what happened to one this iconic piece of music right under the nose of the public. Filmmaker Fabien Caux-Lahalle underpins this investigative story with clips of the Boléro in various guises.

09:43
Beethoven - Piano Sonata No. 21 - III
G00:22:002017HD
Julijana Sarac performs the first/third movement of Ludwig van Beethoven’s Piano Sonata No. 21 (“Waldstein”). The work was completed in 1804 and is considered one of Beethoven's greatest and most technically challenging piano sonatas.

PG00:53:002022HD

Dutch choreographer Hans van Manen (1932) is internationally recognized as one of the grand masters of contemporary ballet. His over 150 ballets all bear his distinct signature, featuring a great clarity in structure, refined simplicity and an aversion to decorative frills. In the documentary ‘Hans van Manen – Moving to Music’ (2022), Van Manen reflects on his life, work, and the inspirations behind ballets charged with drama and eroticism. The film features excerpts from some of his most successful ballets, including the then-controversial Metaforen (1965), which featured the first male pas de deux, Adagio Hammerklavier (1973), and Sarcasmen (1981). Film director Reiner E. Moritz also included contributions of friends and colleagues, such as Ted Brandsen (Dutch National Ballet), Martin Schläpfer (Vienna State Ballet), and Van Manen’s partner Henk van Dijk, rounding off the portrait of the great choreographer.

G00:13:002009HD

Johann Sebastian Bach probably wrote this set of six Sonatas for Violin and Harpsichord during his time as chapel master in Köthen. Presumably, he wrote these sonatas for Prince Leopold and later adapted them for further use in Leipzig. Maybe this is why these pieces are well playable for amateurs, while every sonata still has the finesse that can offer a challenge to professional musicians. The different pieces are meant to be a set, just like the Brandenburg concertos.

G00:51:002019HD

Conrad van Alphen conducts Sinfonia Rotterdam and the Nationaal Vrouwen Jeugdkoor in a performance of Gustav Holst’s The Planets, Op. 32, recorded at De Doelen, Rotterdam, in 2019. Van Alphen founded Sinfonia Rotterdam in 2000. Under his passionate leadership, this orchestra has developed into one of the Netherland’s best-known orchestras. Holst worked on his orchestral suite The Planets, as an expression of his interest in astrology, from 1914 to 1916. The Planets consists of seven movements, each one named after the planet known at that time (excluding Earth), and its corresponding astrological character: “Mars: the Bringer of War”, “Venus: the Bringer of Peace”, “Mercury: the Winged Messenger”, “Jupiter: the Bringer of Jollity”, “Saturn: the Bringer of Old Age”, “Uranus: the Magician”, and “Neptune: the Mystic”. The middle section of Jupiter features a glorious melody that has become widely known. Holst adapted this melody when he set the poem “I Vow to thee to thy Country” to music. The last movement of The Planets includes a women’s choir, lending the music its mysterious, celestial atmosphere.

G01:31:002019HD

Japanese violinist Naoya Nishimura and Italian pianist Andrea Bacchetti perform an intimate recital recorded at the Munetsugu Hall in Nagoya, Japan. On the program are Arcangelo Corelli’s Violin Sonata in D minor, Op. 5 No. 12, “La Folia”; Ludwig van Beethoven’s Violin Sonata No. 5 in F major, Op. 24, “Spring”; Manuel de Falla’s 7 Canciones populares españolas; Maurice Ravel’s Sonata for violin and piano; Camille Saint-Saëns’ Introduction and Rondo Capriccioso in A minor, Op. 28; Niccolò Paganini’s Cantabile in D major, Op. 17; and Antonio Bazzini’s Scherzo fantastique, Op. 25, “La Ronde des Lutins”. This performance was recorded on June 22, 2019.

G00:34:002021HD

After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. In this performance, Schwartz presents Schumann’s Piano Sonata No. 1 in F-sharp minor, Op. 11. Schumann completed the work in 1835 and dedicated it to his beloved, Clara Wieck. As he had been forbidden to see her, Schumann sent Clara the sonata anonymously, adding a dedication by Florestan and Eusebius, the two fictional characters that represent the duality of the composer’s personality. The theme of the sonata’s second movement – the beautiful Aria – is based on Schumann’s early song ‘An Anna’ (1828). Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.

G01:36:002017HD

Belgian conductor Jos van Immerseel leads Anima Eterna Brugge in a concert program dedicated to American composer George Gershwin. The program opens with Gershwin’s symphonic suite Catfish Row (arr. Steven D. Bowen) which is based upon music from his famous opera Porgy and Bess (1935). This is followed by the well-known tone poem An American in Paris (1928). After, soprano Claron McFadden joins the orchestra, presenting a selection of Gershwin’s classic jazz songs, including ‘The man I love’ (1924-27), ‘I got rhythm’ (1930), and ‘By Strauss’ (1936). She also performs ‘My man’s gone now’ and ‘Summertime’ from Porgy and Bess. The concert ends with Gershwin’s celebrated Rhapsody in Blue, with Bart Van Caenegem as featured pianist. This performance was recorded at Concertgebouw Brugge, Belgium, on March 3, 2017.

G00:13:002019HD

Roberto Giordano performs Chopin's Ballade No. 1, Op. 23. The sketches of the work date back to 1831 during Chopin's eight-month stay in Vienna. The first ballade was completed in 1835 after the composer moved to Paris. The main section of the ballade is built from two main themes which return in different keys after which a thundering chord introduces the Presto con fuoco, which eventually ends the piece in a fiery double octave scale run down the keyboard. The work gained popularity after appearing on the soundtrack to the 2002 Roman Polanski film The Pianist, where it is played by Janusz Olejniczak.

G01:57:002017HD

By popular demand, Canada's Ballet Jörgen reprises the tragic tale of the Russian Grand Duchess Anastasia, 10 years after the ballet's premiere and 100 years after Anastasia's story. Created by acclaimed choreographer Bengt Jörgen, the ballet is set to an original score for orchestra by Russian composer Ivan Barbotin. He previously wrote the scores for two of Canada's Ballet Jörgen's most popular ballets: The Velveteen Rabbit and The Emperor’s New Clothes. Anastasia is both the tragic story of an innocent young girl and a modern myth: the exact events of that fateful summer of 1918 are shrouded in the mists of time. The ballet explores this lovable yet controversial main character's emotions, aspirations, and affections, as she is faced with a world in turmoil that undergoes an inevitable transformation. Anastasia is a sumptuous ballet performance, where costume and set design as well as the exquisite stage lighting reveal Canada's Ballet Jörgen's dedication to creative quality.

G01:05:002024HD

Musicians of the Reina Sofía School of Music pay tribute to the rich musical heritage of Czechia in this chamber concert. The program features Bedřich Smetana’s Piano Trio in G minor, performed by violinist Eduard Kollert, cellist Célia Garetti Nicole, and pianist Mariam Chitanava. Pianist Natalie Schwamova takes the stage for Leoš Janáček’s Piano Sonata 1.X.1905, followed by Josef Suk’s Four Pieces for violin and piano, featuring Eduard Kollert and pianist Marie Rosa Günter. The concert concludes with Antonín Dvořák’s Mazurek in E minor, performed by Kollert and Schwamova. This performance was recorded at Auditorio Sony of the Reina Sofía School of Music in Madrid, Spain, on November 28, 2024.

G00:59:002012HD

Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Gustav Mahler’s Symphony No. 1 in D major, “Titan”. Composed between 1887 and 1888, the symphony blends traditional form with innovative ideas like folk melodies, march rhythms, and fanfare motifs. The work contrasts idyllic natural scenes with moments of profound melancholy, military fanfares, and a funeral march for a “woodland creature” that uses a famous folk round in a minor key. It’s characterized by its bold use of harmony, unexpected melodic juxtapositions, and an expansive form rooted in a classical framework. This performance was recorded at Sala Nezahualcóyotl of the Centro Cultural Universitario in Mexico City, in 2012.

G00:33:002016HD

Conductor Jan Latham-Koenig leads the Flanders Symphony Orchestra in a performance of Edvard Grieg’s Piano Concerto in A minor, Op. 16. French pianist Pascal Amoyel features as the soloist. Grieg composed the work in 1868, drawing inspiration from Norwegian folk music. It is the composer’s only concerto. The work premiered on April 3, 1869 in Copenhagen, Denmark, with Edmund Neupert as the soloist, and was received enthusiastically. The Norwegian premiere followed a few months later. This performance was recorded at Concertgebouw Brugge, Belgium, on April 21, 2016.

G00:24:002020HD

Celebrated German violinist Isabelle Faust performs J. S. Bach’s Sonata No. 3 in C major (BWV 1005). The work is part of the composer’s well-known Sonatas and Partitas for Solo Violin (BWV 1001-1006). Sonata No. 3 includes an extensive fugue in which Bach employs many contrapuntal techniques. In this wonderful performance, Faust shows her mastery of Bach’s technically challenging piece. This performance was recorded at St. Thomas Church in Leipzig, Germany, in 2020.

PG02:32:002022HD

Frédéric Chaslin (1963) leads the Orchestra and Chorus of the Opéra Royal de Wallonie-Liège in a performance of Léo Delibes’s tragic opera Lakmé (1883). Written to a libretto by Edmond Gondinet and Philippe Gille, the opera is set in nineteenth-century British India and tells the story of Lakmé, who falls in love with Gérald, a British officer. However, Lakmé’s father, the Brahmin priest Nilakantha, vows revenge after he discovers that Gérald has trespassed on their sacred ground. Like many of his contemporaries, Delibes was fond of exoticism, evoking foreign lands and cultures in the tradition of Georges Bizet’s Les Pêcheurs de perles (1863) and Camille Saint-Saëns’s Samson et Dalila (1877). Delibes’s opera features the celebrated “Flower Duet,” sung by Lakmé and her servant Mallika as they gather flowers by the river, and also the wonderful coloratura aria “Bell Song” (Air des Clochettes). Among the soloists are Jodie Devos, Philippe Talbot, Lionel Lhote, Pierre Doyen, and Marion Lebègue. This production was recorded at the Opéra Royal de Wallonie in Liège, Belgium, in 2022.

G00:10:002021HD

J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 3 in G major, BWV 1048. This concerto was composed for three violins, three violas, three cellos, and basso continuo. Remarkable is the concerto’s form: the two fast movements are separated by an Adagio consisting of a single measure of just two chords.

G00:16:002024HD

Pianist Derek Wang (USA, 1998) joins the CMIM ensemble, consisting of three principal strings players of the Montreal Symphony Orchestra, in a performance of the first movement, Allegro, of Johannes Brahms’s Piano Quartet No 1. in G minor, Op. 25. This performance took place during the chamber music round of the two-part semi-final of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). It was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.