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Cello Premieres

Sundays in June

On three Sunday evenings in June at 21:00 CEST, Stingray Classica premieres four new recordings of impressive cello performances. On June 5, cellist Aleksandr Khramouchin performs Antonín Dvořák’s Cello Concerto in B minor, Op. 104 with the Luxembourg Philharmonic Orchestra under the baton of Emmanuel Krivine. One week later, on June 12, Khramouchin is seen again but in a smaller setting, this time accompanied by pianist Eliane Reyes for a performance of Sergei Prokofiev’s Cello Sonata, Op. 119. On June 26, the focus lies solely on the cello itself, as renowned Dutch cellist Anner Bijlsma plays J. S. Bach's famous Cello Suite No. 1 in G major. Bach’s collection of six Suites for Unaccompanied Cello, BWV 1007-1012, is an essential part of the cello repertoire and highlights the cello's manifold polyphonic possibilities. Bijlsma rounds off the evening with another suite from Bach’s collection: the Cello Suite No. 5 in C minor.


Dvořák - Cello Concerto in B minor, Op. 104

Sunday, June 5 | 21:00

Emmanuel Krivine leads the Luxembourg Philharmonic Orchestra in a performance of Antonín Dvořák’s Cello Concerto in B minor, Op. 104, featuring Aleksandr Khramouchin as the soloist. The Cello Concerto is one of the most-performed works in its genre. Dvořák composed the work during his three-year term as Director of the National Conservatory of Music in New York. The composer dedicated the concerto, which he completed in 1895, to the renowned Czech cellist Hanuš Wihan, his friend and colleague. Wihan suggested several improvements, including the addition of two cadenzas, but Dvořák only accepted a few minor changes. Of interest in the middle section of the second movement is the quotation of Dvořák's song “Leave Me Alone”, a favorite of his sister-in-law Josefina Čermáková, who was ill at that time, and would soon pass away. This performance was recorded in May 2011.


Prokofiev - Cello Sonata, Op. 119

Sunday, June 12 | 21:00

Aleksandr Khramouchin (cello) and Eliane Reyes (piano) perform Sergei Prokofiev’s Cello Sonata, Op. 119. Prokofiev was so impressed by young cellist Mstislav Rostropovich’s performance of a sonata written by the composer’s long-time friend Nikolai Miaskovsky, Prokofiev was determined to compose a cello sonata of his own for Rostropovich. The result was Prokofiev’s Cello Sonata, Op. 119 (1949), which saw its premiere at the Small Hall of the Moscow Conservatory in 1950, with Rostropovich as the soloist. Prokofiev’s musical partnership with Rostropovich influenced some of his other cello works as well. His Symphony-Concerto in E minor for cello and orchestra, Op. 125 (1950-1952) is another product of this collaboration between composer and cellist. The current performance was recorded as part of the Musicorum Festival at the Royal Museums of Fine Arts in Brussels, Belgium, 2021.


Bach - Cello Suite No. 1 in G major, BWV 1007

Sunday, June 26 | 21:00

At St. Bartholomew Church in Dornheim, Germany, where composer Johann Sebastian Bach married his first wife Maria Barbara, renowned Dutch cellist Anner Bijlsma performs the composer's Cello Suite No. 1 in G major, BWV 1007. It is likely Bach wrote his collection of six Suites for unaccompanied cello during the years 1717-1723. His cello suites are an essential part of the cello repertoire, highlighting the instrument's manifold polyphonic possibilities. As customary in a Baroque suite, each movement is based on a dance type. Bach's Suite No. 1 opens with a prelude, and is followed by six dance movements, divided over five sections: an allemande, a courante, a sarabande, two minuets, and a final gigue.


Bach - Cello Suite No. 5 in C minor, BWV 1011

Sunday, June 26 | 21:20

At St. Bartholomew Church in Dornheim, Germany, where composer Johann Sebastian Bach married his first wife Maria Barbara, renowned Dutch cellist Anner Bijlsma performs the composer's Cello Suite No. 5 in C minor, BWV 1011. It is likely Bach wrote his collection of six Suites for unaccompanied cello during the years 1717-1723. His cello suites are an essential part of the cello repertoire, highlighting the instrument's manifold polyphonic possibilities. As customary in a Baroque suite, each movement is based on a dance type. Bach's Suite No. 5 opens with a prelude, and is followed by six dance movements, divided over five sections: an allemande, a courante, a sarabande, two gavottes, and a final gigue.

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