Schedule

Austrian conductor Franz Welser-Möst leads his Cleveland Orchestra in a performance of Wolfgang Amadeus Mozart’s Divertimento No. 2 in D major, KV 131, and Arnold Schoenberg’s Variations for Orchestra, Op. 31, recorded at Severance Hall in Cleveland, USA. In addition, Welser-Möst takes a walk through ‘his’ Vienna, enlightening us on this musical capital that was home to both Mozart and Schoenberg. He contrasts the Divertimento No. 2, written by 16-year-old Mozart, with Variations for Orchestra, by the mature Schoenberg.

Although the great Italian composer Giuseppe Verdi applied unsuccessfully to study at the Milan Conservatory, this renowned college of music was eventually named after him. Today, the ‘Conservatorio Giuseppe Verdi’ counts numerous successful musicians among its alumni: from Giacomo Puccini, Alfredo Catalani, Claudio Abbado, Riccardo Chailly, Luigi Einaudi and Daniele Gatti, to Gianandrea Noseda. The acclaimed conductor Noseda (*1964) is one of the most important conductors of his generation. Recently, he taught a conducting masterclass at his alma mater for promising students from all over the world. For three days, Noseda joined forces with a hand-picked group of students to work on a varied concert programme. This documentary shows you these young, talented musicians rehearse compositions by Mozart, Tchaikovsky, and Stravinsky under the enthusiastic guidance of Maestro Gianandrea Noseda himself.

Stefano Demicheli conducts the Ensemble Talenti Vulcanici and soloists Nicola Cianncio (bass) and Catherine Jones (cello) in a varied baroque music program, recorded at Chiesa di Santa Caterina da Seina in Naples, Italy. On the program are Alessandro Scarlatti's Quante i boschi han piane (from his serenade Erminia); Nicola Fago's Contro colpi di fortuna (from the opera Il faraone sommerso); Nicola Porpora's Idre, arpie, draghi e leoni (from his serenade La Iole); Angelo Ragazzi's Sonata a quattro, no. 1 in G major; Alessandro Scarlatti's cantata Nel mar che bagna al bel Sebeto; Giovanni Bononcini's Quanto abbraccia il mar (from Euleo festeggiante); Georg Frideric Handel's Precipitoso il mar che freme (from his cantata Aci, Galatea e Polifemo); Nicola Porpora's Concerto for Cello and Strings in G major; Nicola Fago's Miei fidi armatevi (from his cantata Il faraone sommerso); and Giovanni Bononcini's Per molti lustri (from Euleo festeggiante).

Ukrainian-born pianist Inna Faliks performs Frederic Chopin's Polonaise-Fantaisie Op. 61. Recorded at the Nicols Concert Hall, Evanston, IL, USA. Faliks has established herself as one of the most communicative, and poetic artists of her generation. The Polonaise-Fantaise was dedicated to Mme A. Veyret, composed and published in 1846

Daniel Harding leads the Orchestra and Choir of the Maggio Musicale Fiorentino and four vocal soloists in a magnificent performance of Wolfgang Amadeus Mozart’s Requiem in D minor, K. 626. The soloists are soprano Christiane Karg, mezzosoprano Sara Mingardo, tenor Matthew Swensen, and bass Gianluca Buratto. The Austrian Count Walsegg commissioned Mozart to compose a Requiem in July 1791 to commemorate his late wife, Anna. At the time, Mozart was busy working on his operas La clemenza di Tito and The Magic Flute. By the time he started on the Requiem, in the fall of that same year, his health was seriously declining. Mozart passed away in December 1791, leaving the Requiem uncompleted. His pupil Franz Xaver Süssmayr completed Mozart’s swan song in the form known today, based on Mozart’s sketches and possibly verbal instructions. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 5 in D major, BWV 1050. Remarkably, the harpsichord appears as a solo instrument here, along with the flute and violin, rather than as an accompanying instrument. The piece is therefore considered one of Bach’s very first keyboard concertos.

The Messiah (HWV 56) by Georg Frederich Handel, also known as “A New Sacred Oratorio”, tells the life and suffering of Christ: a story of passion, fire, and sacrifice. This is one of Handel's best-known works, which took only three weeks to compose this oratorio and its famous "Hallelujah". The work has immense popularity since its premiere in Dublin in 1742, and is often presented at Easter. This performance of the Dutch ensemble Ribattuta Musica under the direction of conductor Dick Duijst was filmed in the grand church of the city of Ermelo, the Netherlands, in 2016. The soloists are Elvire Beekhuizen (soprano), Rosina Fabius (viola), Oscar Verhaar (counter-tenor) Satriya Krisna (tenor), and Hans Voschezang (bass). Ribattuta Musica is a professional ensemble that delivers authentic performances based on current musical practices at the time of the composers.

Italian cellist Silvia Chiesa and Italian pianist Maurizio Baglini perform Frédéric Chopin’s Introduction and Polonaise brillante in C major, Op. 3. This performance was recorded at Sala Verdi of the Conservatorio Giuseppe Verdi in Milan, Italy, on November 4, 2024.

Every summer, the Greek island of Patmos hosts the Patmos Musical Festival, a unique musical event comprising both a Chamber and a Sacred Music Festival. This documentary captures the 2024 edition, featuring performances by distinguished soloists and ensembles from around the world. The lineup includes the festival’s artistic director and pianist Roberto Prosseda, Steven Isserlis, Irène Duval, Michael Guttman and the Brussels Chamber Orchestra, and Peter Phillips and The Tallis Scholars. In interviews, several artists share their experiences of this intimate festival and the unique atmosphere of the island. The documentary was produced by the Patmos Music Festival Association and directed by Alberto Girotto.

Italian pianist Andrea Molteni (1998) performs Frédéric Chopin’s Fantaisie in F minor, Op. 49. Molteni began studying the piano at the age of six. He graduated with honors and honorable mention at the Conservatorio di musica Giuseppe Verdi di Como, and was awarded a master’s degree Magna cum Laude in Advanced Performance Studies by the Conservatorio della Svizzera Italiana in Lugano. He has performed at the Wiener Saal of the Mozarteum University in Salzburg, Scriabin Museum in Moscow, National Opera Center in New York, and several other international venues. This performance was recorded at the Oberlin Conservatory of Music, Ohio, USA, in 2022.

The documentary “The Three Lives of Clara Schumann” traces the fascinating life story of German pianist and composer Clara Schumann. Born Clara Wieck in Leipzig in 1819, she was an exceptionally talented pianist, with an impressive international music career. She first met Robert Schumann, whom she married in 1840 and eventually had eight children with, in 1828. Basing itself on her letters and diaries, her compositions, and on accounts from musicians who have intensively studied her music, this 2019 documentary offers a multi-angled perspective on Clara Schumann. It records the various places where she lived, and the cities she visited as a pianist. This thought-provoking film was directed by Andreas Morell and Magdalena Zieba-Schwind.

This Sonata for Violin and Harpsichord No. 1 BWV 1014 is the fourth out of the set of sonatas Johann Sebastian Bach composed before 1725, probably during his time as chapel master in Köthen. Presumably, he wrote these sonatas for Prince Leopold and later adapted them for further use in Leipzig. Maybe this is why these pieces are well playable for amateurs, while every sonata still has the finesse that can offer a challenge to professional musicians. The different pieces are meant to be a set, just like the Brandenburg concertos.

Maestro Herbert Blomstedt makes his debut with the Lucerne Festival Orchestra at 2020’s Lucerne Festival conducting Ludwig van Beethoven’s celebrated Symphony No. 3 in E-flat major, Op. 55, “Eroica”. The sprightly Swedish conductor celebrated his 93rd birthday just one month before this performance. This remarkable performance was recorded at the Lucerne Culture and Congress Center (KKL), Switzerland, in August 2020.

This chamber music concert is part of ‘Preludio’ concert series of the Reina Sofía School of Music in Madrid. The program opens with Joseph Haydn’s Concerto in D major for cello and orchestra, H VIIb: 2 (cello and piano reduction), performed by cellist Alejandro Gómez Pareja and pianist Miguel Ángel Ortega Chavaldas. Next, violinist Cecilia Novella Genovés and pianist Alina Artemyeva present Pyotr Ilyich Tchaikovsky’s Souvenir d'un lieu cher, Op. 42, followed by Eugène-Auguste Ysaÿe’s Sonata for solo violin in D minor, Op. 27, No. 3, played by Genovés. Next on the program is Henry Vieuxtemps’s Capriccio, Op. 55, ‘Hommage à Paganini’, presented by violist Mario Carpintero Martín. Bassist Ramsés Martínez Millán and pianist Marharyta Kozlovska close the program with a performance of Johannes Sperger’s Sonata for double bass and viola in D major (in an arrangement for double bass and piano). This performance was recorded at Auditorio Sony of the Reina Sofía School of Music in Madrid, Spain, on April 30, 2024.

Compagnia Simona Bucci presents an extraordinary concert in scenic form: 'Preludi e Fughe - Geografia antropica'. Dmitri Shostakovich’s 24 Preludes and Fugues, Op. 87 inspired choreographer Simona Bucci to take on this project. Seven dancers of Compagnia Simona Bucci dance to Shostakovich’s Preludes and Fugues Nos. 1, 5, 7, 12, 13, 14, 16 and 24, played by Italian pianist Roberto Prosseda. The performance was recorded at the Teatro Il Maggiore in Verbania, Italy, in the context of the Stresa Festival in August 2019.

The Danish National Symphony Orchestra once again opens the gates to magical worlds with an enchanting concert program. Under the baton of German conductor Christian Schumann, the Danish National Symphony Orchestra, Danish National Concert Choir, and Danish National Junior Choir team up to perform music from the most popular fantasy movies, TV series and video games, including The Lord of The Rings, Game of Thrones, The Hobbit, The Witcher, and League of Legends. Featured soloists in this concert are Norwegian mezzo-soprano Tuva Semmingsen, Canadian-Portuguese soprano Cassandra Lemoine, Danish musician Bjørn Fjæstad, and British actor David Bateson. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in April 2023.

Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Camille Saint-Saëns’s musical suite The Carnival of the Animals (Le carnaval des animaux, 1886). This suite consists of 14 movements, each depicting a different animal. The work was published posthumously in 1922, as Saint-Saëns was concerned that his animal miniatures, full of delightful jokes, might damage his reputation as a serious composer. Scored for cello and two pianos, ‘The Swan’ is the only movement that Saint-Saëns allowed to be published during his lifetime. This iconic movement features a beautiful flowing cello melody and gentle piano accompaniment, evoking the image of a swan gliding gracefully over the water. Each movement is introduced by Prieto. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.

More than just a tribute to the Ballets Russes, this version of Sheherazade by Jean-Christophe Maillot, resonates as the reunion between choreography and the fictive or real beings which have nourished his artistic universe over his thirty year career. Amongst the characters inhabiting his memory, the beautiful Sheherazade will have often danced before the choreographer's eyes, but the real tête-à-tête with the princess from the Thousand and One Nights has been postponed for a long time. This performance is recorded at the Opéra de Monte-Carlo in 2010. Solists of the Ballets de Monte-Carlo are Bernice Coppieters, Gaëtan Morlotti, Leart Duraku, Olivier Lucea, Alexis Oliveira, Georges Oliveira.

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 5 in A major, Op. 18, No. 5; String Quartet No. 4 in C minor, Op. 18, No. 4; and String Quartet No. 12 in E-flat major, Op. 127. This concert was recorded at Philharmonie de Paris on December 17, 2020.

House of Dreams is an imaginative concert designed by Alison Mackay. The concert is a magical journey to the meeting places of baroque art and music - five European homes where exquisite works by Bach, Handel, Vivaldi, Purcell and Marais were played against a backdrop of paintings by Vermeer, Canaletto, and Watteau. Stage direction by Marshall Pynkoski and narrated by Blair Williams. The Tafelmusik Baroque Orchestra, also known simply as Tafelmusik, is a Toronto-based Canadian baroque orchestra, specialised in early music. The orchestra was founded in 1979 and has 19 full-time members who specialize in historical performance and technique, with additional musicians joining the ensemble when required. The ensemble is directed by violinist Jeanne Lamon.

After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. Schumann composed his Fantasie in C, Op. 17 in 1836, revising it prior to publication in 1839. Bearing a dedication to Franz Liszt, it is one of Schumann's greatest works for solo piano, and a central work of the early Romantic period. Written in a loose sonata form, the first movement is rhapsodic and passionate, the middle movement is a grandiose rondo, and the finale is slow and meditative. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.

Swiss conductor Philippe Jordan and the Orchestre de l’Opéra national de Paris recorded all of Ludwig van Beethoven’s symphonies in 2014-2015. In this program, Jordan conducts Beethoven’s Symphony No. 8 in F major, Op. 93. Beethoven wrote the work in 1812 upon completion of his Symphony No. 7. The composer conducted the February 27, 1814 première at a concert in Vienna that also included a reprise performance of his Symphony No. 7 and his 15-minute orchestral piece Wellington’s Victory, Op. 91. The shortest of Beethoven’s nine symphonies, Symphony No. 8 lacks a truly slow movement. Instead it has a second movement, Allegretto scherzando, that features a steady ‘ticking’ rhythm maintained by the woodwinds throughout the movement. This is thought to be an imitation of the Andante movement of Joseph Haydn’s ‘Clock’ Symphony. Jordan’s performance was recorded at Opéra Bastille in Paris, France, in 2015.

The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, maestro Daniel Harding leads the Orchestra del Maggio Musicale Fiorentino in a wonderful concert program featuring Gustav Mahler’s Symphony No. 1 in D major, ‘Titan’. Mahler completed his first symphony in 1888. Originally a five-movement piece, the composer discarded the second movement ‘Blumine’ some years later, resulting in the final four-movement version we know today. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

Founded by Daniel Barenboim and Edward Said, the West-Eastern Divan Orchestra is composed of young musicians from Israel, Palestine, several other Arab countries, and Spain. The musicians band together at least once a year to rehearse and perform on stage, where their shared love of music crosses national, ethnic, and religious boundaries. For three years, Daniel Barenboim and the West-Eastern Divan Orchestra performed a world tour to present all nine of Beethoven's symphonies. Director Michael Waldman captured the orchestral rehearsals in Spain and his stint in South Korea and China to produce this unique and captivating documentary that presents memorable musical moments, punctuated by the reflections of the young musicians on Beethoven ... and on maestro Barenboim.

A colourful Christmas concert by the South Netherlands Philharmonic with Tchaikovsky’s famous First Piano Concerto. Chief conductor Dmitry Liss showcases, together with master pianist Boris Berezovsky, a true, Russian spirit. In such a way as to evoke what an American critic had said about one of his previous Tchaikovsky interpretations: “Liss expressed an absolute authority over the orchestra and the audience. He displayed a dialogue with eternity”.