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02:17:002021HD

Italian conductor Beatrice Venezi leads the Orchestre national de Metz Grand Est and the Choeur de l'Opéra-Théâtre de Metz Métropole in a performance of Giacomo Puccini’s tragic opera Madama Butterfly (1904). The story revolves around Cio-Cio-San, the young Japanese geisha ‘Butterfly’ who marries the visiting American officer Pinkerton. Faithfully awaiting his return, she cannot accept that Pinkerton has abandoned her. Stage director Giovanna Spinelli’s 2021 production sets the story 35 years after the events of Puccini's original opera. It opens in a hospital room where an ailing Pinkerton, consumed by remorse, lies on his deathbed. Watched over by his American wife, Kate, and their son, Dolore, Pinkerton reveals the long-held secret of his son's birth mother. As he recounts the past, the room comes alive with its ghosts, presenting the story across two timelines at once. By shifting the narrative perspective, Spinelli delivers a gripping and moving new interpretation of this classic work. Among the soloists are Francesca Tiburzi, Thomas Bettinger, Vikena Kamenica, Jean-Luc Ballestra, Daegweon Choi, and Aurore Weiss. This performance was recorded at Opéra-Théâtre de Metz Métropole, France, in 2021.

G01:01:001990HD

This Christmas concert, recorded at the Berlin Schauspielhaus on the Gendarmeriemarkt, was one of the first joint musical productions of reunited Germany. Beautiful visuals of landscapes and other locations in snow and ice turn the concert into a romantic winter storybook. On the program are works by J. S. Bach, G. F. Handel and Prätorius. The Tölz Boys' Choir is led by Gerhard Schmidt-Garden, the Zagorsk Monastery Choir by Matfej Mormyl and the Staatskapelle Dresden by Ferdinand Leitner. Soloists are Maria Graf, Doris Soffel, Siegfried Jerusalem, Jochen Kowalski and Hermann Prey. Recorded in 1990 and directed by Bob Rooyens.

G00:56:002012HD

The compelling documentary How to Get Out of the Cage (2012) by award-winning filmmaker Frank Scheffer presents an intimate portrait of John Cage (1912-1992), one of 20th century's most important composers. From 1982 to 1992, Scheffer worked with Cage on numerous occasions, which resulted in unique archives of historical audio-visual material, including interviews, musical performances, and images of locations related to the composer’s life and work. In all Scheffer’s works related to Cage, he used the old Chinese method of chance operations based on the Yi Jing – as often used by Cage himself in his compositions. Instead of using chance operations, Scheffer edited the film in the usual way that is based on choice.

G00:43:002014HD

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances present Johannes Brahms’s Symphony No. 1 in C minor, Op. 68. Brahms realized he was expected to compose a symphony that would match the musical standards established by Ludwig van Beethoven. After working on it for at least fourteen years, he completed his Symphony No. 1 in 1876. Brahms’s symphony was hailed as ‘Beethoven’s Tenth’: a worthy successor to Beethoven’s Symphony No. 9. Brahms’s work contains several references to Beethoven. For instance, the main theme of the fourth movement – first appearing in the strings – resembles the ‘Ode to Joy’ in the finale of Beethoven’s Symphony No. 9. This performance was recorded at Philharmonie de Paris, France, in 2014.

04:58
IVC 2021 - Semi-finals: Ives, Brahms a. o.
G01:01:002021HD
Bass-baritone Matthias Hoffmann (Austria, 1991) and pianist Lisa Ochsendorf (Germany, 1991) perform ‘A. Very pleasant’ from Charles Ives’s song ‘Memories’; ‘Nachtwanderer’ from Hans Erich Pfitzner’s Fünf Lieder, Op. 7; ‘Nachts’ from Hans Sommer’s Zehn Lieder, Op. 9; ‘Da unten im Tale’ from Johannes Brahms’s Deutsche Volkslieder, WoO. 33; Henri Duparc’s Chanson triste; Bart Visman’s Vermeer's gold; ‘La maîtresse volage’ from Francis Poulenc’s Chansons gaillardes, FP 42; Franz Schubert’s Gruppe aus dem Tartarus, Op. 24, No. 1, D. 583; ‘Na smert’ chizhika’ (On the death of a linnet) from Sergei Rachmaninoff’s Twelve Romances, Op. 21; and ‘Sprich, Scheherazade’ from Moritz Eggert’s Neue Dichter Lieben, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.

G00:23:002004HD

The Dutch musicologist, conductor, organ and clavecimbel player Ton Koopman specilizes in the performance of Early Music, in particular the music of Johann Sebastian Bach. Although Koopman performs across the globe with his Amsterdam Baroque Orchestra, Koopman is also a sought-after organist. In this broadcast in St. Mary's Cathdral in Leipzig, the treasured musician performs organ compositions by Johann Sebastian Bach: 'Wachtet Auf', BWV 645; 'Nun komm der Heiden Heiland', 'Fugue in g minor', 'Schmücke dich, o liebe Seele', and the 'Toccata in d minor'.

G00:26:002014HD

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances play Wolfgang Amadeus Mozart’s Violin Concerto No. 5 in A major, K. 219, also known as the ‘Turkish Concerto’. Leading violinist Grimal features as the soloist. With the exception of the first violin concerto, Mozart composed his other four violin concertos in 1775 at a time when he was concertmaster at the Salzburg court. It is the third and final movement that gives Concerto No. 5 its nickname, the ‘Turkish Concerto’. This movement features a striking middle section of ‘Turkish music’, which the composer achieves not only by changing the meter, and the mode to minor, but also by letting the cellos and basses play col legno - creating a percussive sound with the wood of their bow. This performance was recorded at Cité de la Musique, France, in 2014.

G01:09:002018HD

For this truly unique, historic occasion, Welsh composer Sir Karl Jenkins conducts The World Orchestra for Peace and around 2,000 singers from nearly 30 countries to Sing for Peace at the Berlin's Mercedes Benz Arena on November 2, 2018. Soloists are vocalists Leah-Marian Jones, Yumeji Matsufuji, Pauline Rathmann, Amir Aziz, violinist Krzysztof Wisniewski and cellist Valentino Worlitzsch. The Armed Man: A Mass for Peace is the most performed work by any living composer. This performance is the largest ever staged, and was uniquely performed in synchronization with a specially commissioned war-archive film that reinforces the narrative of the work – the build up to war, war itself, and the consequences of war. Projected on to five giant screens, the film delivers a poignant backdrop to the moving musical narration providing the audience with a powerful and emotional multimedia experience.

G00:23:002021HD

Baritone Geng Lee (China, 1994) and pianist Nils Basters (Germany, 1989) perform Henri Duparc’s Chanson triste; ‘Ein Jüngling liebt ein Mädchen’ and ‘Am leuchtenden Sommermorgen’ from Robert Schumann’s Dichterliebe, Op. 48; ‘Litany’ from John Musto’s Shadow of the Blues; Bart Visman’s Vermeer’s Gold; ‘Hôtel’ from Francis Poulenc’s Banalités, FP 107; and ‘Ging heut’ Morgen über’s Feld’ from Gustav Mahler’s Lieder eines fahrenden Gesellen, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.

G00:41:002019HD

This documentary by Christoph Keller follows various participants and teachers participating in the International Summer Piano Academy.

G00:57:002021HD

Acclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Ying Li (China, 1997) performs Wolfgang Amadeus Mozart’s Sonata No. 13 in B-flat major, K. 333, and Béla Bartók’s Sonata, BB 88, Sz.80. This performance was recorded at Nuovo Teatro Ariberto in Milan, in June 2021.

G01:09:002018HD

Santtu-Matias Rouvali conducts the Gothenburg Symphony Orchestra and Choir in a performance of Carl Orff's cantata Carmina Burana. Vocal soloists are Ylva Stenberg, Brett Sprague, and Olle Persson. Carmina Burana, composed in 1935 and 1936, is based on 24 poems from a medieval manuscript of the same name. The piece's full title is "Songs from Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images". It was first performed at the Oper Frankfurt on June 8, 1937. This concert was recorded at Gothenburg Concert Hall (Konserthuset) in Sweden in 2018.

G01:49:002018HD

Hannu Lintu conducts the Gulbenkian Orchestra in a Finnish flavoured concert program, since the concert features Cantus Articus, Op. 61 by Einojuhani Rautavaara, and Jean Sibelius’ Symphony No. 2. Furtermore, Daniil Trifonov (1991) is star soloist in Schumann’s Piano Concerto, Op. 54, which was premiered in 1841 by Clara Wieck, wife of the composer. Trifonov rose to fame after winning prizes at both the Tchaikovsky International Chopin competition in Moscow as well as the Chopin International Piano Competition in Warsaw. Trifonov has been called "arguably today's leading classical virtuoso,” and “without question the most astounding pianist of our age." This concert is recorded at the Grand Auditorium of the Calouste Gulbenkian Foundation of Lisbon, in 2018.

G00:25:00HD

This documentary by Mark Perna shows the training and professional growth actions for opera singers, the promotion and enhancement of the cultural offer of the city and province of Modena and the maintenance and development of the Modenese musical tradition in the field of opera.

G00:25:002022HD

Luca Vignali (oboe), Angelo De Angelis (clarinet), Carmine Pinto (horn), Eliseo Smordoni (bassoon), and Linda Di Carlo (piano) perform Wolfgang Amadeus Mozart’s Quintet for piano and winds in E-flat major, K. 452. The work premiered at the Viennese Burgtheater on April 1, 1784, with the composer himself at the piano. Shortly after the performance, Mozart wrote to his father Leopold, “I consider it the best work I have ever written…”. Striking is the Quintet’s unusual instrumentation, which presented the composer with a challenge “as single winds, as opposed to pairs, pose problems of blend”. Therefore, Mozart explored numerous different permutations of instruments to produce various sonorities, and used short phrases and motifs for variety. This performance was recorded at Perugia’s Auditorium Santa Cecilia, Italy, on June 23, 2022.

G00:12:002011HD

During the New Year’s Gala 2010, the Berlin Philharmonic perform under the baton of Gustavo Dudamel, whose infectious energy and exceptional artistry have made him one of the most sought-after conductors by orchestras and opera companies around the world. They welcome mezzo-soprano Elīna Garanča, who has become one of the world’s most famous singers within just a few years. On the program are various works by French composers, like Berlioz’ Le Carnival Romain, Overture, Op. 9 and D’Amour l’ardente flamme’ from La Damnation de Faust (Op. 24), Saint-Saëns’ ‘Mon cœur s’ouvre à ta voix’ and ‘Danse Bacchanale’ from his opera Samson et Dalila and the ‘Habanera’, ‘Seguidilla’ and ‘Chanson Bohème’ from Bizet’s Carmen. The concert concludes with de Falla’s Suite No. 2 from the ballet ‘El sombrero de tres picos’.

G01:37:002006HD

Recorded live in Tel Aviv in 2006, this concert honours the Israel Philharmonic Orchestra on its 70th anniversary. With conductor Zubin Mehta and soloists Pinchas Zukerman and Daniel Barenboim, the celebratory concert encompassed artistry far beyond the usual scope of music performance as it presented the brilliant work of many of the musicians most responsible for, and most appreciative of, the orchestra’s rich history. The pianist and conductor Daniel Barenboim maintains a close relationship with the IPO and appears with the orchestra almost every year. Pinchas Zukerman made his debut with the IPO in 1968 and has since continued to appear with the orchestra on a regular basis as a violinist and conductor. On the program are Brahms Piano Concerto No. 1 and the Bruch Violin Concerto No.1 as well as Ravel’s Valse, popular and at the same time demanding repertoire – just perfect for a celebration of one of the world’s foremost orchestras!

G00:29:002015HD

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances’ string quartet – consisting of David Grimal (violin), Hans Peter Hofmann (violin), David Gaillard (viola), and Xavier Phillips (cello) – performs Wolfgang Amadeus Mozart’s String Quartet No. 19 in C major, K. 465, ‘Dissonance’ (Op. 10 No. 6). The String Quartet is the last in the set of six quartets that were dedicated to Joseph Haydn. Written between 1782 and 1785, these are also known as the Haydn Quartets (Op. 10). String Quartet No. 19 is remarkable for its slow, dissonant introduction, giving the piece its nickname. This ominous passage suddenly gives way to the bright Allegro in C major. This performance was recorded at Opéra Comique in Paris, France, in 2015.

G01:21:002020HD

This dance concert - performed in the languages of both music and movement - features, in addition to works by Liszt, some of the finest pieces of Hungary's national romanticism that served to inspire them, antecedents of sacred music reaching as far back as the Gregorian period and compositions by contemporaries who influenced Liszt: Paganini and Chopin. Liszt Mosaics is founded on three thematic pillars. Although all three directly evoke Liszt - with emblematic aspects of his life's work: Liszt the Hungarian, Liszt the priest and Liszt the virtuoso - they speak at least as much to us as people of the 21st century. The Hungarian State Folk Ensemble was established in 1951 and has traveled to over 40 countries, playing authentic folk music and folk dances.

G01:13:002022HD

On the occasion of International Women’s Day, Italian violinist Laura Marzadori and Italian pianist Andrea Bacchetti performed a wonderful concert at Teatro Sociale di Camogli, Italy. On the program are Wolfgang Amadeus Mozart’s Sonata No. 18 in G major, K. 301; Ludwig van Beethoven’s Sonata No. 5 in F major, Op. 24; Manuel de Falla’s Suite Populaire Espagnole (transcription by Paul Kochaniski); Camille Saint-Saëns’ Introduction and Rondo Capriccioso in A minor, Op. 28; and ‘Méditation’ from Jules Massenet’s opera Thaïs. This performance was recorded on March 8, 2022.

G01:24:002003HD

Pierre Boulez (1925-2016) was undoubtedly one of the most important figures in modern music. In this performance by the Gustav Mahler Youth Orchestra, Boulez displays his masterful understanding of 20th century music as he traces the revolutionary harmonic development of musical modernism in three key "modern classics": Richard Wagner's Tristan und Isolde, “Prelude” (1859), Arnold Schönberg's Pelleas und Melisande (1903), and Alban Berg's Violin Concerto (1935). The Gustav Mahler Youth Orchestra was founded through conductor Claudio Abbado's initiative in 1986. It consists of musicians under the age of 26 from all over Europe. The soloist in Berg's Violin Concerto is Akiko Suwanai, the youngest first-prize recipient (1990) in the history of Moscow's International Tchaikovsky Competition.

G00:12:002006HD

Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.

G00:35:002021HD

Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Sergei Prokofiev’s Peter and the Wolf, Op. 67. Written in 1936, Peter and the Wolf is a short, narrated orchestral suite, telling the story of a brave boy named Peter, who lives with his grandfather on the edge of a forest. With the help of his animal friends, Peter outsmarts a villainous wolf and captures it, eventually leading it to the zoo. Maestro Prieto gives an introduction to the different parts of the suite. In each part, each character is represented by a different instrument or instrument section, offering a vivid introduction to the orchestra's instrumental families. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.

G01:35:002012HD

Tchaikovsky's The Nutcracker is one of the best known and most beloved pieces from the composer. The music has inspired many choreographers to the tell the colourful Christmas fairy-tale of E. T. A. Hoffmann and Alexandre Dumas senior in the language of dance. Ben Stevenson is to this day considered one of the most important influencers of the American ballet art. For almost thirty years, he has been the art director of the Houston Ballet, and under his leadership the company has grown into an internationally acknowledged ballet theatre. Since the year 2003 he’s held the position of Artistic Director of the Texas Ballet. His stage productions have earned several awards and praise from the critics, and have been staged at Opéra de Paris, Canadian National Ballet, La Scala, Bavarian State Opera, London City Ballet etc. This performance of the Nutcracker is recorded at the Teatro La Fenice (Venice) in 2012. With the Estonian National Ballet and star dancers Vladislav Lantratov and Galina Laush.

G00:30:002010HD

Chinese pianist Lang Lang performs some of the greatest works in the piano repertoire at Berghain in Berlin in 2010. The concert program includes the first movement of Piano Sonata No. 23, op. 57, called Beethoven's Appassionata, the precipato of Prokofiev's Sonata No. 7, and the mention of Iberia (Book 1), the masterpiece of Isaac Albéniz. Lang Lang closes the evening with a powerful version of the ''Heroic'' Polonaise, op. 53 from Chopin.

G00:30:002020HD

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 5 in A major, Op. 18, No. 5; String Quartet No. 4 in C minor, Op. 18, No. 4; and String Quartet No. 12 in E-flat major, Op. 127. This concert was recorded at Philharmonie de Paris on December 17, 2020.

G00:23:001993HD

Every year, the Europakonzert is hosted by the Berliner Philharmoniker in a notorious concert hall or on a special location. This years concert is performed at the magnificent Royal Albert Hall in London. The Dutch conductor Bernard Haitink starts with Tchaikovsky's Fantasy Overture from "Roméo et Juliette". The second piece by Wolfgang Amadeus Mozart is his famous Violin Concerto No. 3 in G major K. 216 played by the German violinist Frank Peter Zimmermann. During his career he played with a lot of famous orchestras and conductors such as the Boston Symphony Orchestra and Mariss Jansons. He has a great passion for chamber music and plays a lot of recitals with the Italian pianist Enrico Pace. The concert closes with Stravinsky's The Rite of Spring which he wrote in 1913 for Sergei Diaghilev's Ballets Russes. The première caused a lot of sensation and near-riot in the audience because of the avant-garde nature, music and choreography of the piece. The Rite of Spring is now considered as one of the masterpieces of classical music history and has influenced many 20th-century music composers. The encore is Tchaikovsky's Flower Waltz from the Nutcracker.