Schedule

As the son of one of Naples’ most prominent musical families, Gennaro Manna was blessed with a pen both versatile and skilled. And as an icon of the Neapolitan opera seria, with his lively and gallant style of music, he trod the path between baroque and pre-Classical. Abchordis Ensemble performs the world premiere of his finest arias, alternated with instrumental works by Durante, Porpora, and Santangelo.

In retrospect, the version for solo dance of Stravinsky’s Sacre du printemps can be interpreted as a bleak, oppressive dance about his own life. The ballet is one of the late works by Uwe Scholz, one of the most important choreographers of the twentieth century. During his short life, this wunderkind created over 100 ballets, including major stage successes such as Die Schöpfung, Die Grosse Messe and Bruckner 8. Scholz is regarded as a sensitive, highly musical artist with a fine sense of humor, but he was consistently plagued by an excruciating sense of perfectionism, self-doubt and fear. At times, this made work impossible for him. “Sometimes the great artist’s path does not lead to laurel-wreathed solitude, but to deep despair,” writes the ballet critic Klaus Geitel looking back on Scholz’s life. The film Soulscapes is a highly personal, moving portrait of Uwe Scholz, who died on November 21, 2004, at the age of 45. In one of his last interviews with the director Günter Atteln, Scholz talks about himself and his work with unprecedented candor. “I’m drawn to symphonic music from the classical and romantic periods,” he says. “I simply need these soulscapes.”

American conductor Leonard Slatkin leads the Orchestre National de Lyon in a concert recorded at the Auditorium de Lyon in 2014. The concert opens with William Bolcom´s Circus Ouverture, which was specially composed for Slatkin's 70th birthday. The concert continues with a performance of Beethoven's Triple Concerto in C, Op. 56 performed by three female soloists: Olga Kern (piano), Baibe Skride (violin) and Sol Gabetta (cello). The work is the only concerto which Beethoven ever completed for more than one solo instrument. The concert closes with Ravel's beloved orchestration of Mussorgsky's Pictures at an Exhibition.

Italian classical pianist Costanza Principe (1993) started playing the piano at age 6, making her public debut at age 7. Before long she would be performing as a soloist with numerous prestigious orchestras in Italy, the UK, France, and South America. Seen here in 2021 at one of Italy’s oldest extant Renaissance theatres, the gorgeous Teatro Olimpico in the northern Italian town of Vicenza, Principe performs Johann Sebastian Bach’s ‘Concerto italiano’ and ‘Ciaccona’, as transcribed for piano by Ferruccio Busoni.

The film Jaroussky sings Bach & Telemann is a portrait of a very special vocalist, and of two exceptional composers. When Philippe Jaroussky - whose angelic voice seems almost timeless, not belonging to any one epoque or decade - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished over the centuries. The works performed in this film are Telemann's Jesus liegt in letzten Zügen and Sinfonia from Brockes-Passion; Der am Ölberg zagende Jesus, and Bach's Sinfonia from Ich hatte viel Bekümmernis and Ich habe genug.

Hartmut Haenchen conducts the Netherlands Philharmonic Orchestra and Dutch National Opera in a production of Richard Wagner's opera Götterdämmerung, the last opera of the four-part cycle 'Der Ring des Nibelungen'. Richard Wagner, perhaps the greatest innovator of the opera genre in the nineteenth century, aimed for the creation of a ‘Gesamtkunstwerk’ in which theatre, music and words are united. The opera cycle was composed between 1853 and 1874, and consists of Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung. Noteworthy about Wagner's operas is his use of the so-called ‘Leitmotiv’, a recurrent melodic motif that stands for a certain idea or character. Moreover, Wagner uses unconventional harmonies and very extensive orchestral instrumentation. The entire cycle is still performed annually at the Bayreuth Festival, where it premiered in 1876. This 2014 performance was recorded at the National Dutch Opera under the artistic direction of Pierre Audi. Among the soloists are Stig Andersen, Alejandro Marco-Buhrmester, Werner van Mechelen, Kurt Rydl, Catherine Foster, and Astrid Weber.

Hartmut Haenchen conducts the Netherlands Philharmonic Orchestra and Dutch National Opera in a production of Richard Wagner's opera Götterdämmerung, the last opera of the four-part cycle 'Der Ring des Nibelungen'. Richard Wagner, perhaps the greatest innovator of the opera genre in the nineteenth century, aimed for the creation of a ‘Gesamtkunstwerk’ in which theatre, music and words are united. The opera cycle was composed between 1853 and 1874, and consists of Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung. Noteworthy about Wagner's operas is his use of the so-called ‘Leitmotiv’, a recurrent melodic motif that stands for a certain idea or character. Moreover, Wagner uses unconventional harmonies and very extensive orchestral instrumentation. The entire cycle is still performed annually at the Bayreuth Festival, where it premiered in 1876. This 2014 performance was recorded at the National Dutch Opera under the artistic direction of Pierre Audi. Among the soloists are Stig Andersen, Alejandro Marco-Buhrmester, Werner van Mechelen, Kurt Rydl, Catherine Foster, and Astrid Weber.

Hartmut Haenchen conducts the Netherlands Philharmonic Orchestra and Dutch National Opera in a production of Richard Wagner's opera Götterdämmerung, the last opera of the four-part cycle 'Der Ring des Nibelungen'. Richard Wagner, perhaps the greatest innovator of the opera genre in the nineteenth century, aimed for the creation of a ‘Gesamtkunstwerk’ in which theatre, music and words are united. The opera cycle was composed between 1853 and 1874, and consists of Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung. Noteworthy about Wagner's operas is his use of the so-called ‘Leitmotiv’, a recurrent melodic motif that stands for a certain idea or character. Moreover, Wagner uses unconventional harmonies and very extensive orchestral instrumentation. The entire cycle is still performed annually at the Bayreuth Festival, where it premiered in 1876. This 2014 performance was recorded at the National Dutch Opera under the artistic direction of Pierre Audi. Among the soloists are Stig Andersen, Alejandro Marco-Buhrmester, Werner van Mechelen, Kurt Rydl, Catherine Foster, and Astrid Weber.

Italian cellist Silvia Chiesa and Italian pianist Maurizio Baglini perform a wonderful recital of works by Ferruccio Busoni, Franz Liszt, Frédéric Chopin, and Sergei Rachmaninoff. On the program are Busoni’s Kultaselle – 10 variations on a Finnish folksong; Liszt’s Two Elegies for cello and piano; Chopin’s Introduction and Polonaise brillante in C major, Op. 3; and Rachmaninoff’s Sonata in G minor for cello and piano, Op. 19. As an encore, the duo plays Leonard Bernstein’s iconic composition ‘Tonight’ from the musical West Side Story. This performance was recorded at Sala Verdi of the Conservatorio Giuseppe Verdi in Milan, Italy, on November 4, 2024.

This concert is the result of the collaboration between the “Giuseppe Nicolini,” Conservatory of Piacenza, and the “Giuseppe Verdi,” Conservatory of Milan, as part of the project "MIlanoPIACEnza ... suonare insieme”. On the program are works by the Dutch conductor and composer Johan de Meij. His Symphony No. 1 for woodwind and brass orchestra is titled “Lord of the Rings” and is based on the famous trilogy by writer J. R. R Tolkien. The work exists of five movements, inspired by characters and passages from the story: Gandalf, Lothlórien, Gollum, Journey in the Dark and Hobbits. The symphony premiered in Brussels in 1988. In 2001, a symphonic version was recorded by the London Symphony Orchestra. This concert is recorded at the Sala dei Teatini of the Teatri di Piacenza in 2018. Directed by Pietro Tagliaferri.

In this six-part documentary on the life and work of Brazilian composer Heitor Villa-Lobos, director Liloye Boubli takes viewers on a journey through the life and work of this legend of Brazilian classical music. The composer, conductor, cellist, and classical guitarist was born in Rio de Janeiro, Brazil, in 1887. Growing up during a time of immense social change in Brazil – with the abolishment of slavery in 1888, this was a time of social revolution and far-reaching modernizations – Villa-Lobos went on to become one of South America's best-known composers of all time. In this second episode, Liloye Boubli dives deeper into the oeuvre of Villa-Lobos, exploring his musical influences and scrutinizing the anatomy of some of his most famous compositions, particularly his early "Pequena Suíte" for cello and piano. This collection of dances and short pieces in six movements is indicative of the composer's heartfelt adoration for Johann Sebastian Bach.

Antonello Manacorda leads the Orchestra and Choir of Teatro La Fenice in a performance of Wolfgang Amadeus Mozart’s beloved opera Die Zauberflöte (‘The Magic Flute’). Mozart probably started to compose his masterpiece in May 1791, less than six months before his death. The work’s libretto is written by Emanuel Schikaneder. In its fairy tale-like narrative, Prince Tamino is commissioned by the Queen of the Night to rescue her daughter Pamina, who has been captured by priest Sarastro. Accompanied by bird-catcher Papageno, Tamino begins his quest. After finding Pamina in Sarastro’s territory, Tamino is first subjected to a number of trials in order to prove he is worth marrying Pamina. Die Zauberflöte features wonderful arias, including the famous 'Der Hölle Rache kocht in meinem Herzen' ("Hell's vengeance boils in my heart"), a virtuoso aria for coloratura soprano sung by the Queen of the Night. Among the soloists are Goran Jurić, Antonio Poli, Ekaterina Sadovnikova, Alex Esposito, Olga Pudova, and Caterina di Tonno. This performance was recorded at Teatro La Fenice in Venice, Italy, in 2015.

Over the course of 19 days, the best youth orchestras in the world led by great conductors, and flanked by virtuoso soloists, guaranteed exciting and inspiring concert performances at the Young Euro Classical 2017. The festival is known to be the most important platform for international young orchestra musicians in the European classical music tradition, and for its development. This highlight version is a collection of infectiously energizing and outstanding performances by musicians from across the globe. Their repertoire includes renowned classical works as well as local composers. On the program: Verdi - La forza del destino, Beethoven - Meeresstille und glückliche Fahrt, Tchaikovsky - Piano Concerto No. 1, Tchaikovsky - Six Romances, Kohji - Georgian, Mingrelian Songs, Weinberg - Rhapsody on Moldavian Themes Op. 47 and Wong - As the Heart Soars.

At the behest of Argentinian pianist Martha Argerich, several classical music stars took part in this concert in aid of the Erasmus Fund for medical research in intensive care, recorded at the Royal Conservatory of Brussels, Belgium, on October 21, 2023. The concert pays tribute to the renowned cellist Aleksandr Khramouchin (1979) who suddenly passed away on May 13, 2023. As part of this concert, violinist Alissa Margulis, cellist Mischa Maisky, and pianist Lily Maisky perform Sergei Rachmaninoff’s Trio élégiaque No. 1 in G minor.