Premieres of Orquesta Sinfónica de Minería
Friday, September 5, 12 and 19
This month, Stingray Classica presents a series of broadcast premieres by one of Latin America’s most dynamic and prestigious classical ensembles, the Orquesta Sinfónica de Minería. Under the leadership of artistic director Carlos Miguel Prieto, the orchestra performs a program of international masterpieces. Firstly, on Friday, September 5 at 21:00, Stingray Classica premieres two iconic works by Aaron Copland: Appalachian Spring and Fanfare for the Common Man. The evening closes with Samuel Barber’s deeply moving Adagio for Strings. On Friday, September 12 at 21:00, enjoy a performance of Sergei Prokofiev’s charming orchestral suite Peter and the Wolf. The special comes to a close on Friday, September 19 at 21:00, with Camille Saint-Saëns’s humorous musical suite The Carnival of the Animals.
Copland - Appalachian Spring
Friday, September 5 | 21:00
Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Aaron Copland’s Appalachian Spring Suite. Originally commissioned as a ballet for the legendary dancer Martha Graham, Aaron Copland's Appalachian Spring (1944) has since become an American classic. While first scored for a thirteen-piece ensemble, Copland later arranged the work for a full orchestra. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.
Copland - Fanfare for the Common Man
Friday, September 5 | 21:25
Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Aaron Copland’s Fanfare for the Common Man (1942). The composer wrote his famous three-minute piece, that is scored for brass and percussion, to honor ‘everyday people’ that were involved in World War II. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.
Barber - Adagio for Strings
Friday, September 5 | 21:30
Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Samuel Barber’s Adagio for Strings. Completed in 1936, Barber arranged the piece for string orchestra from the second movement of his String Quartet, Op. 11. Adagio for Strings is one of the most recognizable pieces of classical music. The work’s emotional weight has led to its frequent use in film, often to evoke scenes of sorrow or tragedy. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.
Prokofiev - Peter and the Wolf
Friday, September 12 | 21:00
Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Sergei Prokofiev’s Peter and the Wolf, Op. 67. Written in 1936, Peter and the Wolf is a short, narrated orchestral suite, telling the story of a brave boy named Peter, who lives with his grandfather on the edge of a forest. With the help of his animal friends, Peter outsmarts a villainous wolf and captures it, eventually leading it to the zoo. Maestro Prieto gives an introduction to the different parts of the suite. In each part, each character is represented by a different instrument or instrument section, offering a vivid introduction to the orchestra's instrumental families. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.
Saint-Saëns - The Carnival of the Animals
Friday, September 19 | 21:00
Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Camille Saint-Saëns’s musical suite The Carnival of the Animals (Le carnaval des animaux, 1886). This suite consists of 14 movements, each depicting a different animal. The work was published posthumously in 1922, as Saint-Saëns was concerned that his animal miniatures, full of delightful jokes, might damage his reputation as a serious composer. Scored for cello and two pianos, ‘The Swan’ is the only movement that Saint-Saëns allowed to be published during his lifetime. This iconic movement features a beautiful flowing cello melody and gentle piano accompaniment, evoking the image of a swan gliding gracefully over the water. Each movement is introduced by Prieto. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.