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PG02:04:002017HD

Gustavo Dudamel conducts the Paris Opera Orchestra and Choir in a performance of Giacomo Puccini’s La Bohème. Recorded at the Opéra National de Paris in 2017 and directed by Claus Guth. Among the soloists are Nicole Car, Aida Garifullina Atalla Ayan and Artur Ruciński. La Bohème premiered in 1896 at the Teatro Regio in Italy. The opera's libretto focuses on the relationship between Rodolfo and Mimì. When young poet Rodolfo meets seamstress Mimì, it's love at first sight. But faced by the cruel realities of poverty and ill health, will the flame that burns between them flicker and die? Or will the timeless strength of their youthful passion withstand every trial and tribulation that life can throw at them?

G01:30:001993HD

Every year, the Europakonzert is hosted by the Berliner Philharmoniker in a notorious concert hall or on a special location. This years concert is performed at the magnificent Royal Albert Hall in London. The Dutch conductor Bernard Haitink starts with Tchaikovsky's Fantasy Overture from "Roméo et Juliette". The second piece by Wolfgang Amadeus Mozart is his famous Violin Concerto No. 3 in G major K. 216 played by the German violinist Frank Peter Zimmermann. During his career he played with a lot of famous orchestras and conductors such as the Boston Symphony Orchestra and Mariss Jansons. He has a great passion for chamber music and plays a lot of recitals with the Italian pianist Enrico Pace. The concert closes with Stravinsky's The Rite of Spring which he wrote in 1913 for Sergei Diaghilev's Ballets Russes. The première caused a lot of sensation and near-riot in the audience because of the avant-garde nature, music and choreography of the piece. The Rite of Spring is now considered as one of the masterpieces of classical music history and has influenced many 20th-century music composers. The encore is Tchaikovsky's Flower Waltz from the Nutcracker.

G00:40:002014HD

Franz Welser-Möst conducts The Cleveland Orchestra in this performance of Brahms' Symphony No. 2. Considering that Johannes Brahms had toiled for more than 15 years on his First Symphony, it is hardly surprising that his Second Symphony should be a lighter, brighter work that makes masterful use of the achievements from the First. Expansive and unhurried, it charms the ear with its lyricism and excites it with its passionate tutti outbursts. It has been a favorite among Brahms' orchestral works since its premiere in late 1876. Welser-Möst leads his "devoted and exemplarily precise musicians" (Die Presse) in a rendition that polishes every detail to make the work glow from within. Thanks to his many years at the head of the Cleveland Orchestra, Welser-Möst can mold the most intricate sonorities with the subtlest of means. This performance was recorded at the Musikverein, Vienna, Austria, in 2014.

04:15
Liszt - Due Poemi Sinfonici
00:28:002015HD
Franz Liszt (1811 - 1886) composed 13 symphonic poems, largely inspired by literary texts. The composer himself wrote piano duet arrangements for these pieces, showcasing his incredible ability of imitating a full orchestra on the piano. Liszt, one of the 19th century’s most important piano virtuosos, strongly influenced the further development of piano music. The Romantic period was the era of the virtuoso pianists: the piano was the instrument of choice for countless musicians and listeners alike. No house of standing could do without a piano: it was a status symbol. Piano music was played in concert halls, palaces, salons, churches and public houses alike. Liszt’s symphonic poem no. 4, ‘Orpheus’, breathes a meditative atmosphere. No. 3, ‘Les Préludes’, is best known in its symphonic version – the piano version presented here is rarely heard. The work dates back to the period 1848 – 1854 and was initially meant to serve as introduction to a choral cycle to be based on the texts of the poet Joseph Autran, ‘Les quatre éléments’: earth, air, water and fire. In this broadcast, the Italian piano duo of Marco Sollini and Salvatore Barbatano performs these Liszt piano works. These recordings were made at the beautiful 12th century church of San Marco in the small but picturesque village of Ponzano di Fermo, as part of the 2015 edition of the annual, itinerant festival ‘Armonie della sera’ in the Italian province of Le Marche.

G00:15:002007HD

The 2007 Europa-Konzert takes place in Berlin, on the occasion of the 125th anniversary of the Berliner Philharmoniker. Under the theme "The Year 1882", the acclaimed orchestra is lead by conductor Sir Simon Rattle as it interprets Brahms’ “Concerto for violin, cello and orchestra”, his Fourth Symphony and Wagners’ “Prelude to Act I” from Parsifal - the piece that marked the orchestra's first recorded work of September 1913 under the baton of Alfred Hertz. The soloists are Lisa Batiashvili (violin) and Truls Mørk (cello), established as sought-after young virtuosos and appearing regularly with leading orchestras and in recitals throughout the world. The “Kraftwerk und Kabelwerk Oberspree (power and cable factory)”, the remarkable venue of this concert, is one of the most impressive historical industrial building from the late 19th century in Berlin. As its impressive presence is infused with Brahms and Wagner, there is an air of total commitment, only enhanced further by the unusual surroundings. The collaboration of Lisa Batiashvili and Truls Mørk ensures a moving performance of Brahms’s last orchestral work, his Double Concerto. Following this, Rattle and the orchestra continue to demonstrate their outstanding musicianship, delivering Wagner's amazingly fresh and dynamic Fourth Symphony.

G01:00:002021HD

Tenor Ilja Aksionov (Lithuania, 1996) and pianist Gustas Raudonius (Lithuania, 1996) perform Bart Visman’s Het goud van Vermeer; ‘As I lay in the early sun’ from Gerald Finzi’s Oh fair to see, Op. 13b; Henri Duparc’s Extase; Claude Debussy’s Paysage sentimental, L. 55; ‘Mausfallensprüchlein’ from Hugo Wolf’s Sechs Lieder; ‘Krysolov’ (The pied piper) from Sergei Rachmaninoff’s Six Romances, Op. 38; Franz Schubert’s Rastlose Liebe, Op. 5, No. 1, D. 138; and Alphons Diepenbrock’s De klare dag, RC 4, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.

G00:30:001990HD

When Austria's Emperor Leopold II went to the congress city of Frankfurt to be crowned Holy Roman Emperor in 1790, Mozart hoped to be honored with a commission for a coronation work. The results were disastrous: Antonio Salieri received the commission for a coronation opera and Mozart was asked to write and perform a piano concerto for the coronation ceremonies, a work that was virtually ignored at the time of its creation. In this episode, soloist Radu Lupu performs Mozart’s Piano Concerto No. 19, KV 459 with the Deutsche Kammerphilharmonie, under the baton of David Zinman. The recording took place at the Imperial Hall in Munich.

G01:21:002018HD

Violinist Kristof Barati and Pianist Lucas Debargue pair for the first time in a duo concert at the 25th anniversary edition of the Swiss Verbier Festival in 2018. Although this was their inaugural collaboration, the two young artists found a perfect understanding around this romantic programme. The two featured works were written very few years apart from one another (Brahms’ first sonata for violin and piano in 1879 and Franck’s sonata in A in 1886). The Brahms sonata was recorded by Kristof Barati a few years ago, while Franck’s is known to be a favourite of Lucas Debargue. The virtuoso piano part suits his gigantic hands and the fantasy of the third movement his love for improvisation. The cyclic form and the many echoes between the piano and violin parts unite the two artists, like accomplices in possession of the best assets to bring in all the emotion these romantic works have to offer. The listener is suddenly in a position to re-discover the scores and cannot but join the admiration marks that escape from the audience in between the movements. A very moving performance which deserves its benchmark status.

G00:42:002020HD

Conductor Herbert Blomstedt and the Gewandhausorchester take us on a musical journey to the Czech Republic in this 2020 concert from Leipzig’s Gewandhaus. The program opens with Bohemian composer Jan Václav Hugo Voríšek’s Symphony in D major, Op. 23 (1821). Although the composition – Voríšek’s only symphony – was never performed during the composer’s lifetime, it has become one of his most-performed works today. Also on the program is Wolfgang Amadeus Mozart’s Symphony No. 38 in D major, K. 504. This work, which premiered while Mozart was visiting Prague in 1787, is often referred to as the ‘Prague Symphony’.

G00:39:002024HD

Pianist Itamar Prag (Israel, 1994) performs Claude Debussy’s Estampes; Frédéric Chopin’s Ballade No. 4 in F minor, Op. 52; and Guido Agosti’s transcription of Igor Stravinsky’s The Firebird Suite (Danse infernale, Berceuse, and Finale), during the first round of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). This performance was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.

G00:46:002020HD

Acclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Su Yeon Kim (South Korea, 1994) performs various works by Frédéric Chopin: Nocturne in C minor, Op. 48, No. 1; Mazurka, Op. 2, No. 2 and 4; Scherzo No. 3 in C-sharp minor, Op. 39; and Waltz in A-flat major, Op. 34 No. 1. The recital comes to a close with Wolfgang Amadeus Mozart’s Gigue in G major, KV 574. This performance was recorded at Teatro EDI Barrio’s in Milan, in January 2020.

G00:58:002014HD

Swiss conductor Philippe Jordan and the Orchestre de l’Opéra national de Paris recorded all of Ludwig van Beethoven’s symphonies in 2014-2015. In this program, Jordan conducts Beethoven’s Symphony No. 3 in E-flat major, Op. 55, ‘Eroica’. Composed in 1803 and 1804, this symphony is regarded as a major turning point in Beethoven’s oeuvre as well as Western music history. Symphony No. 3 is longer in duration than any previous symphony. The customary long introduction is replaced by two powerful chords, followed by the introduction of the main theme by the lower strings. The slow second movement is a Funeral March, followed by a quick Scherzo. The fourth and final movement is dominated by a theme from Beethoven’s ballet music for ‘The Creatures of Prometheus’. This performance was recorded at Opéra Bastille in Paris, France, in 2014.

G00:52:002014HD

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances’ string quartet – consisting of David Grimal (violin), Hans Peter Hofmann (violin), David Gaillard (viola), and Xavier Phillips (cello) – performs Franz Schubert’s String Quartet No. 15 in G major, D. 887, Op. 161. Schubert composed this work, his final string quartet, in a mere ten days in June 1826. However, this highly original piece, characterized by its restless shifts between major and minor, was not published until after Schubert’s death in 1851. This performance was recorded at Cité de la Musique in Paris, France, in 2014.

G00:58:002012HD

Directed in 2012 by Enrique Sánchez Lansch, the documentary The 12 Cellists follows the 12 cellists of the Berlin Philharmonic Orchestra. Since 1972, this group is a staple of the international musical universe. Whether they play classical music, jazz, tango or avant-garde music, these talented musicians invariably enthrall audiences with the wide range of unique and bewitching sounds they produce with their cellos. Their combination of seriousness and humor, depth, and lightness promises to captivate listeners of all ages.

G00:29:002016HD

Sir Simon Rattle conducts the Berlin Philharmonic in the 2016 edition of the Europakonzert. This time, it takes place at the beautiful Baroque church of Røros, a Norwegian mining town whose intact picturesque old town makes it a UNESCO World Heritage Site. The talented Norwegian violinist Vilde Frang is the star soloist in Mendelssohn’s songful Violin Concerto, Op. 64, which she plays with warmth, elegance and effortless virtuosity.

G00:43:002021HD

Soprano Sophia Burgos (USA, 1991) and pianist Daniel Gerzenberg (Germany, 1991) perform Bart Visman’s Vermeer’s Gold; ‘Nixe Binsefuss’ from Hugo Wolf’s Mörike-Lieder, and ‘Die Bekehrte’ from Goethe-Lieder; ‘C’est l’extase langoureuse’ from Claude Debussy’s Ariettes oubliées; ‘Crépuscule’ from Gabriel Fauré’s La chanson d'Ève; ‘Asturiana’ from Manuel de Falla’s Siete canciones populares españolas; and ‘The night in silence under many a star’ from George Crumb’s Apparition, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.

G02:00:002012HD

Since 1972 the 12 Cellists of the Berliner Philharmoniker have been a prominent institution in international musical life. Listeners around the world are invariably fascinated by the wide range of the unique and intoxicating timbres that these twelve cellos can produce, whether they are playing classical music, jazz, tango or avant-garde. Their mixture of seriousness and humour, of depth and lightness, appeals to audiences of all ages. Recorded in the Philharmonie Berlin on occasion of the 40th anniversary of the ensemble; soloists: Annette Dasch (soprano), Till Brönner (trumpet).

G00:18:002006HD

Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.

PG01:34:002010HD

A classic French ballet, Coppélia was choreographed in 1870 at the Opera de Paris, drawing inspiration from the evolution of society and the choreographer’s imagination. Featuring 40 dancers, the action takes place in the America of Fred Astaire, Gene Kelly, and Jérôme Robbins and echoes the style and spirit of Broadway musicals and Hollywood fantasies. This modern and fast-paced version was performed by Ballet de l'Opéra national de Bordeaux at the Teatro La Fenice in Venice in 2010.

G00:34:002015HD

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances’ string quartet – consisting of David Grimal (violin), Hans Peter Hofmann (violin), David Gaillard (viola), and Xavier Phillips (cello) – performs Wolfgang Amadeus Mozart’s String Quartet No. 19 in C major, K. 465, ‘Dissonance’ (Op. 10 No. 6). The String Quartet is the last in the set of six quartets that were dedicated to Joseph Haydn. Written between 1782 and 1785, these are also known as the Haydn Quartets (Op. 10). String Quartet No. 19 is remarkable for its slow, dissonant introduction, giving the piece its nickname. This ominous passage suddenly gives way to the bright Allegro in C major. This performance was recorded at Opéra Comique in Paris, France, in 2015.

G01:35:002010HD

For over two decades, the Berlin Philharmonic has celebrated its creation on May 1 with the annual Europakonzert, which in 2010 was held in Oxford. Led by Daniel Barenboim, the orchestra performed a program including Johannes Brahms’ Symphony No. 1. The young American cellist Alisa Weilerstein, who has attracted widespread attention for her passionate yet precise musicianship, joined the orchestra for a breathtaking performance of Edward Elgar’s Cello Concerto.

G00:30:002016HD

Few Italian theatres can boast of being an absolute point of reference for national and world culture. The Teatro Regio in Turin is both a symbol of excellence in the national operatic tradition and a prestigious stage hosting operas, ballets, concerts, and musicals of great substance. This short documentary offers a behind-the-scenes tour of the Teatro Regio Torino and bears witness to the enviable reputation that has prevailed since its opening in 1740.

G00:24:002017HD

Minsoo Hong (1993, South Korea) performs La notte (S377a) and Hungarian Rhapsody No. 12, (S379a) during semi-final II (chamber music) of the 11th International Franz Liszt Piano Competition, held in TivoliVredenburg, Utrecht, in 2017. The competition actively presents, develops, and promotes piano talents from around the world. In doing so, it has become one of the prominent gateways to the international professional classical music scene for young musicians. The International Franz Liszt Piano Competition was founded in 1986 in the Netherlands and has since built a reputation as one of the world’s most prestigious piano competitions.

G01:40:002021HD

Russian pianist Nikolay Lugansky has received world-wide praise for his interpretations of the music of Sergei Rachmaninoff. In this wonderful recital, the great pianist presents works by the Russian Romantic composer as well as Ludwig van Beethoven and Alexander Glazunov. Lugansky opens his concert with Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2, ‘Moonlight’, followed by Alexander Glazunov’s Piano Sonata No. 2 in E minor, Op. 75. Then Lugansky performs a selection of works by Rachmaninoff: Rachmaninoff’s piano transcription of J. S. Bach’s Partita No. 3 in E major; a selection of Études-Tableaux (Nos. 1, 2, 4, and 8, Op, 33, and Nos. 5 and 6, Op. 39); Lilac (Op. 21, No. 5); Prelude in C minor, Op. 23 No. 7; and Rachmaninoff’s transcription of Pyotr Ilyich Tchaikovsky’s Lullaby (Op. 16 No. 1). This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on June 4, 2021.

G00:48:002022HD

Conrad van Alphen leads Sinfonia Rotterdam in a performance of Pyotr Ilyich Tchaikovsky’s Symphony No. 1 in G minor, Op. 13, ‘Winter Daydreams’, recorded at De Doelen in Rotterdam, the Netherlands in September 2022. Having completed a number of shorter orchestral works, Tchaikovsky embarked on a more ambitious project in March 1866: to write his first symphony. In the summer of that year, the young composer showed his still-unfinished score to his former teachers Anton Rubinstein and Nikolai Zaremba, whose harsh criticism thoroughly disillusioned him. With significant changes, the entire symphony was first performed in 1868, but Tchaikovsky further revised the work in 1874. Not only did the composer subtitle his symphony ‘Winter Daydreams’, he used descriptive titles for the first two of the four movements as well: ‘Dreams of a Winter Journey’ and ‘Land of Desolation, Land of Mists’.

G00:31:002009HD

Johann Sebastian Bach probably wrote this set of six Sonatas for Violin and Harpsichord during his time as chapel master in Köthen. Presumably, he wrote these sonatas for Prince Leopold and later adapted them for further use in Leipzig. Maybe this is why these pieces are well playable for amateurs, while every sonata still has the finesse that can offer a challenge to professional musicians. The different pieces are meant to be a set, just like the Brandenburg concertos.