Schedule

Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.

For this exceptional recital, recorded in 2019 at the Théâtre des Champs-Élysées, Camille (cello) and Julie Berthollet (violin) are accompanied by pianist Guillaume Vincent and the Ensemble Appassionato under the direction of Mathieu Herzog. The two musical sisters have chosen a repertoire which crosses genres and eras to explore the expressive palette of the violin and cello, from the baroque of Vivaldi to the jazzy notes of Django Reinhardt and Stéphane Grapelli. Among the works on the program are Brahms Hungarian Dances No. 5 and No. 6, Karl Jenkins' Palladio, 'Theme from Forrest Gump' by Alan Silvestri, Schumann's Piano Quintet, Op. 44, The Red Violin by Corigliano, Hungarian Rhapsody, op. 68 by Popper, Minor Swing by Reinhardt/Grappeli and Csárdás by Monti.

Ukrainian conductor Kirill Karabits leads the London Symphony Orchestra in a stunning performance of Gustav Mahler’s Symphony No. 4. The soloist is soprano Lucy Crowe. Mahler’s Fourth Symphony opens with the sound of sleighbells and melodies of childlike innocence. But between this deceptively playful opening and the serene finale – a child’s vision of Heaven – lies a world of profound emotion and beauty. With soprano Lucy Crowe lending her vocal radiance to this extraordinary finale, the symphony’s journey to bliss is complete. This performance was recorded at the Barbican Hall in London, UK, on December 8, 2021.

The Tafelmusik Baroque Orchestra also known simply as Tafelmusik, is a Toronto-based Canadian baroque orchestra, specialised in early music. Its musical director is Jeanne Lamon. Together with the Trio Arabica they celebrate the music and culture in the eighteenth century. The cities of Leipzig and Damascus both lay at the crossroads of ancient trading routes and are important centres of scholarship and famous for their coffee houses, where music was performed by the most brilliant musicians of the day. This concert presents works by Bach, Telemann, Handel and treasures of classical Arabic music. In this cross-cultural café, music, words, and images are used to explore the ways in which people separated by great distances are bound together by trade, ideas, and art. Recorded at the Aga Khan Museum in Toronto. Created by Alison Mackay and staging by Marshall Pynkoski.

Maestro Herbert Blomstedt makes his debut with the Lucerne Festival Orchestra at 2020’s Lucerne Festival conducting Ludwig van Beethoven’s celebrated Symphony No. 3 in E-flat major, Op. 55, “Eroica”. The sprightly Swedish conductor celebrated his 93rd birthday just one month before this performance. This remarkable performance was recorded at the Lucerne Culture and Congress Center (KKL), Switzerland, in August 2020.

Italian pianist Roberto Prosseda (1975) performs Wolfgang Amadeus Mozart's Piano Sonata No. 5, KV. 283. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.

The Finnish composer and conductor Esa-Pekka Salonen (1958) was Music Director of the Los Angeles Philharmonic from 1992 until 2009. Under his dynamic leadership, it was recognized as one of the world's most outstanding orchestras. The exciting musical partnership Salonen established with his musicians was widely acclaimed in the international press. The conductor's lucidity, efficiency, and lack of pretension, promoted a relaxed collaboration between himself and the orchestra, which is particularly evident in the rehearsal process. This ‘In Rehearsal’ episode features Salonen rehearsing Claude Debussy's Impressionistic orchestral piece La Mer with the Los Angeles Philharmonic at the Dorothy Chandler Pavilion of the Music Center of Los Angeles County. It gives a fascinating insight into Salonen’s rapport with his musicians and also into Debussy’s masterpiece.

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 2 in G major, Op. 18, No. 2; String Quartet No. 16 in F major, Op. 135; and String Quartet No. 14 in C-sharp minor, Op. 131. This concert was recorded at Philharmonie de Paris on December 16, 2020.

This concert is the result of the collaboration between the Giuseppe Nicolini Conservatory of Piacenza and the Giuseppe Verdi of Milan as part of the project "MIlanoPIACEnza ... suonare insieme.” On the program are works by the Dutch conductor and composer Johan de Meij. “Echoes of San Marco” is a tribute to the Venetian Renaissance composer Giovanni Gabrieli (1555-1612). Echoes of San Marco opens with a quote from Gabrieli’s “Canzon Septimi Toni” from the “Sacre Sinfoniae”, and is just like the original work composed for two choirs of brass instruments. “Fellini” is composed for solo saxophone and orchestra and is a tribute to Italian film director Federico Fellini (1920-1993). De Meij composed the work for saxophone player Hans de Jong, who during this concert is dressed as a melancholic clown to intensify the dreamy and imaginary worlds present in Fellini’s films. This concert is recorded at the Sala dei Teatini of the Teatri di Piacenza in 2018. Directed by Pietro Tagliaferri.

The exceptional Russian pianists Nikolay Lugansky and Vadim Rudenko join forces in a performance of Maurice Ravel’s La Valse, in an arrangement for two pianos. This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on November 25, 2021.

Italian pianist Andrea Molteni (1998) performs Frédéric Chopin’s Fantaisie in F minor, Op. 49. Molteni began studying the piano at the age of six. He graduated with honors and honorable mention at the Conservatorio di musica Giuseppe Verdi di Como, and was awarded a master’s degree Magna cum Laude in Advanced Performance Studies by the Conservatorio della Svizzera Italiana in Lugano. He has performed at the Wiener Saal of the Mozarteum University in Salzburg, Scriabin Museum in Moscow, National Opera Center in New York, and several other international venues. This performance was recorded at the Oberlin Conservatory of Music, Ohio, USA, in 2022.

J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 4 in G major, BWV 1049. This concerto features solos from two recorders and a violin. The recorders play a prominent role in the concerto’s second movement, while the violin dominates the fast first and third movements.

Frédéric Chaslin (1963) leads the Orchestra and Chorus of the Opéra Royal de Wallonie-Liège in a performance of Léo Delibes’s tragic opera Lakmé (1883). Written to a libretto by Edmond Gondinet and Philippe Gille, the opera is set in nineteenth-century British India and tells the story of Lakmé, who falls in love with Gérald, a British officer. However, Lakmé’s father, the Brahmin priest Nilakantha, vows revenge after he discovers that Gérald has trespassed on their sacred ground. Like many of his contemporaries, Delibes was fond of exoticism, evoking foreign lands and cultures in the tradition of Georges Bizet’s Les Pêcheurs de perles (1863) and Camille Saint-Saëns’s Samson et Dalila (1877). Delibes’s opera features the celebrated “Flower Duet,” sung by Lakmé and her servant Mallika as they gather flowers by the river, and also the wonderful coloratura aria “Bell Song” (Air des Clochettes). Among the soloists are Jodie Devos, Philippe Talbot, Lionel Lhote, Pierre Doyen, and Marion Lebègue. This production was recorded at the Opéra Royal de Wallonie in Liège, Belgium, in 2022.

Mahler's Symphony No. 8, also known as the "Symphony of a Thousand," is a monumental choral epic composed in 1906 that requires an enormous ensemble of soloists, choruses, and a massive orchestra to perform its vast musical tapestry. The work is a unique and grandiose tribute to love and the spiritual salvation of mankind, drawing from two distinct textual sources to create its sublime effect. Audiences most value its overwhelming, ecstatic emotional power and the sheer spectacle of the grand performing forces.

One of the world’s most popular pieces of classical music, Maurice Ravel’s Boléro (1928), was no longer copyrighted as of May 1, 2016. Up to then it had made Ravel and his heirs millions. Ravel died in 1937 and left all he owned to his brother Edouard. Edouard’s death in 1960 unleashed a complex legal battle over the rights, involving among others Edouard’s nurse and her husband. This 2017 documentary gives a fascinating account of what happened to one this iconic piece of music right under the nose of the public. Filmmaker Fabien Caux-Lahalle underpins this investigative story with clips of the Boléro in various guises.

The Danish National Symphony Orchestra opens the door to a wealth of fantasy universes in this mesmerizing concert program. Under the direction of German conductor Christian Schumann, the Danish National Symphony Orchestra, Danish National Concert Choir, and Danish National Junior Choir team up to perform music from the most popular fantasy movies, TV series and video games, including The Lord of the Rings, Harry Potter, Highlander, and The Chronicles of Narnia. Featured soloists in this concert are Danish soprano Christine Nonbo Andersen, Korean percussionist Jihye Kim, Norwegian mezzo-soprano Tuva Semmingsen, Swedish bass Johan Karlström, and British actor David Bateson. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in June 2019.

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored repertoire for piano and violin in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists, including pianists Evgeny Kissin, Theodosia Ntokou, and Cristina Marton-Argerich, and violinist Maxim Vengerov. On the program are Dmitri Shostakovich’s Concertino for two pianos, Op. 94; Frédéric Chopin’s Impromptu No. 3, Op. 51, Polonaise No. 6, Op. 53 “Heroic”, and Waltz No. 6, Op. 64 No. 1; Camille Saint-Saëns’s Polonaise for two pianos, Op. 77; César Franck’s Sonata for violin and piano in A major; and Fritz Kreisler’s Liebesleid and Schön Rosmarin. This performance was recorded on June 12, 2021.

In this 2018 concert, the Rotterdam Philharmonic Orchestra is lead by Canadian conductor and pianist Yannick Nézet-Séguin in a performance of Dmitri Shostakovich's Symphony No. 4 in C minor, Op. 43. Born in 1975 in Montréal, Québec, the charismatic young musician was awarded the role of the 11th Principal Conductor of the Rotterdam Philharmonic Orchestra in 2006. For 12 years, he played a leading role in the orchestra's performances, before returning to North America to take on multiple key positions at the Orchestre Métropolitain (Montréal), the Metropolitan Opera, and the Philadelphia Orchestra. Next to having been awarded 8 acclaimed classical prizes, Nézet-Séguin is also an honorary member and guest conductor of the Chamber Orchestra of Europe.

Swiss conductor Ludwig Wicki leads the Danish National Symphony Orchestra and the DR Junior Choir in a sparkling concert program of film music. The program features a selection of music from great and Oscar-winning Hollywood films, including Titanic, The Bodyguard, Pirates of the Caribbean, Braveheart, and Moulin Rouge, written by major composers such as John Williams, Hans Zimmer, James Horner, and Klaus Badelt. Highlights include ‘He’s a pirate/Davy Jones’ from Pirates of the Caribbean: Dead Man’s Chest; ‘Now We Are Free’ from Gladiator; ‘My Heart Will Go On’ from Titanic; and ‘Shallow’ from A Star Is Born. Featured soloists in this concert are the young talented singers Andrea Lykke Oehlenschlæger and Diluckshan Jeyaratnam. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in May 2022.

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances perform Johannes Brahms’s Symphony No. 4 in E minor, Op. 98. Brahms completed his last symphony in 1885. He conducted the successful premiere of the piece in the German city of Meiningen in October of the same year. The symphony’s finale movement is a chaconne, a variation form that reflects the composer’s fascination with Baroque music. In this movement, Brahms borrowed an 8-measure theme from J. S. Bach’s cantata ‘Nach dir, Herr, verlanget mich’, BWV 150. The movement opens with the theme and then presents a set of variations all set over the same repeated theme in the bass. This performance was recorded at Opéra de Dijon, France, in 2014.