Schedule

Frédéric Chaslin (1963) leads the Orchestra and Chorus of the Opéra Royal de Wallonie-Liège in a performance of Léo Delibes’s tragic opera Lakmé (1883). Written to a libretto by Edmond Gondinet and Philippe Gille, the opera is set in nineteenth-century British India and tells the story of Lakmé, who falls in love with Gérald, a British officer. However, Lakmé’s father, the Brahmin priest Nilakantha, vows revenge after he discovers that Gérald has trespassed on their sacred ground. Like many of his contemporaries, Delibes was fond of exoticism, evoking foreign lands and cultures in the tradition of Georges Bizet’s Les Pêcheurs de perles (1863) and Camille Saint-Saëns’s Samson et Dalila (1877). Delibes’s opera features the celebrated “Flower Duet,” sung by Lakmé and her servant Mallika as they gather flowers by the river, and also the wonderful coloratura aria “Bell Song” (Air des Clochettes). Among the soloists are Jodie Devos, Philippe Talbot, Lionel Lhote, Pierre Doyen, and Marion Lebègue. This production was recorded at the Opéra Royal de Wallonie in Liège, Belgium, in 2022.

Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.

The Gustav Mahler Jugendorchester was founded in 1986 at the initiative of Claudio Abbado and has since become the world’s best youth orchestra. Named after the great composer, the programme is marked by the special relationship between the maestro and the young orchestra, as well as their special relationship to Gustav Mahler. Claudio Abbado is undeniably the supreme Mahler conductor of our time and his long-time association with this repertoire culminates in this stirring performance of Mahler’s last Symphony, written shortly before the composer’s untimely death. Recorded at Accademia di Santa Cecilia in Rome 2004, the film vividly shows the joy, talent, and professionalism of the young musicians drawn from all over Europe and their devotion to Claudio Abbado. A wonderful homage to orchestra, conductor, composer and to a triumphant master work - Gustav Mahler’s magnificent 9th symphony.

Japanese violinist Naoya Nishimura and Italian pianist Andrea Bacchetti perform an intimate recital recorded at the Munetsugu Hall in Nagoya, Japan. On the program are Arcangelo Corelli’s Violin Sonata in D minor, Op. 5 No. 12, “La Folia”; Ludwig van Beethoven’s Violin Sonata No. 5 in F major, Op. 24, “Spring”; Manuel de Falla’s 7 Canciones populares españolas; Maurice Ravel’s Sonata for violin and piano; Camille Saint-Saëns’ Introduction and Rondo Capriccioso in A minor, Op. 28; Niccolò Paganini’s Cantabile in D major, Op. 17; and Antonio Bazzini’s Scherzo fantastique, Op. 25, “La Ronde des Lutins”. This performance was recorded on June 22, 2019.

At the age of seven, Martha Argerich made her debut with Ludwig van Beethoven’s Piano Concerto No. 1, a piece that would accompany her throughout her career. In this concert at the Lucerne Festival, the celebrated pianist performs the signature piece with the Lucerne Festival Orchestra under the baton of Swedish conductor Herbert Blomstedt, who made his debut here with the orchestra. This performance was recorded at the Lucerne Culture and Congress Center (KKL), Switzerland, in August 2020.

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored repertoire for piano and violin in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists, including pianists Evgeny Kissin, Theodosia Ntokou, and Cristina Marton-Argerich, and violinist Maxim Vengerov. On the program are Dmitri Shostakovich’s Concertino for two pianos, Op. 94; Frédéric Chopin’s Impromptu No. 3, Op. 51, Polonaise No. 6, Op. 53 “Heroic”, and Waltz No. 6, Op. 64 No. 1; Camille Saint-Saëns’s Polonaise for two pianos, Op. 77; César Franck’s Sonata for violin and piano in A major; and Fritz Kreisler’s Liebesleid and Schön Rosmarin. This performance was recorded on June 12, 2021.

Russian pianist Nikolay Lugansky has received world-wide praise for his interpretations of the music of Sergei Rachmaninoff. In this wonderful recital, the great pianist presents works by the Russian Romantic composer as well as Ludwig van Beethoven and Alexander Glazunov. Lugansky opens his concert with Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2, ‘Moonlight’, followed by Alexander Glazunov’s Piano Sonata No. 2 in E minor, Op. 75. Then Lugansky performs a selection of works by Rachmaninoff: Rachmaninoff’s piano transcription of J. S. Bach’s Partita No. 3 in E major; a selection of Études-Tableaux (Nos. 1, 2, 4, and 8, Op, 33, and Nos. 5 and 6, Op. 39); Lilac (Op. 21, No. 5); Prelude in C minor, Op. 23 No. 7; and Rachmaninoff’s transcription of Pyotr Ilyich Tchaikovsky’s Lullaby (Op. 16 No. 1). This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on June 4, 2021.

The documentary 'Heavenly Voices – The Legacy of Farinelli' (2012) tells us the story of the castrato in music – male singers who were castrated at a young age in order to preserve their high vocal range, a cruel practice that was in place mainly in the 17th and 18th centuries. For two centuries, castrati's performances held European audiences spellbound, with successful castrati such as Farinelli ranking among the most influential and highest-earning musicians of those days. Today, roles originally written for castrati are often performed by countertenors. In this documentary, countertenors Max Emanuel Cenčić, Philippe Jaroussky, Andreas Scholl, Franco Fagioli, and Jochen Kowalski discuss Baroque-era operatic entertainment. 'Heavenly Voices' is a film by Gino Pennacchi (writer) and Alessandro Scillitani (director).

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 1 in F major, Op. 18, No. 1; String Quartet No. 10 in E-flat major, Op. 74, "Harp"; and String Quartet No. 9 in C major, Op. 59, No. 3, "Razumovsky". This concert performance was recorded at Philharmonie de Paris on October 13, 2020.

The 2007 Europa-Konzert takes place in Berlin, on the occasion of the 125th anniversary of the Berliner Philharmoniker. Under the theme "The Year 1882", the acclaimed orchestra is lead by conductor Sir Simon Rattle as it interprets Brahms’ “Concerto for violin, cello and orchestra”, his Fourth Symphony and Wagners’ “Prelude to Act I” from Parsifal - the piece that marked the orchestra's first recorded work of September 1913 under the baton of Alfred Hertz. The soloists are Lisa Batiashvili (violin) and Truls Mørk (cello), established as sought-after young virtuosos and appearing regularly with leading orchestras and in recitals throughout the world. The “Kraftwerk und Kabelwerk Oberspree (power and cable factory)”, the remarkable venue of this concert, is one of the most impressive historical industrial building from the late 19th century in Berlin. As its impressive presence is infused with Brahms and Wagner, there is an air of total commitment, only enhanced further by the unusual surroundings. The collaboration of Lisa Batiashvili and Truls Mørk ensures a moving performance of Brahms’s last orchestral work, his Double Concerto. Following this, Rattle and the orchestra continue to demonstrate their outstanding musicianship, delivering Wagner's amazingly fresh and dynamic Fourth Symphony.

Italian pianist Andrea Molteni (1998) performs Alban Berg’s Piano Sonata in B minor, Op. 1. Molteni began studying the piano at the age of six. He graduated with honors and honorable mention at the Conservatorio di musica Giuseppe Verdi di Como, and was awarded a master’s degree Magna cum Laude in Advanced Performance Studies by the Conservatorio della Svizzera Italiana in Lugano. He has appeared at the Wiener Saal of the Mozarteum University in Salzburg, Scriabin Museum in Moscow, National Opera Center in New York, and several other international venues. This performance was recorded at the Verbrugghen Hall of the Sydney Conservatorium of Music, Australia, in 2023.

Julijana Sarac performs the first/third movement of Ludwig van Beethoven’s Piano Sonata No. 21 (“Waldstein”). The work was completed in 1804 and is considered one of Beethoven's greatest and most technically challenging piano sonatas.

Every year, the Europakonzert is hosted by the Berliner Philharmoniker in a notorious concert hall or on a special location. This years concert is performed at the magnificent Royal Albert Hall in London. The Dutch conductor Bernard Haitink closes with Stravinsky's The Rite of Spring which he wrote in 1913 for Sergei Diaghilev's Ballets Russes. The première caused a lot of sensation and near-riot in the audience because of the avant-garde nature, music and choreography of the piece. The Rite of Spring is now considered as one of the masterpieces of classical music history and has influenced many 20th-century music composers. The encore is Tchaikovsky's Flower Waltz from the Nutcracker.

Einstein on the Beach is an opera by minimalist composer Philipp Glass, director Robert Wilson, and choreographer Lucinda Childs. The work premiered in 1976 at the Avignon Festival in France. It is the composer’s first and longest opera, lasting approximately 4.5 hours. The work’s title appears to refer to Nevil Shute’s novel ‘On the Beach’ (1957), taking place in a world that is destroyed after an atomic war. Breaking the rules of conventional opera, Einstein on the Beach has neither a narrative nor named characters. The work’s libretto consists of solfège syllables, numbers, and sections of poetry. It includes texts by Christopher Knowles, Samuel M. Johnson and Childs. The opera is in four acts, connected by so-called “Knee Plays” – interludes between acts. It contains several references to Einstein’s theories on time, space, and relativity, for instance the appearance of trains, which Einstein used as a metaphor in his theory of relativity. The music is performed by The Philipp Glass Ensemble conducted by Michael Riesman, and features Antoine Silverman as the solo violinist. Among the performers are Helga Davis, Kate Moran, Jasper Newell, and Charles Williams. The opera features dancers of The Lucinda Childs Dance Company. This performance was recorded at Théâtre du Châtelet in Paris, France, in 2014.

The Rina Sala Gallo International Piano Competition takes place every two years in the Italian city of Monza. Founded in 1947 by Monza-born pianist Rina Sala Gallo and Brescia-born pianist Arturo Benedetti Michelangeli, the competition is one of Monza’s most prestigious cultural events today. This broadcast featuring the three finalists’ best performances from the competition’s 26th edition, were recorded at the Villa Reale di Monza in October 2022. First, Young Sun Choi (South Korea, 1991) performs Ludwig van Beethoven’s Piano Sonata No. 30 in E major, Op. 106. After, Seunghyuk Na (South Korea, 1997) plays ‘Oiseaux tristes’ and ‘Alborada del gracioso’ from Maurice Ravel’s five-movement suite Miroirs. Next, Ivan Bašić (Serbia, 1996) performs Franz Liszt’s Mephisto Waltz No. 1. Lastly, Choi returns for a performance of Claude Debussy’s Images (Book I).

Maestro Bernard Haitink leads the Berliner Philharmoniker in a performance of Igor Stravinsky's Le sacre du printemps (‘The Rite of Spring’). Stravinksy composed the ballet’s score in 1913 for Sergei Diaghilev's itinerant ballet company Ballets Russes. The work’s sensational première at the Théâtre des Champs-Élysées in Paris caused a riot in the audience in response to the avant-garde nature of the music and choreography. The score, written for one of Stravinsky’s largest orchestras, features harsh dissonances and complex rhythms. Despite its scandalous premiere, the work gained great critical acclaim. Le sacre du printemps is now considered one of the great masterpieces in classical music history, which influenced many 20th-century composers. This performance was recorded at the Royal Albert Hall in London, UK, as part of Europakonzert 1993.

For over two decades, the Berlin Philharmonic has celebrated its creation on May 1 with the annual Europakonzert, which in 2010 was held in Oxford. Led by Daniel Barenboim, the orchestra and the young American cellist Alisa Weilerstein, who has attracted widespread attention for her passionate yet precise musicianship, perform a breathtaking rendition of Edward Elgar’s Cello Concerto, Op. 85

Maestro Myung-Whun Chung leads the Orchestra and Chorus of the Maggio Musicale Fiorentino, along with two vocal soloists, in this impressive performance of Gustav Mahler’s Symphony No. 2 in C minor, ‘Resurrection’. Soprano Christiane Karg and alto Claudia Huckle are the soloists. Written between 1888 and 1894, this five-movement symphony is scored for a large orchestra, chorus, and soprano and alto soloists. Mahler explores themes of life, death, and resurrection throughout the symphony. Its first movement resembles a funeral march, while the second, a graceful Ländler, creates a stark contrast with the somber character of the first. The third movement is a Scherzo based on Mahler’s musical setting of ‘Des Antonius von Padua Fischpredigt’ from the collection Des Knaben Wunderhorn. The composer also used another Wunderhorn poem, ‘Urlicht’ (Primal Light), for the fourth movement, incorporating both text and music, sung by the alto. The chorus makes its entrance in the second part of the fifth and final movement with the ‘Resurrection’ chorale. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored chamber music repertoire in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists. As part of this concert, violinist Akiko Suwanai and pianist Iddo Bar-Shaï perform Leoš Janáček’s Violin Sonata.

American conductor Jonathon Heyward makes his debut with the London Symphony Orchestra (LSO) with this performance of Antonín Dvořák’s beloved Symphony No. 9 in E minor, Op. 95, "From the New World". Composed during Dvořák’s stay in the United States, the work blends Bohemian warmth with the rhythms and spirit of American musical traditions. A deeply expressive and melodic masterpiece, it remains one of the most popular symphonies of all time. This performance was recorded at LSO St. Luke’s on Old Street in London, UK, on September 30, 2020.

The Berliner Philharmoniker is one of the world’s finest orchestras, its fame stretching all the way to Japan. Unsurprisingly, this 2000 concert, recorded at Tokyo’s magnificent Suntory Hall, was a resounding success. Mariss Jansons conducts a beautiful program that includes Antonin Dvorák’s Symphony No. 8, Carl Maria von Weber’s Overture to Oberon, and Dmitri Shostakovich’s Violin Concerto featuring star violinist Hilary Hahn (*1979)