Schedule

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances play Wolfgang Amadeus Mozart’s Violin Concerto No. 4 in D major, K. 218. Leading violinist Grimal features as the soloist. With the exception of the first violin concerto, Mozart composed his other four violin concertos in 1775 at a time when he was concertmaster at the Salzburg court. Among his five concertos, Violin Concerto No. 4 is one of the best-known. This performance was recorded at Cité de la Musique, France, in 2014.

W. A. Mozart composed his Piano Concerto in D Major, KV. 537 in Vienna in February 1788. This concerto was later nicknamed "Coronation" because Mozart played it in October 1790 when Leopold II was crowned Holy Roman Emperor in Frankfurt am Main. In this broadcast, the Uruguay-born Swiss pianist Homero Francesch is accompanied by the Deutsche Kammerphilharmonie Bremen, under the baton of Gerd Albrecht. Francesch has performed as a soloist with the most renowned orchestras from the Berliner Philharmoniker, the Wiener Philharmoniker, the New York Philharmonic, and the Royal Concertgebouw Orchestra. This program was recorded at the Christian-Zais-Saal in Wiesbaden, Germany.

Arvo Pärt based his ‘Kanon Pokajanen’ (from ‘Canon of Repentance to Our Lord Jesus Christ’, 1995-97) on the canon of repentance as handed down in the earliest Slavic-Christian manuscripts, dating back to the sixth century after Christ. The canon symbolizes the change, the transformation from day to night, the Old and New Testament, prophecy and the fulfillment, the here and now and the hereafter. This deals with the human and the divine, weakness and strength, suffering and redemption, mortality and immortality. In this broadcast, ‘Kanon Pokajanen’ is performed by the chamber choir Aquarius. This Flemish chamber choir is a trailblazer where new music and new concert formats are concerned. ‘Kanon Pokajanen’ is a great example of this: the singers are positioned in a circle in the center of a church. This dark church is only lit by candles and the music stand lights. After the choir has entered in procession, they sing for close to two hours. Performed by the Aquarius Choir led by Michael de Smet in 2008.

Dutch violinist Simone Lamsma brings lyricism and fire to Pyotr Ilyich Tchaikovsky’s virtuosic Violin Concerto, joining conductor Gianandrea Noseda and the London Symphony Orchestra. Tchaikovsky wrote the piece in 1878 on the shores of Lake Geneva, collaborating closely with his former student and lover, violinist Iosif Kotek. The composer initially intended to dedicate the piece to the young Kotek, but eventually dedicated it to another violinist, Leopold Auer, as he was afraid of the gossip the dedication would cause. This performance was recorded at the Barbican Hall in London, UK, on April 10, 2022.

Pianist Angie Zhang (USA, 1996) performs Wolfgang Amadeus Mozart’s Rondo in A minor, K. 511, Ludwig van Beethoven’s 32 Variations in C minor, WoO 80, and Franz Liszt’s Rhapsodie espagnole, S. 254, during the first round of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). This performance was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.

The exceptional Russian pianists Nikolay Lugansky and Vadim Rudenko join forces in a performance of Maurice Ravel’s La Valse, in an arrangement for two pianos. This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on November 25, 2021.

Watch the series ‘Discovering Masterpieces’, your audio-visual concert guide to the great masterpieces of classical music. The series brings you 20 half-hour documentaries on 20 classical masterpieces: acclaimed experts, famous soloists and outstanding conductors take you on a journey back to the time and place of composition. In today’s documentary, Ludwig van Beethoven’s ‘Symphony No. 5’ is discussed. The piece has the character of an appeal from the very start, when the four-note “fate” motif casts a spell on listeners. The German musicologist Armin Koch analyses the work, while the German Beethoven expert Wulf Konold illustrates the ingenious variations of the “fate” motif on piano, and also explains other features of this magnificent work.

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 6 in B-flat major, Op. 18 No. 6; and String Quartet No. 15 in A minor, Op. 132. This concert performance was recorded at Philharmonie de Paris on November 24, 2020.

Swiss conductor Philippe Jordan and the Orchestre de l’Opéra national de Paris recorded all of Ludwig van Beethoven’s symphonies in 2014-2015. In this program, Jordan conducts Beethoven’s Symphony No. 2 in D major, Op. 36. Completed in 1802, the work saw its first performance at the Theater an der Wien on April 5, 1803. That same concert also included the premieres of the composer’s Piano Concerto No. 3 and his only oratorio, Christ on the Mount of Olives, as well as a reprise performance of his Symphony No. 1. Instead of the traditional minuet, Beethoven wrote a lively scherzo as the third movement of his Symphony No 2. The overall mood of the work is optimistic. Jordan’s performance was recorded at Palais Garnier in Paris, France, in 2014.

Regarded as one of the finest interpreters of Romantic repertoire, Francesco Attesti (*1975) gave his first recital at age 11 and by the time he was 23, had earned the highest honours in piano from Florence’s Conservatorio Luigi Cherubini. In this recording of his 2016 Deeply Mozart concert tour, Attesti performs Wolfgang Amadeus Mozart’s piano concertos KV 449 and KV 488 with the Italian OIDA Orchestra and conductor Paolo Belloli.

Franz Liszt (1811 - 1886) composed 13 symphonic poems, largely inspired by literary texts. The composer himself wrote piano duet arrangements for these pieces, showcasing his incredible ability of imitating a full orchestra on the piano. Liszt, one of the 19th century’s most important piano virtuosos, strongly influenced the further development of piano music. The Romantic period was the era of the virtuoso pianists: the piano was the instrument of choice for countless musicians and listeners alike. No house of standing could do without a piano: it was a status symbol. Piano music was played in concert halls, palaces, salons, churches and public houses alike. Liszt’s symphonic poem no. 4, ‘Orpheus’, breathes a meditative atmosphere. No. 3, ‘Les Préludes’, is best known in its symphonic version – the piano version presented here is rarely heard. The work dates back to the period 1848 – 1854 and was initially meant to serve as introduction to a choral cycle to be based on the texts of the poet Joseph Autran, ‘Les quatre éléments’: earth, air, water and fire. In this broadcast, the Italian piano duo of Marco Sollini and Salvatore Barbatano performs these Liszt piano works. These recordings were made at the beautiful 12th century church of San Marco in the small but picturesque village of Ponzano di Fermo, as part of the 2015 edition of the annual, itinerant festival ‘Armonie della sera’ in the Italian province of Le Marche.

Sir Simon Rattle conducts the Berliner Philharmonic during the 2008 edition of the Europakonzert, held in the renowned hall of the Tchaikovsky Conservatory in Moscow. The first edition of the Europakonzert was in 1991, and since then, the founding of the Berlin Philharmonic on May 1st in 1882 is annually celebrated with a concert in a European city of cultural significance. The orchestra opens with an outstanding performance of Stravinsky’s Symphony in Three Movements.

In this splendid concert, exceptional Russian pianists Nikolay Lugansky and Vadim Rudenko join forces in a program for two pianos comprising works of Wolfgang Amadeus Mozart, Maurice Ravel, Anton Arensky, Sergei Rachmaninoff, and Nikolai Kapustin. Both pianists, laureates of the prestigious International Tchaikovsky Competition in 1994, have received international recognition. They perform regularly in a duo. On the program: Mozart’s Sonata for two pianos in D major, K. 448/375 A; Ravel’s La Valse (arr. for two pianos); Arensky’s Suite No. 1 for two pianos, Op. 15; and Rachmaninoff’s Suite No. 1 (Fantasy) for two pianos, Op. 5. As an encore, the duo performs ‘Romance’ from Rachmaninoff’s Suite No. 2 for two pianos, Op. 17, followed by ‘Overture’ from Nikolai Kapustin’s Sinfonietta, Op. 49. This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on November 25, 2021.

American conductor Leonard Slatkin leads the Orchestre National de Lyon in a concert recorded at the Auditorium de Lyon in 2014. The concert opens with William Bolcom´s Circus Ouverture, which was specially composed for Slatkin's 70th birthday. The concert continues with a performance of Beethoven's Triple Concerto in C, Op. 56 performed by three female soloists: Olga Kern (piano), Baibe Skride (violin) and Sol Gabetta (cello). The work is the only concerto which Beethoven ever completed for more than one solo instrument. The concert closes with Ravel's beloved orchestration of Mussorgsky's Pictures at an Exhibition.

The Danish National Symphony Orchestra once again opens the gates to magical worlds with an enchanting concert program. Under the baton of German conductor Christian Schumann, the Danish National Symphony Orchestra, Danish National Concert Choir, and Danish National Junior Choir team up to perform music from the most popular fantasy movies, TV series and video games, including The Lord of The Rings, Game of Thrones, The Hobbit, The Witcher, and League of Legends. Featured soloists in this concert are Norwegian mezzo-soprano Tuva Semmingsen, Canadian-Portuguese soprano Cassandra Lemoine, Danish musician Bjørn Fjæstad, and British actor David Bateson. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in April 2023.

Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.

Tchaikovsky's The Nutcracker is one of the best known and most beloved pieces from the composer. The music has inspired many choreographers to the tell the colourful Christmas fairy-tale of E. T. A. Hoffmann and Alexandre Dumas senior in the language of dance. Ben Stevenson is to this day considered one of the most important influencers of the American ballet art. For almost thirty years, he has been the art director of the Houston Ballet, and under his leadership the company has grown into an internationally acknowledged ballet theatre. Since the year 2003 he’s held the position of Artistic Director of the Texas Ballet. His stage productions have earned several awards and praise from the critics, and have been staged at Opéra de Paris, Canadian National Ballet, La Scala, Bavarian State Opera, London City Ballet etc. This performance of the Nutcracker is recorded at the Teatro La Fenice (Venice) in 2012. With the Estonian National Ballet and star dancers Vladislav Lantratov and Galina Laush.

J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 1 in F major, BWV 1046. This concerto was written for strings, woodwinds, and brass, and features solos from each instrument group.

The Tafelmusik Baroque Orchestra also known simply as Tafelmusik, is a Toronto-based Canadian baroque orchestra, specialised in early music. Its musical director is Jeanne Lamon. Together with the Trio Arabica they celebrate the music and culture in the eighteenth century. The cities of Leipzig and Damascus both lay at the crossroads of ancient trading routes and are important centres of scholarship and famous for their coffee houses, where music was performed by the most brilliant musicians of the day. This concert presents works by Bach, Telemann, Handel and treasures of classical Arabic music. In this cross-cultural café, music, words, and images are used to explore the ways in which people separated by great distances are bound together by trade, ideas, and art. Recorded at the Aga Khan Museum in Toronto. Created by Alison Mackay and staging by Marshall Pynkoski.

Latvian maestro Mariss Jansons (1943-2019) was one of the world’s leading conductors. He served as Music Director of the Oslo Philharmonic from 1979 to 2000, during which time he transformed the orchestra into a front-rank ensemble. Under his leadership, the orchestra toured extensively and became a favorite at major festivals worldwide. The Oslo Philharmonic was celebrated for its fresh, open sound and for Jansons’s passionate interpretations of works by Dmitri Shostakovich, Richard Strauss, Pyotr Ilyich Tchaikovsky, and Béla Bartók. In this episode of ‘In Rehearsal,’ Jansons guides the orchestra through the powerful Suite from Bartók’s pantomime ballet The Miraculous Mandarin, culminating in a performance at the Oslo Concert Hall.

Karita Mattila (soprano), Violeta Urmana (alto), Thomas Moser (tenor), Eike Wilm Schulte (bass), Swedish Radio Choir, Eric Ericson Chamber Choir, Berlin Philharmonic Orchestra, conductor: Claudio Abbado. Ludwig van Beethoven (1770-1827): Symphony No. 9 in D minor, Op. 125. The European Concert has been a tradition of the Berliner Philharmoniker since 1991. The musicians commemorate the anniversary of the orchestra's founding on May 1st, 1882, playing in different European cities. In 2000, the orchestra played at home in the Berlin Philharmonic Hall.

Daniel Harding leads the Orchestra and Choir of the Maggio Musicale Fiorentino and four vocal soloists in a magnificent performance of Wolfgang Amadeus Mozart’s Requiem in D minor, K. 626. The soloists are soprano Christiane Karg, mezzosoprano Sara Mingardo, tenor Matthew Swensen, and bass Gianluca Buratto. The Austrian Count Walsegg commissioned Mozart to compose a Requiem in July 1791 to commemorate his late wife, Anna. At the time, Mozart was busy working on his operas La clemenza di Tito and The Magic Flute. By the time he started on the Requiem, in the fall of that same year, his health was seriously declining. Mozart passed away in December 1791, leaving the Requiem uncompleted. His pupil Franz Xaver Süssmayr completed Mozart’s swan song in the form known today, based on Mozart’s sketches and possibly verbal instructions. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

Star pianist Daniel Barenboim performs the first and second books of Isaac Albéniz’s piano suite Iberia. Composed between 1905 and 1908, Iberia is in four books of three pieces each. This masterpiece paints twelve musical portraits of Spanish regions, traditions, and atmospheres. This performance was recorded at the Teatro Colón in Buenos Aires, Argentina, on August 19, 2000.