00:00
Triple Concerto, Op. 56 & Symphonie Fantastique
Italian conductor Gianandrea Noseda leads the combined forces of the Music Academy KestonMAX fellows and London Symphony Orchestra (LSO) in Ludwig van Beethoven’s Triple Concerto in C major, Op. 56, and Hector Berlioz’s Symphonie Fantastique, Op. 14. Beethoven's Concerto for Violin, Cello, and Piano in C major, commonly known as the Triple Concerto, was composed from 1803 to 1804. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument. Berlioz's Symphonie Fantastique (‘Episode in the Life of an Artist … in Five Sections’) is a programmatic symphony written in 1830, telling the story of a gifted artist who, in the depths of hopelessness and despair because of his unrequited love for a woman, has poisoned himself with opium. This concert was recorded at LSO St. Luke’s in London, UK, on November 20, 2022.
01:40
Mozart - Piano Concerto No. 25 & Symphony No. 35
Stefano Conticello leads the Orchestra of Teatro Comunale di Bologna in a Wolfgang Amadeus Mozart program. The concert opens with the Overture from Mozart’s popular opera “The Magic Flute”. This is followed by Piano Concerto No. 25 in C major, K. 503, with Maurizio Baglini as the featured soloist. Mozart’s Piano Concerto No. 25 is just one of the twelve great piano concertos he composed during 1784 and 1786. The concert ends with Symphony No. 35 in D major, K. 385, also known as the “Haffner Symphony”. On the occasion of the ennoblement of Sigmund Haffner in 1782, the prominent Salzburg Haffner family of businessmen and philanthropists commissioned Mozart to compose a new piece. Mozart agreed, and initially wrote a serenade before recasting it as a symphony a few months later: the “Haffner Symphony”. This performance was recorded at the Teatro Comunale in Bologna, Italy.
02:43
Approaching the Maelström
The 2019 documentary ‘Approaching the Maelström’ follows the process leading up to a recording of American composer Philip Glass’s composition ‘A Descent into the Maelström’. The work is based on American writer Edgar Allan Poe’s 1841 short story of two fishermen caught in torrents raging between the mountainous islands of Lofoten, Norway. Glass’s work, originally a choral piece for the Australian Dance Theatre, was only ever performed at the Adelaide Festival of Arts in 1986. Over thirty years later, in 2019, Beacon Isle Films recorded a symphonic arrangement of Glass’s work, performed by the Arctic Philharmonic Orchestra and Choir conducted by Tim Weiss with soprano Berit Norbakken Solset as the soloist. Their recording was made against the backdrop of Lofoten’s spectacular landscape: the very surroundings that inspired Poe’s story. Moreover, this inspiring documentary features a rare interview with Glass.
03:33
Ice Dance: Sleeping Beauty (2013)
The award-winning Imperial Ice Stars are 26 Olympic, World, European and National Championship skaters, who jointly hold over 250 competition medals, performing theatrical ice dancing on a frozen theatre stage. The Imperial Ice Stars have received five-star praise from critics and standing ovations from audiences at some of the world's most prestigious venues - London’s Royal Albert Hall and Sadler's Wells, Singapore's Esplanade Theatre, Montreal's Place des Arts and Cape Town's Artscape. This stunning performance, filmed at the Melbourne Theatre Company in Australia, offers a new look on the secular tale of Sleeping beauty, with the original music of Pyotr Ilyich Tchaikovsky (1840-1893).
05:09
Rachmaninoff - Piano Concerto No. 1. Op. 1
Piano soloist Boris Berezovsky is accompanied by the Moscow Philharmonic Orchestra under the baton of Alexander Sladkovsky in a performance of Sergei Rachmaninov's Piano Concerto no. 1, Op. 1. Rachmaninov composed his first concerto while studying at the Moscow Conservatory at the age of 18. The concert opens with 'Heavenly Movement', a composition by the young Russian composer Elmir Nizamov (*1986). This concert was recorded at the Tchaikovksy Concert Hall of the Moscow Philharmonic Society on April 28, 2017.
05:54
CMIM Piano 2024 - Semi-final I: Michelle Candotti
Pianist Michelle Candotti (Italy, 1996) joins the CMIM ensemble, consisting of three principal strings players of the Montreal Symphony Orchestra, in a performance of the first movement, Sostenuto assai – Allegro ma non troppo, of Robert Schumann’s Piano Quartet in E-flat major, Op. 47. This performance took place during the chamber music round of the two-part semi-final of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). It was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.
06:00
Mahler - Symphony No. 8
Fabio Luisi conducts the Danish National Symphony Orchestra in a performance of Gustav Mahler's Symphony No. 8. The work is one of the largest-scale choral works in the classical concert repertoire and is frequently called the "Symphony of a Thousand." The work was composed at Mahler's Maiernigg villa in southern Austria in the summer of 1906 and is the last work which was premiered in Mahler's lifetime. Soloists include Ricarda Merbeth (soprano), Henriette Bonde-Hansen (soprano), Sofia Fomini (soprano), Marianne Beate Kielland (alto), Olesya Petrova (alto), Stefan Vinke (tenor), Russel Braun (baritone), and Günther Groissböck (bass). Among the participating choirs are the Danish National Concert Choir, MDR Leipzig Radio Choir and Copenhagen Royal Chapel Choir. Recorded at the DR Koncerthuset in Copenhagen, Denmark, in 2017.
07:34
Works for cello and piano by Schumann, Chopin a.o.
In Geneva, the Swiss city where she has spent most of her life, Argentinian pianist Martha Argerich invites her lifelong music partner, the cellist Mischa Maisky, to play chamber music. Between the pieces, Martha opens up to her daughter Annie Dutoit in an intimate interview that addresses both their relationship and the music. On the program are Ludwig van Beethoven’s 7 variations after "The Magic Flute"; Robert Schumann’s Fantasiestücke, Op. 73; Frédéric Chopin’s Introduction and Polonaise brillante in C major, Op. 3; ‘Lerchengesang’ (No. 2) from Johannes Brahms’s 4 Gesänge, Op. 70; and ‘Largo’ from Chopin’s Cello Sonata in G minor, Op. 65. This broadcast was recorded on November 12 and 13, 2020, in Geneva, Switzerland.
08:30
Rachmaninov & Gershwin: Rhapsodies
The National Philharmonic Orchestra of Russia is joined by acclaimed Russian pianist Boris Berezovsky in an interpretation of works by Rachmaninov and George Gershwin. Conductor Konstantin Khvatynets directs this concert, filmed at the Tchaikovsky Concert Hall in Moscow. The programme includes George Gershwin's Rhapsody in Blue and Rachmaninov's Rhapsody on a Theme by Paganini and is produced by the Moscow Philharmonic Society, which Saint Petersburg-born composer Dmitri Shostakovich himself once described as playing a significant role "in the development of musical life [in Russia]. It is a kind of university which is attended by millions of music lovers and thousands of musicians.” The Moscow Philharmonic Society was founded in 1922 by then-Commissar for Culture, Anatoly Lunacharsky, and has over the years come to be Russia's leading concert organizing institution.
09:24
Schumann - Symphonic Etudes, Op. 13
After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. In this performance, Schwartz presents Schumann’s Symphonic Etudes, Op. 13. Composed between 1834-37, the work began as a theme and a set of sixteen variations. The theme had been composed by Baron von Fricken, an amateur musician and father of Ernestine von Fricken, to whom Schumann was engaged in 1834. The work was first published in 1837, containing the theme and twelve etudes (only nine of them were indicated ‘variations’). Fifteen years later, in 1852, Schumann published a second edition of the work, eliminating two etudes and making some revisions to the piano writing. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.
10:04
Clara Haskil - Le mystère de l’interprète
The documentary “Clara Haskil - Le mystère de l’interprète” (2017) tells the remarkable life story of Romanian pianist Clara Haskil (1895-1960). Born in Bucharest into a Jewish family, she began her career as a child prodigy, entering the Bucharest Conservatory at a very young age. She continued her music studies in Vienna and Paris. Haskil suffered from chronic health issues and lived through two world wars, which held back her career. Only after WWII, Haskil’s fame began to take off and she finally enjoyed international recognition. She performed as a soloist over the world with the foremost orchestras, and collaborated with acclaimed musicians including Eugène Ysaÿe, George Enescu, and Pablo Casals.
11:05
Barbara Hannigan at Severance Hall
Barbara Hannigan, soprano and conductor, won the Grammy for “Best Classical Solo Vocal Album CRAZY GIRL CRAZY (Gershwin, Berg and Berio) 2018 and took home the Grammy for “Artist of the Year” in 2022. In autumn 2023 she made her long-awaited conducting debut with the Cleveland Orchestra. The programme featured an interesting mix of old and new with Haydn´s Symphony No. 44 in E-minor, Vivier´s Lonely Child', Ligeti´s 'Lontano' and Death and Transfiguration by Richard Strauss.
