00:00
Tchaikovsky - Iolanta
‘Iolanta’ and ‘Perséphone’ – A double bill consisting of two stage works that “represent an ideal of beauty, poetry and hope” forms this new production by Peter Sellars in Madrid from the Teatro Real from 2012. In both works, the progression from darkness to light acts as an initiation rite that completely transforms the existential attitude of the leading characters. This broadcast features ‘Iolanta’, a mature composition by Tchaikovsky, which was premiered in 1892. It contains all aspects of the composer’s mastery: beautiful melodies, clear structure, and genuine passion in its many varieties. The Chorus and Orchestra of the Teatro Real are conducted by Teodor Currentzis. The soloists in this production are Ekaterina Scherbachenko (Iolanta), Alexej Markov (Robert), Pavel Cernoch (Vaudémont), Dmitry Ulianov (King René), Willard White (Ibn-Hakia), Vasily Efimov (Alméric), Pavel Kudinov (Bertrand), Ekaterina Semenchuk (Marta), Irina Churilova (Brigita) and Letitia Singleton (Irina Churilova).
01:50
Beethoven - Symphonies and Piano Concerto No. 4
Iván Fischer leads his Budapest Festival Orchestra (BFO) in a concert program dedicated to the music of Ludwig van Beethoven. The program opens with the composer’s Symphony No. 1 in C major, Op. 21. Afterward, Fischer conducts Beethoven’s Piano Concerto No. 4 in G major, Op. 58, in which Richard Goode features as the soloist. The acclaimed American pianist (1943) is known for his interpretations of the Beethoven repertoire. Goode recorded all five Beethoven piano concertos with the BFO and Fischer, earning him exceptional critical acclaim and a Grammy Award nomination. As an encore, Goode performs the Sarabande from J. S. Bach’s Partita in B-flat major, BWV 825. The program closes with Beethoven’s famous Symphony No. 5 in C minor, Op. 67. This performance was recorded at the Béla Bartók National Concert Hall in Budapest, Hungary, on January 29, 2017.
03:31
Berlioz - Symphonie Fantastique, Op. 14
Maestro Mariss Jansons conducts the Berlin Philharmonic in a performance of Hector Berlioz' Symphonie fantastique, Op. 14. This performance is part of the Europakonzert 2001, recorded at Hagia Irene in Istanbul, Turkey.
04:24
Mahler - Symphony No. 1 for chamber orchestra
As part of the ‘Da Camera’ concert series of the Reina Sofía School of Music in Madrid, the Spanish Grupo Fundación Mutua Madrileña performs Gustav Mahler’s Symphony No. 1 in D major, ‘Titan’, in an arrangement for chamber orchestra by conductor Francisco Alonso Serena. The slowly starting opening movement of the symphony depicts the awakening of nature in spring. The rural second movement is based on a Ländler, an Austrian folk dance, followed by a funeral march in the third movement. The expansive final movement brings back elements from the first movement, thus unifying the symphony. This performance was recorded at Auditorio Sony of the Reina Sofía School of Music in Madrid, Spain, on May 30, 2023.
05:21
Mozart - Violin Concerto No. 3, K. 216
Every year, the Europakonzert is hosted by the Berliner Philharmoniker in a notorious concert hall or on a special location. This years concert is performed at the magnificent Royal Albert Hall in London. The Dutch conductor Bernard Haitink starts with Tchaikovsky's Fantasy Overture from "Roméo et Juliette". The second piece by Wolfgang Amadeus Mozart is his famous Violin Concerto No. 3 in G major K. 216 played by the German violinist Frank Peter Zimmermann. During his career he played with a lot of famous orchestras and conductors such as the Boston Symphony Orchestra and Mariss Jansons. He has a great passion for chamber music and plays a lot of recitals with the Italian pianist Enrico Pace. The concert closes with Stravinsky's The Rite of Spring which he wrote in 1913 for Sergei Diaghilev's Ballets Russes. The première caused a lot of sensation and near-riot in the audience because of the avant-garde nature, music and choreography of the piece. The Rite of Spring is now considered as one of the masterpieces of classical music history and has influenced many 20th-century music composers. The encore is Tchaikovsky's Flower Waltz from the Nutcracker.
06:00
Mahler - Symphony No. 4
Ukrainian conductor Kirill Karabits leads the London Symphony Orchestra in a stunning performance of Gustav Mahler’s Symphony No. 4. The soloist is soprano Lucy Crowe. Mahler’s Fourth Symphony opens with the sound of sleighbells and melodies of childlike innocence. But between this deceptively playful opening and the serene finale – a child’s vision of Heaven – lies a world of profound emotion and beauty. With soprano Lucy Crowe lending her vocal radiance to this extraordinary finale, the symphony’s journey to bliss is complete. This performance was recorded at the Barbican Hall in London, UK, on December 8, 2021.
07:02
Grieg's Piano Concerto & Beethoven Symphony No. 7
Conductor Jan Latham-Koenig leads the Flanders Symphony Orchestra in this concert recorded at Concertgebouw Brugge, Belgium, on April 21, 2016. The program opens with Felix Mendelssohn’s concert overture Die Hebriden, Op. 26 (The Hebrides). During a trip to Scotland, the composer was deeply impressed by the natural splendor of Staffa, an island of the Inner Hebrides, which inspired him to compose his concert overture. Next on the program is Edvard Grieg’s Piano Concerto in A minor, Op. 16, featuring Pascal Amoyel as the pianist. It is the composer’s only concerto. Grieg composed the work in 1868, drawing inspiration from Norwegian folk music. The program ends with Ludwig van Beethoven’s Symphony No. 7 in A major, Op. 92. The work is very popular, especially because of its touching second movement. At the Allegretto’s 1813 premiere, the audience demanded an immediate encore.
08:30
Beethoven - Piano Concerto No. 3 in C minor
Conductor Eduard Topchjan leads the Armenian National Philharmonic Orchestra in a performance of Ludwig van Beethoven’s Piano Concerto No. 3 in C minor, Op. 37. Russian-born pianist Maya Oganyan (*2005) makes her solo debut with the orchestra. Beethoven composed this concerto in 1800 and played the piano part himself at the piece’s premiere in 1803. Like two of his other major works –Symphony No. 5 and Piano Sonata No. 8 ‘Pathétique’ – this piano concerto is written in the key of C minor, which contributes to the work’s stormy character. As an encore, Oganyan performs Der Bote (‘The Messenger’) by Ukrainian composer Valentin Silvestrov. This performance was recorded at the Aram Khachaturian Concert Hall in Yerevan, Armenia, in 2021.