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14A01:53:002020HD

Iphigénie en Tauride (1779) is a four-act tragic opera by German-born composer Christoph Willibald Gluck. Written for the French stage, the work’s premiere in 1779 at the Parisian Royal Academy of Music was a great success. Iphigénie en Tauride is one of the composer’s ‘reform operas’, meaning that the music was to follow the drama and its expression. Nicolas-François Guillard’s libretto is based on Claude Guimond de La Touche’s play of the same name, but ultimately it derives from Euripides’s famous ancient Greek drama. Set shortly after the Trojan War, Iphigénie, who was to be sacrificed by her father Agamemnon, is saved and carried off by the goddess Diana to Tauris, where Iphigénie becomes Diana’s high priestess. Diego Fasolis conducts the Orchestre National des Pays de la Loire and the Chœur d’Angers Nantes Opéra in this production. Among the soloists are Marie-Adeline Henry (Iphigénie), Charles Rice (Oreste), Sébastien Droy (Pylade), Jean-Luc Ballestra (Thoas), and Élodie Hache (Diane). This performance was recorded at the Grand Théâtre d’Angers, France, in 2020.

G01:37:001994HD

Maestro Abbado made a big donation when he appeared with the Berlin Philharmonic Orchestra at the Suntory Hall in Tokyo in 1994. Claudio Abbado's Japanese tour is considered one of the highlights of his career and this concert is especially memorable. The original version of Mussorgsky's A Night on Bald Mountain and a sequel from Stravinsky's The Firebird, which contains 7 of the 19 pieces of the full-length ballet, are on the program. This concert ends with one of Tchaikovsky's most popular pieces, Symphony No. 5.

G00:43:002014HD

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances present Johannes Brahms’s Symphony No. 1 in C minor, Op. 68. Brahms realized he was expected to compose a symphony that would match the musical standards established by Ludwig van Beethoven. After working on it for at least fourteen years, he completed his Symphony No. 1 in 1876. Brahms’s symphony was hailed as ‘Beethoven’s Tenth’: a worthy successor to Beethoven’s Symphony No. 9. Brahms’s work contains several references to Beethoven. For instance, the main theme of the fourth movement – first appearing in the strings – resembles the ‘Ode to Joy’ in the finale of Beethoven’s Symphony No. 9. This performance was recorded at Philharmonie de Paris, France, in 2014.

G00:42:002024HD

The legendary Sir András Schiff takes on the dual role of conductor and soloist in this special concert with the Freixenet Symphony Orchestra of the Reina Sofía School of Music. The program opens with Johann Sebastian Bach’s Keyboard Concerto No. 5 in F minor, BWV 1056, with Schiff himself at the piano. The concert concludes with Felix Mendelssohn’s magnificent ‘Italian’ Symphony No. 4. This performance was recorded at Auditorium 400 of the Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain, on June 18, 2024.

G00:24:002015HD

Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.

G00:38:002024HD

Italian cellist Silvia Chiesa and Italian pianist Maurizio Baglini perform a wonderful recital of works by Ferruccio Busoni, Franz Liszt, Frédéric Chopin, and Sergei Rachmaninoff. On the program are Busoni’s Kultaselle – 10 variations on a Finnish folksong; Liszt’s Two Elegies for cello and piano; Chopin’s Introduction and Polonaise brillante in C major, Op. 3; and Rachmaninoff’s Sonata in G minor for cello and piano, Op. 19. As an encore, the duo plays Leonard Bernstein’s iconic composition ‘Tonight’ from the musical West Side Story. This performance was recorded at Sala Verdi of the Conservatorio Giuseppe Verdi in Milan, Italy, on November 4, 2024.

G01:00:001999HD

This splendid Christmas concert was recorded live from the Freiburg Cathedral in 1999. It features soprano Barbara Bonney, recognized worldwide for the clarity of her voice and the precision of her diction, and the baritone Matthias Goerne, one of the most promising singers of his generation. Accompanied by the Baroque Orchestra of Freiburg and the German Brass, they perform pieces from Bach's Christmas Oratorio (BWV 248), Mozart's Mass in C minor (KV 427), and Handel's Messiah.

07:00
Symphonies in D by Mozart and Voríšek
G01:21:002020HD
Conductor Herbert Blomstedt and the Gewandhausorchester take us on a musical journey to the Czech Republic in this 2020 concert from Leipzig’s Gewandhaus. The program opens with Bohemian composer Jan Václav Hugo Voríšek’s Symphony in D major, Op. 23 (1821). Although the composition – Voríšek’s only symphony – was never performed during the composer’s lifetime, it has become one of his most-performed works today. Also on the program is Wolfgang Amadeus Mozart’s Symphony No. 38 in D major, K. 504. This work, which premiered while Mozart was visiting Prague in 1787, is often referred to as the ‘Prague Symphony’.

G00:41:002014HD

Enjoy a sparkling performance of Pyotr Ilyich Tchaikovsky’s famous Piano Concerto No. 1, by the incredible piano virtuoso Russian Daniil Trifonov, with Kent Nagano conducting the Israel Philharmonic Orchestra, to prove once more how majestic and incredible classical music can be when it’s done right! The concert opens with the famous Air from Bach's Orchestral Suite No. 3. Also on the program are Berlioz' Le Corsaire and Bizet's Symphony in C major. Recorded at the Charles Bronfman Auditorium, Tel Aviv, in 2014.

G00:38:002024HD

Pianist Gabriele Strata (Italy, 1999) performs Pyotr Ilyich Tchaikovsky’s Piano Concerto No. 1 in B-flat minor, Op. 23, during the final round of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). Strata is accompanied by the Orchestre symphonique de Montréal under the baton of Xian Zhang. This performance was recorded at Maison symphonique de Montréal.

G00:20:002021HD

The exceptional Russian pianists Nikolay Lugansky and Vadim Rudenko join forces in a performance of Maurice Ravel’s La Valse, in an arrangement for two pianos. This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on November 25, 2021.

G01:40:002010HD

Considered by Bruckner as the artistic climax of his career, the Symphony No. 8 followed in the wake of the triumphs celebrated by his 7th Symphony and Te Deum. Yet the conductor put aside the original version of the work – which Franz Welser-Möst conducts here – when his friend the conductor Hermann Levi rejected it. The original version was first performed in 1954 and first published in 1972. Recorded live at Cleveland's Severance Hall with The Cleveland Orchestra under its Music Director Franz Welser-Möst, this performance marks the fourth instalment in the orchestra's Bruckner cycle Austrian conductor Franz Welser-Möst has been Music Director of The Cleveland Orchestra since 2002. In addition to his duties in Cleveland, Welser-Möst has been General Music Director of the Vienna State Opera.

G00:53:002023HD

Péter Csaba leads the Spanish Orquesta Sinfónica Freixenet del Encuentro in this inaugural concert of the Encuentro de Música y Academia de Santander. The program opens with Ravel’s Piano Concerto for the left hand in D major, featuring Uzbekistani-born American pianist Stanislav Ioudenitch as the soloist. Composed between 1929 and 1930, the work was commissioned by Paul Wittgenstein, an Austrian concert pianist who continued his career after losing his right arm during the First World War. The program closes with Ravel’s famous Boléro. One of the world’s most popular classical pieces, the Boléro is characterized by a prominent, unchanging rhythm played on the snare drum, which continues throughout the piece. This performance was recorded at Sala Argenta of the Palacio de Festivales de Cantabria in Santander, Spain, on July 7, 2023.

PG00:52:002022HD

Dutch choreographer Hans van Manen (1932) is internationally recognized as one of the grand masters of contemporary ballet. His over 150 ballets all bear his distinct signature, featuring a great clarity in structure, refined simplicity and an aversion to decorative frills. In the documentary ‘Hans van Manen – Moving to Music’ (2022), Van Manen reflects on his life, work, and the inspirations behind ballets charged with drama and eroticism. The film features excerpts from some of his most successful ballets, including the then-controversial Metaforen (1965), which featured the first male pas de deux, Adagio Hammerklavier (1973), and Sarcasmen (1981). Film director Reiner E. Moritz also included contributions of friends and colleagues, such as Ted Brandsen (Dutch National Ballet), Martin Schläpfer (Vienna State Ballet), and Van Manen’s partner Henk van Dijk, rounding off the portrait of the great choreographer.

G00:10:002021HD

J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 3 in G major, BWV 1048. This concerto was composed for three violins, three violas, three cellos, and basso continuo. Remarkable is the concerto’s form: the two fast movements are separated by an Adagio consisting of a single measure of just two chords.

G00:23:002021HD

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored repertoire for piano and violin in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists, including pianists Evgeny Kissin, Theodosia Ntokou, and Cristina Marton-Argerich, and violinist Maxim Vengerov. On the program are Dmitri Shostakovich’s Concertino for two pianos, Op. 94; Frédéric Chopin’s Impromptu No. 3, Op. 51, Polonaise No. 6, Op. 53 “Heroic”, and Waltz No. 6, Op. 64 No. 1; Camille Saint-Saëns’s Polonaise for two pianos, Op. 77; César Franck’s Sonata for violin and piano in A major; and Fritz Kreisler’s Liebesleid and Schön Rosmarin. This performance was recorded on June 12, 2021.

PG02:11:002017HD

Gustavo Dudamel conducts the Paris Opera Orchestra and Choir in a performance of Giacomo Puccini’s La Bohème. Recorded at the Opéra National de Paris in 2017 and directed by Claus Guth. Among the soloists are Nicole Car, Aida Garifullina Atalla Ayan and Artur Ruciński. La Bohème premiered in 1896 at the Teatro Regio in Italy. The opera's libretto focuses on the relationship between Rodolfo and Mimì. When young poet Rodolfo meets seamstress Mimì, it's love at first sight. But faced by the cruel realities of poverty and ill health, will the flame that burns between them flicker and die? Or will the timeless strength of their youthful passion withstand every trial and tribulation that life can throw at them?

G01:06:002008HD

Franz Welser-Möst conducts the Cleveland Orchestra in a performance of Bruckner's Symphony No. 7. The work occupies a singularly important place in the composer's output. It was with this piece that Bruckner finally achieved widespread recognition and it has remained one of his most popular works. The symphony adheres to the classical four-movement format. The heart of the work is a long and deeply felt Adagio, composed as a memorial to Wagner. The first movement begins with a soaring theme announced by cellos. The Scherzo relieves the somber atmosphere of the preceding Adagio and the Finale concludes the symphony on a note of unrestrained joy. Recorded in Severance Hall, Cleveland in 2008.

G00:20:002016HD

The documentary Summertime at the Domaine Forget introduces internationally renowned treasure: Domaine Forget festival in Saint-Irénée, Québec. Domaine Forget is one of Canada's leading music academies and hosts this annual festival to promote music and dance. Every summer, 500 music students from around the world gather for an intensive course program featuring: masterclasses, individual lessons, chamber music sessions, lectures, and special workshops.

G02:11:002016HD

Since his spectacular debut recital at the Amsterdam Concertgebouw in 2002, pianist Misha Fomin has become an indispensable part of Dutch musical life. National and international press praise his playing for its fluently natural virtuosity, rich color palette, and great musical intelligence. In this concert, recorded at the Concertgebouw Amsterdam, Fomin performs a number of pieces including Modest Mussorgsky’s Pictures at an Exhibition (1874). The movements are separated by the Promenade: a recurring, varied theme that evokes the walk from one painting to the next. The various promenades are variations on the same theme, which recurs in two other movements (Cum mortus in lingua mortua and The Bogatyr Gates (In the Capital in Kiev)). Mussorgsky wrote this cycle in three weeks’ time in 1874. When Mussorgsky visited the exhibition of his friend, the late painter Viktor Hartmann, he wrote to a friend that “sounds and ideas hung in the air, I am gulping and overeating, and can barely manage to scribble them on paper.”

G00:29:002015HD

Swiss conductor Philippe Jordan and the Orchestre de l’Opéra national de Paris recorded all of Ludwig van Beethoven’s symphonies in 2014-2015. In this program, Jordan conducts Beethoven’s Symphony No. 8 in F major, Op. 93. Beethoven wrote the work in 1812 upon completion of his Symphony No. 7. The composer conducted the February 27, 1814 première at a concert in Vienna that also included a reprise performance of his Symphony No. 7 and his 15-minute orchestral piece Wellington’s Victory, Op. 91. The shortest of Beethoven’s nine symphonies, Symphony No. 8 lacks a truly slow movement. Instead it has a second movement, Allegretto scherzando, that features a steady ‘ticking’ rhythm maintained by the woodwinds throughout the movement. This is thought to be an imitation of the Andante movement of Joseph Haydn’s ‘Clock’ Symphony. Jordan’s performance was recorded at Opéra Bastille in Paris, France, in 2015.

G00:45:002023HD

After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. Schumann composed his Fantasie in C, Op. 17 in 1836, revising it prior to publication in 1839. Bearing a dedication to Franz Liszt, it is one of Schumann's greatest works for solo piano, and a central work of the early Romantic period. Written in a loose sonata form, the first movement is rhapsodic and passionate, the middle movement is a grandiose rondo, and the finale is slow and meditative. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.

PG02:28:002016HD

Emmanuelle Haim conducts Le Concert d’Astrée in a rendition of G. F. Handel’s two-part oratorio “Il Trionfo del Tempo e del Disinganno” (The Triumph of Time and Truth). The work with a libretto by Benedetto Pamphili was first performed in Rome, in 1707. Director Krzysztof Warlikowski has taken Handel’s first oratorio, written when the composer was only 22 years old, on in a deep, tender staging. In this oratorio, the characters Time and Disillusion try to convince Beauty to abandon Pleasure for less fleeting gratifications. Sabine Devieilhe is unquestionably the star that carries the show, always impressive in technique, range and timbre. Her sparring and harmonizing with Franco Fagioli is magnificent. Other soloists are Michael Spyres and Sara Mingardo. Recorded at the Festival d’Aix-en-Provence in 2016.

G00:16:001993HD

Every year, the Europakonzert is hosted by the Berliner Philharmoniker in a notorious concert hall or on a special location. This years concert is performed at the magnificent Royal Albert Hall in London. The Dutch conductor Bernard Haitink closes with Stravinsky's The Rite of Spring which he wrote in 1913 for Sergei Diaghilev's Ballets Russes. The première caused a lot of sensation and near-riot in the audience because of the avant-garde nature, music and choreography of the piece. The Rite of Spring is now considered as one of the masterpieces of classical music history and has influenced many 20th-century music composers. The encore is Tchaikovsky's Flower Waltz from the Nutcracker.

G00:07:002000HD

In 1722, when Johann Sebastian Bach lived in Köthen, Germany, he published a book of preludes and fugues in all 24 major and minor keys. This collection became known as The Well-Tempered Clavier, Book One, BWV 846–869. About two decades later, Bach compiled a second book in Leipzig, which became known as The Well-Tempered Clavier, Book Two, BWV 870-893. Bach intended these pieces for the clavier, which includes the harpsichord, clavichord, and organ. Despite this unclarity, these pieces are regarded as some of the most important works in the history of Western classical music. In this broadcast, Joanna MacGregor plays Preludes and Fugues Nos. 13 to 24 (BWV 858-869) from Book One of Bach’s Well-Tempered Clavier, recorded at the Palau Güell in Barcelona, Spain, in 2010.