Schedule

The film Jaroussky sings Bach & Telemann is a portrait of a very special vocalist, and of two exceptional composers. When Philippe Jaroussky - whose angelic voice seems almost timeless, not belonging to any one epoque or decade - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished over the centuries. The works performed in this film are Telemann's Jesus liegt in letzten Zügen and Sinfonia from Brockes-Passion; Der am Ölberg zagende Jesus, and Bach's Sinfonia from Ich hatte viel Bekümmernis and Ich habe genug.

Spanish conductor Garcia Navarro leads the Radio Sinfonieorchester Stuttgart in a performance of Manuel de Falla’s El sombrero de tres picos (‘The three-cornered hat’). Originally a ballet score, De Falla composed the piece in 1916 and 1917. The ballet was commissioned by Russian impresario Sergei Diaghilev for his Ballets Russes, and saw its premiere at the London Alhambra Theatre in 1919. As De Falla was interested in traditional Spanish folk music, he included elements of this music in his score. The mezzo-soprano’s parts are examples of cante jondo, a vocal style in flamenco. In this performance, recorded in 1988, mezzo-soprano Paloma Pérez Iñigo handles those vocal parts with conviction.

Conductor Jan Latham-Koenig leads the Flanders Symphony Orchestra in this concert recorded at Concertgebouw Brugge, Belgium, on April 21, 2016. The program opens with Felix Mendelssohn’s concert overture Die Hebriden, Op. 26 (The Hebrides). During a trip to Scotland, the composer was deeply impressed by the natural splendor of Staffa, an island of the Inner Hebrides, which inspired him to compose his concert overture. Next on the program is Edvard Grieg’s Piano Concerto in A minor, Op. 16, featuring Pascal Amoyel as the pianist. It is the composer’s only concerto. Grieg composed the work in 1868, drawing inspiration from Norwegian folk music. The program ends with Ludwig van Beethoven’s Symphony No. 7 in A major, Op. 92. The work is very popular, especially because of its touching second movement. At the Allegretto’s 1813 premiere, the audience demanded an immediate encore.

Europakonzert 2004 was held in Athens, Greece. This concert featured the Berliner Philharmoniker performing live at the ancient Herodes Atticus Theatre along with an interesting combination of conductor and soloist - Sir Simon Rattle wielding the baton as pianist Daniel Barenboim plays Johannes Brahms’ Piano Concerto No. 1 and Arnold Schoenberg's arrangement of Brahms' Piano Quartet No 1. The Athens concert marked a double première: it was the first Europakonzert under the direction of the new chief conductor, as well as the first time Rattle and Barenboim appeared together. The Odeon of Herodes Atticus, an amphitheatre built in 161 AD in memory of Herodes Atticus’ wife, is situated on the slope of the Acropolis. With a seating capacity of at least 5,000 spectators, it was reputed to be the finest theatre in all of Greece.

Pianist Jaeden Izik-Dzurko (Canada, 1999) performs J. S. Bach’s Toccata in C minor, BWV 911; Alexander Scriabin’s Piano Sonata No. 5, Op. 53; and Frédéric Chopin’s Scherzo No. 1 in B minor, Op. 20, during the first round of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). This performance was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.

Italian pianist Andrea Molteni (1998) performs Frédéric Chopin’s Fantaisie in F minor, Op. 49. Molteni began studying the piano at the age of six. He graduated with honors and honorable mention at the Conservatorio di musica Giuseppe Verdi di Como, and was awarded a master’s degree Magna cum Laude in Advanced Performance Studies by the Conservatorio della Svizzera Italiana in Lugano. He has performed at the Wiener Saal of the Mozarteum University in Salzburg, Scriabin Museum in Moscow, National Opera Center in New York, and several other international venues. This performance was recorded at the Oberlin Conservatory of Music, Ohio, USA, in 2022.

The harmonic experiments, radical chromaticism and stylistic freedom of Giovanni De Macques prove how exciting Neapolitan keyboard repertoire actually is. Baroque expert Jean-Marc Aymes chooses his favourite toccatas and canzonas from the keyboard oeuvre of this Franco-Flemish composer, whose employers included the Gesualdo family in Naples.

El Sistema is a network of children’s and youth orchestras, music centres and workshops in Venezuela, in which more than 250,000 children and young people are currently learning to play an instrument. It was set up over thirty years ago by José Antonio Abreu, who was driven by a utopian vision of a better future. El Sistema’s story, which has all the makings of a fairy tale, is the extraordinary account of a vision that has become reality. Several of El Sistema’s young graduates now rank amongst the most coveted young talent in Europe – the most prominent being the conductor Gustavo Dudamel. The documentary ‘El Sistema’ shows how Abreu’s astonishing ideas have led the way out of the vicious circle of poverty and how the power of music has been able to change the lives of hundreds of thousands of young people. The film shows the gripping way El Sistema functions on a daily basis in a typical nucléo: the La Rinconada nucléo is located next to the barrio of the same name. The area around the nucléo is considered one of the poorest and most dangerous areas in Caracas. Up to 300 children find their daily destination here.

For over two decades, the Berlin Philharmonic has celebrated its creation on May 1 with the annual Europakonzert, which in 2010 was held in Oxford. Led by Daniel Barenboim, the orchestra and the young American cellist Alisa Weilerstein, who has attracted widespread attention for her passionate yet precise musicianship, perform a breathtaking rendition of Edward Elgar’s Cello Concerto, Op. 85

After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. Schumann wrote Carnaval, Op. 9 in 1834–1835. It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy (commedia dell'arte). Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.

The opera, based on a libretto by Lorenzo da Ponte, is a romantic comedy about the complexity of relationships between men and women. With his sensual, spirited and passionate music, Mozart poses fundamental questions about love and brings to the libretto surprising psychological depth and an underlying seriousness not present in the original farce. Michael Haneke created a contemporary staging for the Teatro Real Madrid. The orchestra and chorus of the Teatro Real performed this masterpiece in 2013 under the baton of Sylvain Cambreling. The work features Anett Fritsch, Paola Gardina, Juan Francisco Gatell, Andreas Wolf, Kerstin Avemo, and William Shimell.

Celebrated German violinist Isabelle Faust performs two of J. S. Bach’s incredible works for solo violin: Partita No. 2 in D minor (BWV 1004), and Sonata No. 3 in C major (BWV 1005). Both works are part of the composer’s well-known Sonatas and Partitas for Solo Violin (BWV 1001-1006). Partita No. 2 is made up of four dance movements, concluded by its famous Chaconne, a monumental piece within the violin repertoire. In this Chaconne, Bach develops a series of continuous variations from a theme, exploring a complex range of harmonic possibilities. Sonata No. 3 includes an extensive fugue in which Bach employs many contrapuntal techniques. In this wonderful performance, Faust shows her mastery of Bach’s technically challenging pieces. This performance was recorded at St. Thomas Church in Leipzig, Germany, in 2020.

Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Aaron Copland’s Appalachian Spring Suite. Originally commissioned as a ballet for the legendary dancer Martha Graham, Aaron Copland's Appalachian Spring (1944) has since become an American classic. While first scored for a thirteen-piece ensemble, Copland later arranged the work for a full orchestra. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances perform Johannes Brahms’s Symphony No. 4 in E minor, Op. 98. Brahms completed his last symphony in 1885. He conducted the successful premiere of the piece in the German city of Meiningen in October of the same year. The symphony’s finale movement is a chaconne, a variation form that reflects the composer’s fascination with Baroque music. In this movement, Brahms borrowed an 8-measure theme from J. S. Bach’s cantata ‘Nach dir, Herr, verlanget mich’, BWV 150. The movement opens with the theme and then presents a set of variations all set over the same repeated theme in the bass. This performance was recorded at Opéra de Dijon, France, in 2014.

For the 2016 edition of the Waldbühne, the Georgian violinist Lisa Batiashvili and the Québécois conductor Yannick Nézet-Séguin join the Berliner Philharmoniker for a beautiful concert. They present an all Czech program! We always think of Germany, Austria, and Italy when we name great classical composers, but the Czech Republic also delivered some master composers such as Antonin Dvorák, Bedrich Smetana, Leos Janacek, and Bohuslav Martinu. This concert starts with Smetana’s famous Vltava from Má Vlast. Lisa Batiashvili plays Dvorák’s Violin Concerto in A minor, and the concerts centerpiece is Dvorák’s Symphony No. 6.

Bulgarian conductor Pavel Baleff conducts the Orchestra and Choir of the Opéra de Limoges in a performance of Antonín Dvořák’s lyric fairytale opera Rusalka (1900). The work’s libretto is written by Czech poet Jaroslav Kvapil. Rusalka, an elusive water nymph, falls in love with the Prince, who happens to swim in her lake. Rusalka longs to become human herself so that she can be together with the Prince. The witch Ježibaba is willing to help Rusalka, but warns her that the transition to a mortal human being comes at a high price: the nymph will lose the power of speech. What is more, if mute Rusalka cannot keep the love of a human, she will be damned for eternity. Stage director Nicola Raab and TV director Arnaud Lalanne created a truly filmic production of Dvořák’s masterpiece. Among the soloists are Ruzan Mantashyan, Adam Smith, Rafal Pawnuk, Marie-Adeline Henry, Marion Lebègue, and Alexandra Marcellier. This performance was recorded at the Opéra de Limoges, France, in February 2021.

Europakonzert has been a tradition of the Berlin Philharmonic since 1991. Every year, the musicians commemorate the anniversary of the orchestra's founding (May 1st, 1882) and celebrate their heritage from the Old World. The Europakonzert of 1998 was held in a unique location: The Vasa museum in Stockholm which displays a 17th-century ship that capsized and sank during its maiden voyage in 1628. The ship measures 69 meters in length, 12 meters in width, and 1.210 tons in weight. It offers the perfect backdrop for the Berlin Philharmonic. Under the baton of Claudio Abbado, they perform Claude Debussy's Nocturnes.

Tenor Ilja Aksionov (Lithuania, 1996) and pianist Gustas Raudonius (Lithuania, 1996) perform Bart Visman’s Het goud van Vermeer; ‘As I lay in the early sun’ from Gerald Finzi’s Oh fair to see, Op. 13b; Henri Duparc’s Extase; Claude Debussy’s Paysage sentimental, L. 55; ‘Mausfallensprüchlein’ from Hugo Wolf’s Sechs Lieder; ‘Krysolov’ (The pied piper) from Sergei Rachmaninoff’s Six Romances, Op. 38; Franz Schubert’s Rastlose Liebe, Op. 5, No. 1, D. 138; and Alphons Diepenbrock’s De klare dag, RC 4, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.