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00:00
First Snow
G01:42:002007HD
One of the first Christmas carols ever written is Perotin the Great’s Salvatoris Hodie. This brilliant 12th century composition, one of the first works ever written for four voices, opens First Snow: the atmospheric Christmas concert by the Brussels Philharmonic. Straying from ‘ars antiqua’, the program also features a performance of two contemporary melodies penned by conductor Bo Holten based on texts by the Icelandic poet Gunnar Gunnarsson (1889-1975). As an added bonus, a hand-picked selection of various Polish and French Christmas songs rounds off this enjoyable yuletide program.
01:42
House of Dreams
G01:30:002014HD
House of Dreams is an imaginative concert designed by Alison Mackay. The concert is a magical journey to the meeting places of baroque art and music - five European homes where exquisite works by Bach, Handel, Vivaldi, Purcell and Marais were played against a backdrop of paintings by Vermeer, Canaletto, and Watteau. Stage direction by Marshall Pynkoski and narrated by Blair Williams. The Tafelmusik Baroque Orchestra, also known simply as Tafelmusik, is a Toronto-based Canadian baroque orchestra, specialised in early music. The orchestra was founded in 1979 and has 19 full-time members who specialize in historical performance and technique, with additional musicians joining the ensemble when required. The ensemble is directed by violinist Jeanne Lamon.
03:13
England, my England - II
G00:20:002015HD
From August 28 to September 6, 2015, the Early Music Festival Utrecht was all about 'England, my England'. In line with this theme, presenter Lex Bohlmeijer takes the viewer on an intriguing journey through the England of the Middle Ages, Renaissance and Baroque, and relates this to the city of Utrecht. In episode 2 of this two-part documentary, René de Kam (Heritage Municipality of Utrecht) delves deeper into the Anglican past of the city of Utrecht. The viewer is introduced to festival artists Benjamin Bagby, Skip Sempé, and The Newcastle Kingsmen, who dance their traditional folk "Rapper Sword Dance" during the festival's pub sessions.
03:33
Europakonzert 1996: Saint Petersburg
G01:30:001996HD
The beautiful Mariinsky Theatre in St. Petersburg formed the background for the 1996 edition of the annual Europakonzert of the Berliner Philharmoniker. In honour of the Russian hosts, the concert opened with highlights from Prokofiev's 'Romeo and Juliet', followed by the Cavatina from Rachmaninoff's opera 'Aleko'. After the intermission, Kolja Blacher featured in the two 'Violin Romances' by Beethoven, followed by a performance of his 'Seventh Symphony'. The orchestra is led by maestro Claudio Abbado.
05:03
Schumann - Fantasiestücke, Op. 12
G00:40:002023HD
After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. In this performance, Schwartz presents Schumann’s Fantasiestücke, Op. 12. Written in 1837, the work is a set of eight piano pieces with contrasting moods. The work’s title is derived from one of the composer’s favourite authors’ collection of novellas: E. T. A. Hoffmann’s Fantasiestücke in Callots Manier. Like Schumann’s Davidsbündlertänze, his Fantasiestücke are designed as a musical dialogue between Florestan and Eusebius, representing the duality of his own personality. The former represents the composer’s passionate side, and the latter depicts the dreamer in Schumann. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.
05:43
Beethoven - 7 Variations: 'Bei Männer..', WoO 46
G00:16:00HD
In Geneva, the Swiss city where she has spent most of her life, Argentinian pianist Martha Argerich invites her lifelong music partner, the cellist Mischa Maisky, to play chamber music. Between the pieces, Martha opens up to her daughter Annie Dutoit in an intimate interview that addresses both their relationship and the music. On the program are Ludwig van Beethoven’s 7 variations after "The Magic Flute"; Robert Schumann’s Fantasiestücke, Op. 73; Frédéric Chopin’s Introduction and Polonaise brillante in C major, Op. 3; ‘Lerchengesang’ (No. 2) from Johannes Brahms’s 4 Gesänge, Op. 70; and ‘Largo’ from Chopin’s Cello Sonata in G minor, Op. 65. This broadcast was recorded on November 12 and 13, 2020, in Geneva, Switzerland.
06:00
Hunting Brass
G00:43:001999HD
The German Brass is one of the most original and distinctive brass ensembles in the world. This group of talented musicians performs classical arrangements, dance versions of standards, and popular tunes that reflect an exceptional musical spirit. Inspired by an animated show presented by the ensemble, Hunting Brass: A Musical Joke paints a colorful portrait of the German Brass: during a rehearsal, his musicians are suddenly confronted with doubles who steal their instruments and form their wild orchestra!
06:43
Works for cello and piano by Schumann, Chopin a.o.
G00:53:002020HD
In Geneva, the Swiss city where she has spent most of her life, Argentinian pianist Martha Argerich invites her lifelong music partner, the cellist Mischa Maisky, to play chamber music. Between the pieces, Martha opens up to her daughter Annie Dutoit in an intimate interview that addresses both their relationship and the music. On the program are Ludwig van Beethoven’s 7 variations after "The Magic Flute"; Robert Schumann’s Fantasiestücke, Op. 73; Frédéric Chopin’s Introduction and Polonaise brillante in C major, Op. 3; ‘Lerchengesang’ (No. 2) from Johannes Brahms’s 4 Gesänge, Op. 70; and ‘Largo’ from Chopin’s Cello Sonata in G minor, Op. 65. This broadcast was recorded on November 12 and 13, 2020, in Geneva, Switzerland.
07:37
Jaroussky sings Bach & Telemann
G01:22:002016HD
The film Jaroussky sings Bach & Telemann is a portrait of a very special vocalist, and of two exceptional composers. When Philippe Jaroussky - whose angelic voice seems almost timeless, not belonging to any one epoque or decade - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished over the centuries. The works performed in this film are Telemann's Jesus liegt in letzten Zügen and Sinfonia from Brockes-Passion; Der am Ölberg zagende Jesus, and Bach's Sinfonia from Ich hatte viel Bekümmernis and Ich habe genug.
09:00
Behind the Scenes at the Zurich Opera House
G01:00:002001HD
The Zurich Opera House is one of the most renowned in Europe. Fifteen premieres are staged here every year - a significant achievement, when one considers just how much work goes into each individual production. In this exciting documentary, we go behind-the-scenes at the Zurich Opera House and follow the intensive progress of the new production of Gioachino Rossini's Il Barbiere di Siviglia with Vesselina Kasarova in the role of Rosina. The film also shows preparations for other productions, such as a workshop for Richard Wagner's Siegfried directed by Robert Wilson, and a rehearsal for Igor Stravinsky's Le Sacre du Printemps with choreography by Heinz Spoerli. This film opens the curtain to understanding an opera house’s many exciting facets.
10:00
Between Church and Theatre: Jommelli and Scarlatti
G01:10:002019HD
To strengthen faith and stimulate piety: this was the role of music according to Pope Benedictus XIV, who in the 18th century carried out radical church reforms. Festival resident Giulio Prandi closely examines the religious repertoire of this period from a double perspective: that of traditional counterpoint, as in Domenico Scarlatti’s ‘Madrid’ Mass, and that of the modern, theatrical style of Perez and Jommelli.
11:11
Testing Mozart
G01:00:002005HD
Testing Mozart is a 60 minute film about the Mozart effect; the power of Mozart's music to fight disease and increase the mental ability of listeners. It is common knowledge that cows give more milk and tomatoes grow bigger when Mozart is played, but what effect does his music have on humans? In this journey into the worlds of music and medicine, Testing Mozart examines the latest scientific discoveries that shed new light on the influence the composer’s work has on the brain. The documentary by award-winning director Frederick Baker explains why Mozart is so special. Produced in 2006 as part of Mozart Year, this captivating documentary caters to a wide audience and introduces neophytes to the work of Mozart.
12:12
Mussorgsky - Pictures at an Exhibition
G00:37:002014HD
Conductor Mariss Jansons, the Bavarian Radio Symphony Orchestra and Mussorgsky's “Pictures at an Exhibition” were predestined to come together. The lavish colors of Ravel's orchestration of the Russian work, the breathtaking inventiveness of the wildly different movements that are all interconnected through a recurring “Promenade” – few conductors are as adept as Jansons to savor all the richness and colorfulness of the paintings and sketches by Victor Hartmann. Today, the work is universally celebrated in its dazzling orchestral transcription by Maurice Ravel. It was the great conductor Serge Koussevitzky who commissioned the orchestration by Ravel in 1922. Recorded at Herkulessaal, Munich in 2014.
12:49
Beethoven - Piano Concerto No. 1, Op. 15
G00:38:002020HD
At the age of seven, Martha Argerich made her debut with Ludwig van Beethoven’s Piano Concerto No. 1, a piece that would accompany her throughout her career. In this concert at the Lucerne Festival, the celebrated pianist performs the signature piece with the Lucerne Festival Orchestra under the baton of Swedish conductor Herbert Blomstedt, who made his debut here with the orchestra. This performance was recorded at the Lucerne Culture and Congress Center (KKL), Switzerland, in August 2020.
13:27
Mozart - Violin Concerto No. 5
G00:26:002014HD
Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances play Wolfgang Amadeus Mozart’s Violin Concerto No. 5 in A major, K. 219, also known as the ‘Turkish Concerto’. Leading violinist Grimal features as the soloist. With the exception of the first violin concerto, Mozart composed his other four violin concertos in 1775 at a time when he was concertmaster at the Salzburg court. It is the third and final movement that gives Concerto No. 5 its nickname, the ‘Turkish Concerto’. This movement features a striking middle section of ‘Turkish music’, which the composer achieves not only by changing the meter, and the mode to minor, but also by letting the cellos and basses play col legno - creating a percussive sound with the wood of their bow. This performance was recorded at Cité de la Musique, France, in 2014.
13:54
Liszt/Wagner - Isoldens Liebestod
G00:08:00HD
Italian pianist Costantino Catena performs Franz Liszt’s transcription of ‘Isoldens Liebestod’ from Richard Wagner’s opera ‘Tristan und Isolde’. This performance was recorded at the Church of the Jesuit College in Trapani, Italy.
14:02
Couperin - Deuxième livre, A step into the unknown
G01:02:002018HD
With her superb technique, intelligence, taste and refinement, Carole Cerasi is the dream interpreter for Couperin‘s second book, Pièces de Clavecin. More so than the first part, which is a compendium of older compositions, this volume indicates the path the composer now wished to take: style and form become more modern, and there is room for evocative mood pieces and musical portraits.
15:04
Gala from Berlin - 2011
G01:29:002011HD
This year the Berlin Philharmonic and their musical director Sir Simon Rattle welcome the New Year together with multi-awarded Russian pianist Evgeny Kissin. Kissin's musicality, the depth and poetic quality of his interpretations, and his extraordinary virtuosity have placed him at the forefront of today's pianists. This concert he will feature as star soloist in a performance of Grieg’s Piano Concerto in A minor, Op. 16. Furthermore, the Berlin Phillharmonic performs Dvořák’s Slavonic Dance No. 1, Op. 46, Grieg’s Symphonic Dance No. 2, Op. 64, an orchestrated version of Alborada del gracioso by Ravel, R. Strauss’ Salome’s Dance Salome, excerpts from Stravinsky’s The Firebird and Brahms’ Hungarian Dance No. 1.
16:34
Mahler - Symphony No. 4
G01:02:002021HD
Ukrainian conductor Kirill Karabits leads the London Symphony Orchestra in a stunning performance of Gustav Mahler’s Symphony No. 4. The soloist is soprano Lucy Crowe. Mahler’s Fourth Symphony opens with the sound of sleighbells and melodies of childlike innocence. But between this deceptively playful opening and the serene finale – a child’s vision of Heaven – lies a world of profound emotion and beauty. With soprano Lucy Crowe lending her vocal radiance to this extraordinary finale, the symphony’s journey to bliss is complete. This performance was recorded at the Barbican Hall in London, UK, on December 8, 2021.
17:36
The Divan Orchestra from the Alhambra
G01:43:002007HD
Millions of television viewers in Germany, France, Portugal, Greece and Finland experienced live the moving open-air concert within the highly symbolic surrounding of the Alhambra in Granada. Music as a language of peace – this vision unifies the young musicians of the West-Eastern Divan Orchestra who come from Israel, Palestine, Syria, Jordan, Egypt and Europe. They perform side by side in the orchestra formed in 1999 by Daniel Barenboim and Edward Said. The orchestra has taken on the complex challenge of performing music to promote peace. Soloists are Kyril Zlotnikov and Nabil Shehata. On the program are Beethoven's Leonore Overture No. 3, Bottesini's Fantasia on a theme by Rossini, Brahms' Symphony Nr. 1 and Vorspiel and Liebestod from Wagner's Tristan und Isolde.
19:20
Brahms - Violin Sonata No. 3, Op. 108
G00:30:002013HD
In this splendid 2013 concert from the Church of Verbier, Switzerland, Greek violinist Leonidas Kavakos and Chinese pianist Yuja Wang join forces to interpret three sonatas by Johannes Brahms. Leonidas Kavakos rose to fame in 1985, when he became the youngest musician to ever win the first price of the prestigious Sibelius Competition. With Yuja Wang, an accomplished artist at young age herself, he forms a masterful duo of chamber music interpretation. The programme features Brahm's Sonata for Piano and Violin, No. 1 in G major, Op. 78, also known as the "Regensonate," Sonata for Piano and Violin, No. 2 in A major, Op. 100, the "Thuner Sonata," a portrait of the Swiss lake of Thun's peaceful scenery. It comes to a fiery and passionate finale with Brahm's Sonata for Piano and Violin, No. 3 in D minor, Op 108.
19:50
Ravel - Ma mère l'Oye
G00:16:002023HD
At the behest of Argentinian pianist Martha Argerich, several classical music stars took part in this concert in aid of the Erasmus Fund for medical research in intensive care, recorded at the Royal Conservatory of Brussels, Belgium, on October 21, 2023. The concert pays tribute to the renowned cellist Aleksandr Khramouchin (1979) who suddenly passed away on May 13, 2023. As part of this concert, pianists Martha Argerich and Khramouchin’s widow Eliane Reyes perform Maurice Ravel’s Ma mère l'Oye. This five-part suite was written for piano four hands.
20:07
Monteverdi - Madrigals, Book I
G00:53:002011HD
Italian composer Claudio Monteverdi (1567-1643) composed nine books of madrigals in half a century, which helped transform the genre from the polyphonic, a cappella madrigals of the late Renaissance to the ‘concertato’ madrigals of the early Baroque, shifting the style’s focus to the ability of music to express emotions contained in a text. In 2011, British tenor Paul Agnew and renowned Baroque ensemble Les Arts Florissants started recording eight books of Monteverdi’s madrigals. In this program, Agnew leads Les Arts Florissants in the madrigals of Book I. Published on New Year’s day of 1587, Book I consist of seventeen madrigals for five voices. This performance was recorded at the Cité de la musique in Paris, France, in 2011.
21:00
Mahler – The Song of the Earth
G01:09:002012HD
Mahler: Das Lied von der Erde, performed live by Carlos Miguel Prieto conducting the Orquesta Sinfónica de Minería, with mezzo-soprano Ruxandra Donose and tenor Ramón Vargas, presents Mahler’s song-symphony — one of the composer’s most profound masterpieces.
22:10
Stravinsky - Le sacre du printemps
G00:34:001993HD
Maestro Bernard Haitink leads the Berliner Philharmoniker in a performance of Igor Stravinsky's Le sacre du printemps (‘The Rite of Spring’). Stravinksy composed the ballet’s score in 1913 for Sergei Diaghilev's itinerant ballet company Ballets Russes. The work’s sensational première at the Théâtre des Champs-Élysées in Paris caused a riot in the audience in response to the avant-garde nature of the music and choreography. The score, written for one of Stravinsky’s largest orchestras, features harsh dissonances and complex rhythms. Despite its scandalous premiere, the work gained great critical acclaim. Le sacre du printemps is now considered one of the great masterpieces in classical music history, which influenced many 20th-century composers. This performance was recorded at the Royal Albert Hall in London, UK, as part of Europakonzert 1993.
22:44
Bach - Partita for Violin No. 2 (BWV 1004)
G00:33:002020HD
Celebrated German violinist Isabelle Faust performs J. S. Bach’s Partita No. 2 in D minor (BWV 1004). The work is part of the composer’s well-known Sonatas and Partitas for Solo Violin (BWV 1001-1006). Partita No. 2 is made up of four dance movements, concluded by its famous Chaconne, a monumental piece within the violin repertoire. In this Chaconne, Bach develops a series of continuous variations from a theme, exploring a complex range of harmonic possibilities. This performance was recorded at St. Thomas Church in Leipzig, Germany, in 2020.
23:17
Beethoven - Piano Sonata No. 32, Op. 111
G00:42:002016HD
Can we get into Beethoven’s creative mind, especially in the last phase of his life, when he was coping with severe hearing loss? Tom Beghin’s new recording of Beethoven’s Piano Sonatas Opus 109, 110, and 111 is an artistic exploration of how Beethoven’s musicking was shaped by the work environment he created with the help of colleagues and friends. Not only does pianist Tom Beghin perform Beethoven’s trilogy of pianistic masterpieces on a magnificent new replica of Beethoven’s Broadwood piano, he uses a reconstruction of the Gehörmaschine that was mounted on the composer’s piano so he could continue to create music as his hearing declined. ‘You do hear better when you bring your head under this machine, don’t you?’ André Stein asked Beethoven. Two centuries later, we too can bring our heads under the machine and wonder: Do we hear Beethoven differently? Beghin draws us inside the hearing machine, where we feel as well as hear the essence of Beethoven’s rambunctious and irresistibly poetic musical vibrations. Inside the Hearing Machine invites us into the multisensory playground of a deaf composer for whom the machine was more than a hearing aid and who interacted with his instrument through much more than sound.