Schedule

Soprano Vassia Alati (the Netherlands/Greece, 1992) and pianist Yuto Kiguchi (Japan, 1989) perform ‘C’est l’extase langoureuse’ from Claude Debussy’s Arriettes oubliées, L. 63, and ‘Fantoches’ from Debussy’s Fêtes galantes, L. 86; Bart Visman’s Het goud van Vermeer; ‘Lerchengesang’ from Johannes Brahms’s Vier Gesänge, Op. 70; Franz Schubert’s Gruppe aus dem Tartarus, Op. 24, No. 1, D. 583; ‘Now the leaves are falling fast’ from Benjamin Britten’s On this island, Op. 11; and ‘I gria zoi’ (Old mother life) from Manolis Kalomiris’s Mayovotana (Magic herbs), during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.

After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. Schumann composed his Piano Sonata No. 3 in F minor, Op. 14 (a "Concerto for piano without orchestra", in the words of music publisher Tobias Haslinger) in 1836. He dedicated it to piano virtuoso Ignaz Moscheles. In 1853, Schumann revised the work and added a Scherzo as a second movement. The final movement is reminiscent of Schumann’s earlier composition Kreisleriana, Op. 16. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.

In May 2019, the new principal conductor of the Gewandhaus, Andris Nelsons, presented Tchaikovsky’s Symphony No. 5 with his orchestra in combination with Shostakovich’s Violin Concerto No. 1 with outstanding violinist Baiba Skride as the soloist. In this composition, the violin does not allow itself a break, continually tells its dark story and gets into a vicious circle of ostinato Passacaglia bass lines again and again falls into beguilingly beautiful singing. Tchaikovsky initially thought his 'Symphony of Fate' was a failure and believed himself to be at the end of his creative powers. It was probably the composer's nature, plagued by self-doubt, that made it almost impossible for him to develop a self-confident attitude to his own creative power. Between this two works, Skride performs Stravinsky's Elegy for Solo Violin.

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances present Ludwig van Beethoven’s Symphony No. 3 in E-flat major, Op. 55, ‘Eroica’. Admiring the ideals of the French Revolution, Beethoven initially dedicated the symphony to Napoleon Bonaparte. However, upon hearing that Napoleon had crowned himself Emperor, Beethoven violently erased Napoleon’s name from the manuscript. Composed in 1803-04 in a style that breaks with tradition, the symphony is regarded as a turning point in Beethoven’s oeuvre as well as Western music history. Symphony No. 3 is longer in duration than any previous symphony. The work opens with two powerful chords that replace the more customary long introduction. The lower strings then introduce the main theme. The slow second movement is a Funeral March, followed by a quick Scherzo. The fourth and final movement is dominated by a theme from Beethoven’s ballet music for ‘The Creatures of Prometheus’. This performance was recorded at Opéra de Dijon, France, in 2012.

‘A Descent into the Maelström’ (1841) is American writer Edgar Allan Poe’s short story of two fishermen caught in torrents raging between the mountainous islands of Lofoten, inside the Arctic Circle of northern Norway. After a treacherous whirlpool drags their boat down, only one of them survives. American composer Philipp Glass based his choral work for the Australian Dance Theatre on this story. The piece was performed at the Adelaide Festival of Arts in 1986. Beacon Isle Films recorded an arrangement of Glass’s work for symphony orchestra, performed by the Arctic Philharmonic Orchestra and Choir conducted by Tim Weiss. Soprano Berit Norbakken Solset is the soloist. The Artic Philharmonic Orchestra is the world's youngest and northernmost professional orchestral institution, presenting circa 150 performances and concerts each year. This 2019 recording was made against the backdrop of Lofoten’s spectacular landscape: the very surroundings that inspired Poe’s story.

Italian conductor Andrea Vitello leads Ensemble BIOS in a performance of ‘Someone Out There is Praying for Peace (Let Us Not Be the Reason), III’, by contemporary Canadian composer Rita Ueda. This piece is written for strings and shō, a Japanese free-reed mouth organ, played here by Naomi Sato. Ensemble BIOS specializes in 20th and 21st century music. This performance was recorded at Chiesa di San Cristo in Brescia, Italy.

Discover the finest opera houses. Travel with us to Italy in this episode, and get the insider's perspective on the Teatro di San Carlo in Naples. After being destroyed by fire, Naples’s royal opera house was rebuilt in record time under the direction of architect Antonio Niccolini (1772-1850), reopening on January 12, 1817. The building exemplifies Italian opera house architecture of the 18th and 19th centuries. Its design did not differ substantially from that of other theatres despite having over three thousand seats and being the world’s largest opera house in Italy’s largest city at the time. When the six-tiered lodge theatre reopened to the public after the tragic blaze, the architecture enraptured opera lovers far beyond the city’s borders. Naples is one of the birthplaces of Italian opera and thus of opera in general. The city developed into a center of the bel canto school of singing due to famous conservatories that produced musicians and composers like Domenico Cimarosa (1749-1801) and Giovanni Battista Pergolesi (1710-1736). With its outstanding orchestra, the royal theatre was a magnet for both virtuoso singers and champions of bravura song. This documentary features the most recent premiere of Verdi’s Il trovatore (1853) in Naples and presents an historical overview of illustrious Italian composers. Starting in 1815, Gioachino Rossini (1792-1868) served as artistic director of the San Carlo where many of his works were premiered. Gaetano Donizetti (1797-1848) headed the house for sixteen years, composing sixteen operas for it, including the immortal Lucia di Lammermoor (1835). The most distinguished Italian opera composer of the 19th century, Giuseppe Verdi (1813-1901), succeeded him, becoming a legend of the San Carlo with his 1842 premiere of Alzira. He later continued his affiliation with the institution, serving as artistic director for one year. It was he who suggested building an orchestra pit.

In this splendid 2013 concert from the Church of Verbier, Switzerland, Greek violinist Leonidas Kavakos and Chinese pianist Yuja Wang join forces to interpret three sonatas by Johannes Brahms. Leonidas Kavakos rose to fame in 1985, when he became the youngest musician to ever win the first price of the prestigious Sibelius Competition. With Yuja Wang, an accomplished artist at young age herself, he forms a masterful duo of chamber music interpretation. The programme features Brahm's Sonata for Piano and Violin, No. 1 in G major, Op. 78, also known as the "Regensonate," Sonata for Piano and Violin, No. 2 in A major, Op. 100, the "Thuner Sonata," a portrait of the Swiss lake of Thun's peaceful scenery. It comes to a fiery and passionate finale with Brahm's Sonata for Piano and Violin, No. 3 in D minor, Op 108.

Alexander Ullman (1991, United Kingdom) performs Die drei Zigeuner (S383), Die Zelle in Nonnenwerth (S382bis) and La lugubre gondola, (S134bis) during semi-final II (chamber music) of the 11th International Franz Liszt Piano Competition, held in TivoliVredenburg, Utrecht, in 2017. The competition actively presents, develops, and promotes piano talents from around the world. In doing so, it has become one of the prominent gateways to the international professional classical music scene for young musicians. The International Franz Liszt Piano Competition was founded in 1986 in the Netherlands and has since built a reputation as one of the world’s most prestigious piano competitions.

Soprano Isabel Weller (Germany, 1994) and pianist Yuriko Watanabe (Japan, 1994) perform Claude Debussy’s Nuit d’étoiles, L. 2, and Mandoline, L. 43; Joseph Haydn’s Piercing eyes, Hob. XXVIa, No. 35; ‘Die Mainacht’ from Johannes Brahms’s Vier Gesänge, Op. 43; ‘Pietà’ from Paul Hindemith’s Das Marienleben, Op. 27; Bart Visman’s Vermeer’s Gold; and ‘Lied vom Winde’ from Hugo Wolf’s Mörike-Lieder, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.

This production of Giuseppe Verdi's popular opera La Traviata was performed outdoors at the St. Margarethen Festival in 2008 by the Slovak Philharmonic Orchestra under the direction of Ernst Märzendorfer. Soloists Kristiane Kaiser, Magdalena Anna Hofmann, and Stefanie Kopinits perform in a striking physical setting against the backdrop of the Austrian mountains. Several men are courting the rich courtesan Violetta, but when she meets Alfredo, she chooses to live a new life with him. She then moves from Paris to the French countryside, but unfortunately is haunted by her past: Alfredo's father does not approve of his past and convinces her to abandon his son. Alfredo is ignorant of his father's torment and, thinking that Violetta has used him, he becomes furious. In the end, he understands that Violetta has abandoned him to be free, but it is too late. Reaching an incurable illness, Violetta dies in his arms.

J. S. Bach’s six Brandenburg Concerto’s belong to his best-known works. The composer wrote these concertos between 1711 and 1720 and dedicated them in 1721 to Christian Ludwig, Margrave of Brandenburg. In celebration of the pieces’ 300th anniversary, Czech harpsichordist and conductor Václav Luks and the renowned Baroque ensemble Collegium 1704 recorded all six Brandenburg Concertos on historical instruments in 2021. The concertos are based on the Italian concerto grosso form, in which a group of solo instruments is set against a large ensemble. Bach’s Brandenburg Concertos feature remarkable combinations of solo instruments and virtuoso solos. In this performance at the Hall of Mirrors in the Köthen Castle, Germany, Luks and his Collegium 1704 present Bach’s Brandenburg Concerto No. 5 in D major, BWV 1050. Remarkably, the harpsichord appears as a solo instrument here, along with the flute and violin, rather than as an accompanying instrument. The piece is therefore considered one of Bach’s very first keyboard concertos.

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored repertoire for piano and violin in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists, including pianists Evgeny Kissin, Theodosia Ntokou, and Cristina Marton-Argerich, and violinist Maxim Vengerov. On the program are Dmitri Shostakovich’s Concertino for two pianos, Op. 94; Frédéric Chopin’s Impromptu No. 3, Op. 51, Polonaise No. 6, Op. 53 “Heroic”, and Waltz No. 6, Op. 64 No. 1; Camille Saint-Saëns’s Polonaise for two pianos, Op. 77; César Franck’s Sonata for violin and piano in A major; and Fritz Kreisler’s Liebesleid and Schön Rosmarin. This performance was recorded on June 12, 2021.