Schedule

Quarteto Radamés Gnattali performs Heitor Villa-Lobos's String Quartet No. 12 at the Palácio das Laranjeiras in Rio de Janiero, Brasil. The ensemble was founded in 2006 and consists of Carla Rincón and Francisco Roa (violins), Fernando Thebaldi (viola), and Hugo Pilger (cello). The quartet, which specializes in Brazilian music, focuses on educational activities. Their recording of all of Villa-Lobos string quartets is a major achievement and was very well received by international music critics. Except for his Bachianas brasileiras, the performance of many of the Brazilian's compositions is limited to Latin America. Highly regarded as a composer, conductor and educator in his native country, Villa-Lobos has operas, symphonies, concertos, piano repertoire, choral music, and seventeen string quartets to his credit.

During the New Year’s Gala 2010, the Berlin Philharmonic perform under the baton of Gustavo Dudamel, whose infectious energy and exceptional artistry have made him one of the most sought-after conductors by orchestras and opera companies around the world. They welcome mezzo-soprano Elīna Garanča, who has become one of the world’s most famous singers within just a few years. On the program are various works by French composers, like Berlioz’ Le Carnival Romain, Overture, Op. 9 and D’Amour l’ardente flamme’ from La Damnation de Faust (Op. 24), Saint-Saëns’ ‘Mon cœur s’ouvre à ta voix’ and ‘Danse Bacchanale’ from his opera Samson et Dalila and the ‘Habanera’, ‘Seguidilla’ and ‘Chanson Bohème’ from Bizet’s Carmen. The concert concludes with de Falla’s Suite No. 2 from the ballet ‘El sombrero de tres picos’.

Filippotto and Antonello da Caserta were the first Neapolitan composers whose music was preserved. It is anything but primitive: these two belong amongst the prominent representatives of ars subtilior and the melodic Italian style which musicologist Nino Pirrotta christened “dulcedo.” La Fonte Musica immerses itself in the heritage of the first Neapolitan School, and gives us a taste of both early notated compositions and the unwritten traditions.

Musical critics from North America, Europe, and Russia praise Nalchik-born pianist Misha Fomin for his subtlety of touch and phrasing. He graduated cum laude from the Gnessin’s Russian Academy of Music, Moscow, where he studied with Lina Bulatova, a former student of professor Helen Gnessina and legendary Heinrich Neuhaus, and later continued his musical studies at the Hochschule für Musik “Franz Liszt” in Weimar. Today, he enjoys the praise from audiences around the world for outstanding performances and is known to teach piano to young musicians through frequent masterclasses and educational events. For this 2018 concert, Fomin returned to Amsterdam´s Concertgebouw to interpret Beethoven's Piano Sonata No. 8, Op. 13 Pathétique and Piano Sonata No. 14, Op. 27, Nr. 2 Moonlight, as well as Tchaikovsky's The Four Seasons, Op. 37b.

The Lucerne Festival Orchestra performs Gustav Mahler's Symphony No. 5 under the direction of Claudio Abbado. This unique orchestra was formed as part of the annual festival in Lucerne, Switzerland.

On January 27, 2006, Chinese virtuoso pianist Lang Lang celebrated WA Mozart's birthday with a performance of the Piano Concerto No. 24 in the Forbidden City Concert Hall of Beijing with the China Philharmonic Orchestram directed by Long Yu. The concert hall is located inside the walls of the Forbidden City, in the beautifully maintained gardens of Zhongshan Park, directly adjacent to Tiananmen Square. The program of the concert also includes the opening of Cosi fan tutte, Symphony No. 25, KV 183, "Hai gia came the causa!" from Le Nozze di Figaro, "Finch'han dal vino" from Don Giovannia, and Piano Sonata No. 10, K. 330.

This concert entitled 'Liszt Mosaics' is dedicated to the rich traditonal of Hungarian Folk Music. The concert opens with a selection of Bartók's 44 Duos for 2 Violins (No. 17, 18, 36 and 44) performed by Shlomo Mintz and Radics Ferenc. Furthermore, Pál Eszter is accompanied by the Hungarian State Folk Ensemble and Cameristi della Scala in vocal performances of Hungarian Folk Music from the Kalotaszeg region. The ensembles conclude the concert by performing Romanian Folk Dances by Bartók, led by musical director István Pál Szalonna. Solo violinist is Agnese Ferraro.

Watch the series ‘Discovering Masterpieces’, your audio-visual concert guide to the great masterpieces of classical music. The series brings you 20 half-hour documentaries on 20 classical masterpieces: acclaimed experts, famous soloists and outstanding conductors take you on a journey back to the time and place of composition. In today’s documentary, Hector Berlioz’ ‘Symphonie Fantastique’. This ‘Fantastic Symphony’ is widely regarded as one of the most important and representative pieces of the early Romantic period. Leonard Bernstein once called it “the first musical expedition into psychedelia” because of its hallucinatory and dream-like nature. The German musicologist Wulf Konold describes the idea behind and the realization of this fascinating work.

Claude Debussy’s symphonic sketches for orchestra known collectively as ‘La Mer’ evoke a richly varied vision of the sea. The first part (‘De l’aube á midi sur la mer’) calls up a morning and afternoon at sea, the second (‘Jeux de vagues’) echoes the play of the waves, and the third and final part (‘Dialogue du vent et de la mer’) conjures the communing voices of wind and waves. Debussy knew his sea, the Mediterranean, intimately both from childhood visits to Cannes and from his Italian travels later in life.

This chamber music concert is part of the ‘Solistas del Siglo XXI’ concert series of the Reina Sofía School of Music in Madrid. First, Quinteto Zéphyros performs Leoš Janáček’s Mládí (‘Youth’) for wind sextet. This is followed by French flautist Paul Taffanel’s Wind Quintet in G minor, performed by Quinteto Scarlatti de Casa de la Moneda. The program closes with Sergei Prokofiev’s Quintet in G minor, Op. 39, played by Quinteto Cosan. This performance was recorded at Auditorio Sony of the Reina Sofía School of Music in Madrid, Spain, on May 11, 2024.

Musicians of the Danish National Symphony Orchestra, the DR Big Band, and the Danish National Vocal Ensemble join forces under the baton of Klaus Tönshoff in this dazzling concert featuring great songs from black and white cinema. Norwegian mezzosoprano Tuva Semmingsen sings ‘Diamonds Are A Girl’s Best Friend’, from Gentlemen Prefer Blondes, ‘My Favorite Things’ from The Sound of Music, ‘Over the Rainbow’ from The Wizard of Oz, ‘Moon River’ from Breakfast at Tiffany's, and many other unforgettable hits. This concert performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in June 2020.

This episode presents the Brandenburg Concertos by Johann Sebastian Bach (1685-1750). Musical excerpts played by the Freiburger Barockorchester conducted by Gottfried von der Goltz. Bach's six Brandenburg Concertos rank among the undisputed favorites of all baroque fans. They have become a firm fixture in music education and an integral part of our international musical heritage. So what's their secret? The internationally acclaimed pianist and Bach expert Robert Levin provides an answer.

Strange to think that until the formation of The Dublin Guitar Quartet (DGQ) there had never been a guitar ensemble that specialised in contemporary classical music. The quartet consists of Brian Bolger, Pat Brunnock, Tomas O’Durcain, and Chien Buggle. Not deterred by the scarcity of repertoire, the DGQ set about creating their own collection of work by focusing on transcriptions and new commissions. Their performances now boast a dynamic mix of celebrated masterpieces by the likes of Philip Glass, Steve Reich, Arvo Pärt and Bryce Dessner alongside new commissions by composers such as Nico Muhly, Michael Gordon, and Marc Mellits. During this showcase at Classical:NEXT 2019 in Rotterdam they perform the following program: Aheym by Bryce Dessner, Rachel Grimes' Book of Leaves (“Every Morning,” “My Dear Companion,” “Every Morning,” “Birds”), an arrangement of Philip Glass' Saxophone Quartet movement I and “Changing of the Guard” by Nikita Koshkin.