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00:00
Les Bains Macabres
14A02:05:002019HD
French composer Guillaume Connesson (*1970) is building an impressive musical oeuvre, to which he has recently added an opera: 'Les bains macabres'. For this romantic contemporary thriller opera he worked closely with librettist Olivier Bleys (*1970), a successful French author with dozens of novels to his credit. The result is an enigmatic narrative with a film noir soundtrack about the macabre 'Bains Terminus': ailing patrons who come to take the waters here never leave. When the Pool police investigates their mysterious deaths, the realms of life and death turn out to be not as separate as expected... In this February 2020 production, directed by Florent Siaud, soprano Sandrine Buendia plays the part of Célia and baritone Romain Dayez plays Mathéo. Conductor Arie van Beek conducts the Orchestre des Frivolités Parisiennes.
02:05
Waldbühne 2002 - Night of the Encores
G01:31:002002HD
In front of a cheering audience, Mariss Jansons conducts the Berliner Philharmoniker and violinist Vadim Repin as part of an evening devoted to the most popular recalls at the Walbühne in Berlin. One of the most impressive outdoor scenes in Europe, the Walbühne hosts the Berliner Philharmoniker each summer, performing in front of an audience of some 20,000 people. The 2002 edition of this annual concert celebrates the reminders frequently performed by major orchestras and ensembles. The Berliner Philharmoniker performs for the occasion with Russian-born Belgian violinist Vadim Repin, the youngest laureate of the Queen Elisabeth Music Competition in Brussels, played under the direction of many renowned conductors, including Simon Rattle, Valery Gergiev and Mariss Jansons. The evening's program moves from de Wagner to Tchaikovsky, from Sibelius to John Williams, and ends with the ultimate reminder: Paul Lincke's Berliner Luft!
03:36
Beethoven - Septet in E-flat major, Op. 20
G00:44:002020HD
The soloists from the Lucerne Festival Orchestra present Ludwig van Beethoven’s Septet in E-flat major, Op. 20, which is scored for clarinet, horn, bassoon, violin, viola, cello and double bass. This 1799 piece achieved great popularity during Beethoven’s lifetime. It was arranged for many various instrumental ensembles, including versions for two guitars, and piano four-hands, but also a trio for clarinet (or violin), cello, and piano, arranged by Beethoven himself. This performance was recorded at the Lucerne Culture and Congress Center (KKL), Switzerland, in 2020.
04:21
Villa-Lobos - String Quartet No. 3
G00:27:002018HD
Quarteto Radamés Gnattali performs Heitor Villa-Lobos's String Quartet No. 3 at the Theatro Municipal in Rio de Janiero, Brasil. The ensemble was founded in 2006 and consists of Carla Rincón and Francisco Roa (violins), Fernando Thebaldi (viola), and Hugo Pilger (cello). The quartet, which specializes in Brazilian music, focuses on educational activities. Their recording of all of Villa-Lobos string quartets is a major achievement and was very well received by international music critics. Except for his Bachianas brasileiras, the performance of many of the Brazilian's compositions is limited to Latin America. Highly regarded as a composer, conductor and educator in his native country, Villa-Lobos has operas, symphonies, concertos, piano repertoire, choral music, and seventeen string quartets to his credit.
04:48
Liszt - Années de pèlerinage: Italie (S. 161)
G01:11:002021HD
Costantino Catena performs selected works from Franz Liszt's Second book from Années de pèlerinage (Italy), S. 161. The program starts with three Sonneti del Petrarca (47, 104, and 123) followed by Après une lecture de Dante: Fantasia Quasi Sonata. The performance closes with renditions of Gondoliera (Gondelier's Song), Canzone, and Tarantella. Recorded at the Chiesa del Collegio dei Gesuiti in Trapani, Italy. Années de pèlerinage, a set of three piano suites, is considered a piano masterwork and summation of Liszt's musical style. The composer places these compositions in line with the Romantic literature of his time, prefacing most pieces with a literary passage.
06:00
Hunting Brass
G00:44:001999HD
The German Brass is one of the most original and distinctive brass ensembles in the world. This group of talented musicians performs classical arrangements, dance versions of standards, and popular tunes that reflect an exceptional musical spirit. Inspired by an animated show presented by the ensemble, Hunting Brass: A Musical Joke paints a colorful portrait of the German Brass: during a rehearsal, his musicians are suddenly confronted with doubles who steal their instruments and form their wild orchestra!
06:44
Works for Flute & Oboe: Haydn, Schumann, Bach
G01:08:002020HD
On April 9, 2020, when that year's pandemic forced concert life to a standstill, flautist Ana de la Vega and oboist Ramón Ortega Quero were well into their scheduled concert tour. They played their concert at Palais Lichtenau in the German city of Potsdam as planned, albeit without an audience. This intimate recording is the result. On the program are Joseph Haydn's “Londoner” Trio No.1 C Hb. IV/1, Clara Schumann's Drei Romanzen, Op.22, Antonín Dvořák's Silent Woods for cello and piano, J. S Bach's Trio Sonata in C minor from “Musikalischen Opfer” BWV 1079 and Robert Schumann's Drei Romanzen, Op. 94. The concert concludes with Ignaz Moscheles's Concertante in F.
07:52
Piano works by Bach, Chopin & Liszt
G01:06:002017HD
The Italian pianist Leonora Armellini (*1992) graduated summa cum laude at the National Academy of Santa Cecilia in Rome in 2009, under the guidance of Sergio Perticaroli. She won several national and international competitions, including the Premio Venezia (2005) and the Camillo Togni International Competition (2009). Moreover, Armellini was awarded the Janina Nawrocka Prize for “extraordinary musicality and beauty of sound” at the Chopin Piano Competition in Warsaw (2010). In this recital, Armellini plays Ferruccio Busoni's adaptation of J. S. Bach's Chromatische Fantasie und Fuge, BWV 903, followed by Frédéric Chopin’s Etudes, Op. 25. The recital ends with Franz Liszt’s Après une lecture de Dante, Fantasia Quasi Sonata. This performance was recorded at Palazzo Orsato Lazara Giusti del Giardino in Padua, Italy.
08:58
CMIM Piano 2021 - Semi-final: Zhu Wang
G01:01:002021HD
Zhu Wang (China, 1997) performs Wolfgang Amadeus Mozart’s Sonata in B-flat major, K.281, Béla Bartók’s Three Rondos on Slovak Folk Tunes, Sz. 84, BB 92, and Roberts Schumann’s Humoreske in B-flat major, Op. 20, during the semi-finals of the 2021 Piano Edition of the Concours musical international de Montréal (CMIM). This performance was recorded at Merkin Hall of Kaufman Music Center in New York, NY, USA.
10:00
Beethoven - Symphony No. 3 in E-flat major, Op. 55
G00:57:002020HD
Maestro Herbert Blomstedt makes his debut with the Lucerne Festival Orchestra at 2020’s Lucerne Festival conducting Ludwig van Beethoven’s celebrated Symphony No. 3 in E-flat major, Op. 55, “Eroica”. The sprightly Swedish conductor celebrated his 93rd birthday just one month before this performance. This remarkable performance was recorded at the Lucerne Culture and Congress Center (KKL), Switzerland, in August 2020.
10:57
Works by Mendelssohn and Hensel
G01:15:002020HD
The extraordinarily talented pianist Elena Bashkirova has been president of the Felix Mendelssohn-Bartholdy Foundation in Leipzig since October 2020, succeeding legendary conductor Kurt Masur. In this concert at the Mendelssohn House in Leipzig, Bashkirova is joined by soprano Juliane Banse, flutist Emmanuel Pahud, cellist Claudio Bohórquez, clarinettist Karl-Heinz Steffens, and pianist Ohad Ben-Ari in a chamber music program dedicated to the music of Mendelssohn and his sister Fanny Hensel. The program opens with Mendelssohn’s Piano Trio in D minor, Op. 49. This is followed by a selection of songs: Mendelssohn’s Schilflied ‘Auf dem Teich, dem regungslosen’, Op. 71 No. 4, and Reiselied ‘Der Herbstwind rüttelt die Bäume’, Op. 34 No. 6; Hensel’s Vorwurf, Op. 10 No. 2; Verlust, Op. 9 No. 10; and Sehnsucht, Op. 9 No. 7; Mendelssohn’s ‘Allnächtlich im Traume seh ich dich’, Op. 86 No. 4; ‘Die Liebende schreibt’, Op. 86 No. 3; and Nachtlied ‘Vergangen ist der lichte Tag’, Op. 71 No. 6. The program continues with Mendelssohn’s Seven Songs without Words, for piano four-hands (Op. 62 Nos. 1-6, and Op. 67 No. 1), and comes to a close with Mendelssohn’s Three pieces for clarinet, violoncello and piano (arr. Ernst Naumann), comprising Prelude, Op. 35 No. 4, Songs without Words, Op. 53 No. 2, and Duet, Op. 38 No. 6. This performance was recorded in November 2020.
12:13
Discovering Masterpieces – Symphonie Fantastique
G00:29:002001HD
Watch the series ‘Discovering Masterpieces’, your audio-visual concert guide to the great masterpieces of classical music. The series brings you 20 half-hour documentaries on 20 classical masterpieces: acclaimed experts, famous soloists and outstanding conductors take you on a journey back to the time and place of composition. In today’s documentary, Hector Berlioz’ ‘Symphonie Fantastique’. This ‘Fantastic Symphony’ is widely regarded as one of the most important and representative pieces of the early Romantic period. Leonard Bernstein once called it “the first musical expedition into psychedelia” because of its hallucinatory and dream-like nature. The German musicologist Wulf Konold describes the idea behind and the realization of this fascinating work.
12:42
Duruflé - Requiem
G00:37:002020HD
Over the course of eleven days in August 2020, the French town of Rocamadour hosted the fifteenth edition of Festival de Rocamadour, a music festival dedicated to sacred music from the classical, baroque, and romantic periods. On August 16, the young British organist Jeremiah Stephenson performed at the medieval Basilique Saint-Sauveur with the French chamber choir Dulci Jubilo under the direction of its founder, Christopher Gibert. The organ plays a central role in this atmospheric concert, which opens with Trois motets by composer and organist Thierry Escaich (*1965). The three-part suite is made up of Eaux natales, Le Masque, and Vers l’espérance. Requiem by composer and organist Maurice Duruflé (1902-1986) follows. The concert concludes with Timor et tremor, from Quatre motets pour un temps de pénitence by Francis Poulenc (1899-1963).
13:19
PIAM - Semi-final I: Debussy, Chopin and Liszt
G00:41:002020HD
Acclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Ying Li (China, 1997) performs Claude Debussy’s Images, book I; Frédéric Chopin’s Nocturne in C-sharp minor, Op. 27 No. 1; and Franz Liszt’s Paraphrase from Verdi’s ‘Rigoletto’. This performance was recorded at Teatro EDI Barrio’s in Milan, in February 2020.
14:01
Segatta - Concerto Bizantino
G00:40:002021HD
The 'La Piccola Orchestra Lumière' performs the piece 'Concerto Bizantino' by Italian contemporary composer Nicola Segatta (1982-). Giovanni Sollima (cello) is the leading soloist in this performance, and the orchestra is conducted by Marcello Fera. This performance was recorded on the 25th of January 2021, at the Kulturzentrum Gustav Mahler in Toblach, Italy. Segatta was born in Trente en besides being a composer, he is also a cellist and luthier. As a composer he is an autodidact, but as a cellist he was trained by several teachers, including Giovanni Sollima (the soloist in this performance).
14:41
Beethoven - Symphony No. 9
G01:08:002019HD
In honor of Ludwig van Beethoven’s 250th anniversary in 2020, the Orquesta Sinfónica de Minería performed Beethoven’s symphonic cycle at the Academia de Música del Palacio de Minería in Mexico City in 2019. Mexican conductor Carlos Miguel Prieto leads the orchestra, four vocal soloists, the Vocal Essence choir, and the choir of Orquesta Sinfónica de Minería in this performance of Beethoven’s Symphony No. 9 in D minor, Op. 125. Prieto has been serving as music director of the Orquesta Sinfónica de Minería since 2008, and is considered the foremost Mexican conductor of his generation. Beethoven’s Symphony No. 9 is widely considered his greatest composition. He completed this piece in 1824, when he was almost deaf. This symphony is unique, since Beethoven included a choir and vocal soloists in the last movement. Here, Beethoven set to music parts of Friedrich Schiller's poem “Ode an die Freude” (“Ode to Joy”). The symphony consists of four movements: Allegro ma non troppo, un poco maestoso, Molto vivace, Adagio molto e cantabile, and Finale. The four vocal soloists are Katherine Whyte (soprano), Grace Echauri (mezzosoprano), Thomas Studebaker (tenor), and Kevin Deas (bass).
15:50
Chopin - Piano Sonata No. 2, Op. 35
G00:22:002019HD
Chinese pianist Chen Xue-Hong plays Frédéric Chopin’s Piano Sonata No. 2 in B-flat minor, Op. 35, in this performance recorded at the beautiful Théâtre des Champs-Élysées in Paris, France. Chopin first wrote the sonata’s famous third movement, the Funeral March. He composed the remaining movements two years later, completing the sonata in 1839. The Funeral March is often performed as a standalone piece and has been used in funeral services all over the world – including Chopin’s own.
16:13
Mussorgsky - Pictures at an Exhibition
G00:37:002014HD
Conductor Mariss Jansons, the Bavarian Radio Symphony Orchestra and Mussorgsky's “Pictures at an Exhibition” were predestined to come together. The lavish colors of Ravel's orchestration of the Russian work, the breathtaking inventiveness of the wildly different movements that are all interconnected through a recurring “Promenade” – few conductors are as adept as Jansons to savor all the richness and colorfulness of the paintings and sketches by Victor Hartmann. Today, the work is universally celebrated in its dazzling orchestral transcription by Maurice Ravel. It was the great conductor Serge Koussevitzky who commissioned the orchestration by Ravel in 1922. Recorded at Herkulessaal, Munich in 2014.
16:51
Rachmaninoff - Piano Concerto No. 4 & Nielsen 6th
G01:29:002017HD
Fabio Luisi conducts the Danish National Symphony Orchestra in this powerful performance taken from the 150th Anniversary celebrations of Denmark’s national composer, Carl Nielsen. Alongside Nielsen’s inscrutably ironic Symphony No. 6, this performance features world-renowned French pianist Lise de la Salle as soloist in Rachmaninov’s Piano Concerto No. 4. This lesser-known concerto saw three separate iterations throughout the composer’s life and is characterized by bold chromaticism and a distinctly Jazz-like quality. Luisi and de la Salle have prior experience with this piece, having previously performed and recorded it together. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in 2017.
18:20
Bach - Sonata No. 2 BWV 1015
G00:13:002009HD
Johann Sebastian Bach probably wrote this set of six Sonatas for Violin and Harpsichord during his time as chapel master in Köthen. Presumably, he wrote these sonatas for Prince Leopold and later adapted them for further use in Leipzig. Maybe this is why these pieces are well playable for amateurs, while every sonata still has the finesse that can offer a challenge to professional musicians. The different pieces are meant to be a set, just like the Brandenburg concertos.
18:34
Tchaikovsky - Romeo & Juliet - Fantasy Ouverture
G00:21:001993HD
Every year, the Europakonzert is hosted by the Berliner Philharmoniker in a notorious concert hall or on a special location. This years concert is performed at the magnificent Royal Albert Hall in London. The Dutch conductor Bernard Haitink starts with Tchaikovsky's Fantasy Overture from "Roméo et Juliette". The second piece by Wolfgang Amadeus Mozart is his famous Violin Concerto No. 3 in G major K. 216 played by the German violinist Frank Peter Zimmermann. During his career he played with a lot of famous orchestras and conductors such as the Boston Symphony Orchestra and Mariss Jansons. He has a great passion for chamber music and plays a lot of recitals with the Italian pianist Enrico Pace. The concert closes with Stravinsky's The Rite of Spring which he wrote in 1913 for Sergei Diaghilev's Ballets Russes. The première caused a lot of sensation and near-riot in the audience because of the avant-garde nature, music and choreography of the piece. The Rite of Spring is now considered as one of the masterpieces of classical music history and has influenced many 20th-century music composers. The encore is Tchaikovsky's Flower Waltz from the Nutcracker.
18:55
My mother loved dance
G01:02:002014HD
The documentary ‘My mother loved dance’ (2014) creates a portrait of Brigitte Lefèvre, who was for more than 20 years director of dance at the Paris Opera. Filmmaker Thierry Teston followed Lefèvre for a year from Paris to Tokyo. Teston's documentary offers a behind-the-scenes glimpse of her life and of the goings-on at the Paris Opera. Lefèvre joined the Paris Opera at the age of eight and contributed to a worldwide dance revolution. She left the Paris Opera in November 2014, handing over the reins to Benjamin Millepied, who became the director of one of the world's most prestigious dance companies.
19:58
IVC 2019 - Final: Schubert, Schumann et al.
G00:28:002019HD
Soprano Harriet Burns (United Kingdom, 1989) and pianist Ian Tindale (United Kingdom, 1990) perform Franz Schubert’s Verklärung, D. 59; Clara Schumann’s Er ist gekommen in Sturm und Regen, Op. 12, No. 2; ‘L’heure exquise’ from Reynaldo Hahn’s Chansons grises, and ‘Le printemps’ from Hahn’s Douze rondels; ‘Herzeleid’ from Robert Schumann’s Sechs Gesänge, Op. 107; ‘Le corbeau et le renard’ from André Caplet’s Trois fables; Alphons Diepenbrock’s Die Liebende schreibt, RC 20; ‘Seranilla de la zarzuela’ from Judith Weir’s A Spanish liederbooklet; Muriel Herbert’s Renouncement; and ‘Waldmädchen’ from Hugo Wolf’s Eichendorff-Lieder, during the final round of the International Vocal Competition 2019 – Lied Duo. This performance was recorded at Theater aan de Parade in ‘s-Hertogenbosch, the Netherlands.
20:26
Semi Final I - Liszt Competition 2017
G00:33:002017HD
Yonghwan Jeong (1991, South Korea) performs Harmonies poétiques et réligieuses, No. 7 Funérailles, S173/7 and Grandes Études de Paganini, S141 during semi-final I (transcription) of the 11th International Franz Liszt Piano Competition, held in TivoliVredenburg, Utrecht, in 2017. The competition actively presents, develops, and promotes piano talents from around the world. In doing so, it has become one of the prominent gateways to the international professional classical music scene for young musicians. The International Franz Liszt Piano Competition was founded in 1986 in the Netherlands and has since built a reputation as one of the world’s most prestigious piano competitions.
21:00
Beethoven - Fidelio, Op. 72
PG01:56:002018HD
Fidelio (originally titled "Leonore, oder Der Triumph der ehelichen Liebe," which translates to "Leonore, or the Triumph of Marital Love"), Op. 72, is Ludwig van Beethoven's only opera. This 2018 opera film from the Swiss Theater St. Gallen is based on Jan Schmidt-Garre's highly acclaimed stage production of Beethoven's Fidelio. Otto Tausk conducts the Sinfonieorchester and choir of St. Gallen, as well as many wonderful soloists in a beautifully designed set by Nikolaus Webern. The producers carefully filmed and edited several performances, and by using additional footage of starring soloist Jacquelyn Wagner as Leonore, the captivating stage production is enhanced and transformed into a unique cinematic experience.
22:56
Bruch - Violin Concerto No. 1, Op. 26
G01:03:002008HD
Sir Simon Rattle conducts the Berliner Philharmonic during the 2008 edition of the Europakonzert, held in the renowned hall of the Tchaikovsky Conservatory in Moscow. The first edition of the Europakonzert was in 1991, and since then, the founding of the Berlin Philharmonic on May 1st in 1882 is annually celebrated with a concert in a European city of cultural significance. The orchestra opens with an outstanding performance of Stravinsky’s Symphony in Three Movements. Furthermore, Vadim Repin, one of today’s most fascinating artists, features as soloist in Bruch’s Concerto for Violin No. 1, Op, 26. The orchestra concludes with a performance of Beethoven’s Symphony No. 7, of which the second movement, Allegretto, gained instant popularity after its premiere in 1813 and remains a crowd favorite.