Schedule

Hamlet is a grand opera in five acts by the French composer Ambroise Thomas (1811-1896), with a libretto by Michel Carré and Jules Barbier. It is based on a French adaptation by Alexandre Dumas and Paul Meurice of Shakespeare's Hamlet. Thomas’ operas Mignon (1866) and Hamlet (1868) were largely neglected during the 20th century but experienced somewhat of a revival over the last decades. In this performance, staged by Serge van Veggel, The New European Ensemble is led by conductor Hernán Schvartzman. Main soloists are Quirijn de Lang (Hamlet), Lucie Chartin (Ophélie), Martijn Sanders (Claudius), Martina Prins (Gertrude), Jan-Willem Schaafsma (Laertes), and Patrick Pranger (Horatio). This performance was recorded at the Royal Theatre in The Hague, in April 2018.

Designed by the German architect Werner March, Berlin's Waldbühne is an amphitheater that seats over 22,000 people. It was built between 1934 and 1936 for the Summer Olympics of 1936. Since WWII, the Waldbühne has been used for a variety of events, including boxing matches, film screenings, and classical and rock concerts. Annually, the Berlin Philharmonic performs a stunning open concert. In this broadcast of the 1996 edition, Claudio Abbado conducts the orchestra and invites bass-baritone Bryn Terfel, tenor Sergei Larin, and soprano Angela Gheorghiu to sing Verdi arias. This program also features Giuseppe Verdi's Overture Nabucco, duet Et lui (from Don Carlos), Fire chorus Fuoco di gioia, Jago's Credo, Gia nella notte (from Otello), Triumphal March, and chorus Gloria all' Egitto from Aida. You can also discover Vincenzo Bellini's Eccomi from I Capuleti e i Montecchi.

Péter Csaba leads the Spanish Orquesta Sinfónica Freixenet del Encuentro in this inaugural concert of the Encuentro de Música y Academia de Santander. The program opens with Ravel’s Piano Concerto for the left hand in D major, featuring Uzbekistani-born American pianist Stanislav Ioudenitch as the soloist. Composed between 1929 and 1930, the work was commissioned by Paul Wittgenstein, an Austrian concert pianist who continued his career after losing his right arm during the First World War. The program closes with Ravel’s famous Boléro. One of the world’s most popular classical pieces, the Boléro is characterized by a prominent, unchanging rhythm played on the snare drum, which continues throughout the piece. This performance was recorded at Sala Argenta of the Palacio de Festivales de Cantabria in Santander, Spain, on July 7, 2023.

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored repertoire for piano and violin in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists, including pianists Evgeny Kissin, Theodosia Ntokou, and Cristina Marton-Argerich, and violinist Maxim Vengerov. On the program are Dmitri Shostakovich’s Concertino for two pianos, Op. 94; Frédéric Chopin’s Impromptu No. 3, Op. 51, Polonaise No. 6, Op. 53 “Heroic”, and Waltz No. 6, Op. 64 No. 1; Camille Saint-Saëns’s Polonaise for two pianos, Op. 77; César Franck’s Sonata for violin and piano in A major; and Fritz Kreisler’s Liebesleid and Schön Rosmarin. This performance was recorded on June 12, 2021.

After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. In this performance, Schwartz presents Schumann’s Novelletten, Op. 21. The eight pieces for piano that make up this song cycle are often performed separately. It bears a dedication to pianist Adolph Henselt. Schumann composed the pieces between January and April of 1838, around the same time as Kinderszenen, Op. 18, and Kreisleriana, Op. 16. Novelletten is the most substantial yet least-known of Schumann’s piano cycles. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.

Christian Zacharias performs Mozart's Piano Concerto No. 6, K 238, accompanied by the Radio-Sinfonieorchester Stuttgart under the direction of Gianluigi Gelmetti. This concert was recorded at Schwetzingen palace, where the Mannheim elector’s court would spend their summers.

Celebrate St. Patrick 2020 was filmed in March 2020 at Saint Patrick's Cathedral in Armagh, Northern Ireland. Choirs from far and near seized the opportunity to celebrate St. Patrick’s Day and perform with local Irish musicians for the congregation of this historic cathedral. The concert merges sacred music, traditional Irish instruments and music from the Irish diaspora. Performances from the highly acclaimed Voices of Ireland, jig dancers, and the rendition of Christ Be Beside Me by the combined choirs are among the many emotional highlights. Readings from the words of St. Patrick and footage of Ireland's glorious landscape make Celebrate Saint Patrick 2020 a feast for the ears and eyes!

Iván Fischer leads his Budapest Festival Orchestra in an exciting concert program consisting of works by J. S. Bach, Béla Bartók, and Johannes Brahms. The program opens with Bach’s Brandenburg Concerto No. 3 in G major, BWV 1048. This is followed by one of Bartók’s best-known pieces: Music for strings, percussion and celesta. Remarkable is the work’s instrumentation: Bartók divided the strings into two groups that are placed on opposite sides of the stage, to create antiphonal effects. The program ends with Brahms’s Symphony No. 3 in F major, Op. 90. This performance was recorded at the Béla Bartók National Concert Hall in Budapest, Hungary, on December 4, 2017.

Stephanie Tang (USA, 1993) performs John Adams' China Gates, "Pour les arpèges composés" from Claude Debussy's Douze Études (L. 143), Ludwig van Beethoven's Variations and Fugue, Op. 35, and Alexander Scriabin's Piano Sonata No. 5, Op. 53, during the semi-finals of the 2021 Piano Edition of the Concours musical international de Montréal (CMIM). This performance was recorded at Burgess Recital Hall at the Royal Academy of Music in London, United Kingdom.

The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, maestro Daniel Harding leads the Orchestra del Maggio Musicale Fiorentino in a wonderful concert program featuring Gustav Mahler’s Symphony No. 1 in D major, ‘Titan’. Mahler completed his first symphony in 1888. Originally a five-movement piece, the composer discarded the second movement ‘Blumine’ some years later, resulting in the final four-movement version we know today. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

After a successful inaugural recital in 2016, pianist Misha Fomin returns to the stage in the intimate hall of the Concertgebouw Amsterdam on November 11, 2017. Celebrated by the local and international press for his natural virtuosity, the rich texture of his play and his great musical intelligence, Fomin interprets Fantasia, op. 17 by Schumann, Piano Sonata No. 30, op. 109 of Beethoven, as well as works by Tchaikovsky, including the plays "May", "June" and "October" from the Seasons, op. 37b, and a Liszt transcription of the "Polonaise", taken from the opera Eugene Onegin.

The Zurich Opera House is one of the most renowned in Europe. Fifteen premieres are staged here every year - a significant achievement, when one considers just how much work goes into each individual production. In this exciting documentary, we go behind-the-scenes at the Zurich Opera House and follow the intensive progress of the new production of Gioachino Rossini's Il Barbiere di Siviglia with Vesselina Kasarova in the role of Rosina. The film also shows preparations for other productions, such as a workshop for Richard Wagner's Siegfried directed by Robert Wilson, and a rehearsal for Igor Stravinsky's Le Sacre du Printemps with choreography by Heinz Spoerli. This film opens the curtain to understanding an opera house’s many exciting facets.

Mezzo-soprano Esther Valentin (Germany, 1993) and pianist Anastasia Grishutina (Russia, 1988) perform Henri Duparc’s L’invitation au voyage; Aleksandr Borodin’s ‘Dlya beregov otchizni dal’noy’ (For the shores of thy far native land); ‘Fleur jetée’ from Gabriel Fauré’s Quatre melodies, Op. 39; Franz Schubert’s Die Liebe hat gelogen, Op. 23 No. 1 (D. 751); ‘Begegnung’ and ‘Der Feuerreiter’ from Hugo Wolf’s Mörike-Lieder; Brechtje van Dijk’s ‘Endangered’; and, ‘The crucifixion’ from Samuel Barber’s Hermit songs, Op. 29, during the final round of the International Vocal Competition 2019 – Lied Duo. This performance was recorded at Theater aan de Parade in ‘s-Hertogenbosch, the Netherlands.

The Danish National Symphony Orchestra opens the door to a wealth of fantasy universes in this mesmerizing concert program. Under the direction of German conductor Christian Schumann, the Danish National Symphony Orchestra, Danish National Concert Choir, and Danish National Junior Choir team up to perform music from the most popular fantasy movies, TV series and video games, including The Lord of the Rings, Harry Potter, Highlander, and The Chronicles of Narnia. Featured soloists in this concert are Danish soprano Christine Nonbo Andersen, Korean percussionist Jihye Kim, Norwegian mezzo-soprano Tuva Semmingsen, Swedish bass Johan Karlström, and British actor David Bateson. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in June 2019.

In a 2019 performance from the Muziekgebouw in Eindhoven, Hartmut Haenchen conducts the philharmonie zuidnederland for this performance of Anton Bruckner’s Symphony No. 7. The German-born conductor, who became a Dutch citizen through naturalisation, was chief conductor at the Dutch National Opera, the Netherlands Philharmonic Orchestra, and the Netherlands Chamber Orchestra before he was finally knighted for his services to the Dutch music landscape. The majestic opening theme of the first movement of Anton Bruckner’s Symphony No. 7 foreshadows a momentous work, lasting over 20 minutes. The doubt and turmoil felt throughout the Adagio, the second movement, are supposedly Bruckner's response to the news of the death of his idol, Richard Wagner. Bruckner's use of Wagner tubas and double bass tubas creates an even more solemn and grandiose air within the Adagio. Trumpet signals refer to crowing cockerels as they interrupt the grim and clamorous Scherzo. In the Finale, Bruckner employs a persistent rhythmic pulse that starts softly yet builds up towards the explosive final bars.

Ukrainian-born pianist Inna Faliks performs Frederic Chopin's Polonaise-Fantaisie Op. 61. Recorded at the Nicols Concert Hall, Evanston, IL, USA. Faliks has established herself as one of the most communicative, and poetic artists of her generation. The Polonaise-Fantaise was dedicated to Mme A. Veyret, composed and published in 1846

Conductor Eduard Topchjan leads the Armenian National Philharmonic Orchestra in a performance of Hector Berlioz’s Symphonie fantastique, Op. 14. Berlioz wrote the piece of program music in 1830 while still a conservatory student. Inspired on the composer’s unrequited love for Irish actress Harriet Smithson, the five-movement piece portrays the dreams of a young artist who has taken an overdose of opium in the aftermath of a failed love affair. Berlioz used one melody in each movement of the work representing the artist’s beloved, an ‘idée fixe’ (a fixed idea or obsession). The work is scored for a large orchestra and features an astonishing array of instrumental colors, including church bells, an off-stage oboe, and strings playing col legno (using the wood of their bow). This performance was recorded at the Aram Khachaturian Concert Hall in Yerevan, Armenia, in 2021.

Musicians of the Danish National Symphony Orchestra, the DR Big Band, and the Danish National Vocal Ensemble join forces under the baton of Klaus Tönshoff in this dazzling concert featuring great songs from black and white cinema. Norwegian mezzosoprano Tuva Semmingsen sings ‘Diamonds Are A Girl’s Best Friend’, from Gentlemen Prefer Blondes, ‘My Favorite Things’ from The Sound of Music, ‘Over the Rainbow’ from The Wizard of Oz, ‘Moon River’ from Breakfast at Tiffany's, and many other unforgettable hits. This concert performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in June 2020.

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With over 22.000 in attendance, they are some of the most popular classical music concerts in the world. This year the outstanding orchestra under the baton of Neeme Järvi take us on a trip to Arabian “Thousand and One Nights”, with soloist Janine Jansen, a rising star who quickly gained the reputation of one of the foremost young violinists on the international concert stages. On the program are Rimsky-Korsakov's Scheherazade, Symphonic Suite, op. 35, Grieg's 'Peer Gynt' Suite No.1, op. 46, excerpts from Nielsen's Aladdin Suite for Orchestra op. 34, Saint-Saëns's Introduction und Rondo capriccioso and "Meditation” from 'Thais' by Massenet.

The documentary ‘My mother loved dance’ (2014) creates a portrait of Brigitte Lefèvre, who was for more than 20 years director of dance at the Paris Opera. Filmmaker Thierry Teston followed Lefèvre for a year from Paris to Tokyo. Teston's documentary offers a behind-the-scenes glimpse of her life and of the goings-on at the Paris Opera. Lefèvre joined the Paris Opera at the age of eight and contributed to a worldwide dance revolution. She left the Paris Opera in November 2014, handing over the reins to Benjamin Millepied, who became the director of one of the world's most prestigious dance companies.

Tenor Zhuohan Sun (China, 1993) and pianist Sara Pavlovic (Serbia, 1996) perform ‘Ehetanzlied’ from Alexander von Zemlinsky’s Sechs Lieder und Gesänge, Op. 10; ‘Nell’ from Gabriel Fauré’s Trois mélodies, Op. 18; ‘Net, tol'ko tot, kto znal’ (None but the lonely heart) from Pyotr Ilyich Tchaikovsky’s Six Romances, Op. 6; Franz Schubert’s Die Mutter Erde, D. 788; Bart Visman’s Vermeer’s Gold; ‘Bonne journée’ from Francis Poulenc’s Tel jour, telle nuit, FP 86; and ‘Der Jäger’ from Hugo Wolf’s Mörike-Lieder, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.