Schedule

The documentary Summertime at the Domaine Forget introduces internationally renowned treasure: Domaine Forget festival in Saint-Irénée, Québec. Domaine Forget is one of Canada's leading music academies and hosts this annual festival to promote music and dance. Every summer, 500 music students from around the world gather for an intensive course program featuring: masterclasses, individual lessons, chamber music sessions, lectures, and special workshops.

Baritone Arvid Fagerfjäll (Sweden, 1991) and pianist Hikaru Kanki (Japan, 1993) perform ‘Lust der Sturmnacht’ from Robert Schumann’s Kerner-Lieder, Op. 35; ‘Le diable dans la nuit’ from Henriëtte Bosmans’ Dix mélodies; Franz Schubert’s Totengräbers Heimweh, D. 842; ‘Die Vöglein’ and ‘Vor dem Schloss in den Bäumen es rauschend weht’ from Aribert Reimann’s Nachtstück; ‘Den första kyssen’ (The first kiss) from Jean Sibelius’s Five songs, Op. 37; ‘Ganymed’ from Hugo Wolf’s Goethe-Lieder; ‘Marc Chagall’ from Francis Poulenc’s Le travail du peintre, FP 161; ‘Le loup et l’agneau’ from André Caplet’s Trois fables de Jean de la Fontaine; and ‘Ballade des femmes de Paris’ from Claude Debussy’s Trois ballades de François Villon, L. 126, during the final round of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at De Verkadefabriek in ’s-Hertogenbosch, the Netherlands.

Around 1700, in Naples, anyone who aspired to make a career as a violinist had the monumental figure of Gian Carlo Cailò to reckon with: this virtuoso worked for the royal chapel and taught at four conservatoires. Only one of his sonatas was preserved, which inspired the young Dutch star violinist Eva Saladin, together with Daniel Rosin on cello and Johannes Keller on harpsichord, to build a programme around Cailò and his brilliant pupils Mascitti and Piani.

English-French pianist David Levy performs Dmitri Shostakovich’s 24 Preludes and Fugues, Op. 87. The work is a set of twenty-four pieces for piano, one in each of the major and minor keys of the chromatic scale. Each piece is in two parts: a prelude followed by a fugue. The composer was doubtlessly inspired by J. S. Bach’s famous The Well-Tempered Clavier (BWV 846-893), a collection of forty-eight preludes and fugues published in two books. A panel member at Leipzig’s Bach competition, Shostakovich was deeply inspired by Russian pianist Tatiana Nikolayeva’s performance of Bach’s 48 Preludes and Fugues. Shostakovich wrote these pieces between the autumn of 1950 and February 1951, dedicating them to Nikolayeva, who agreed to perform the Leningrad premiere in December 1952. David Levy’s performance was recorded at the Budapest Music Center, Hungary, in September 2023.

The Messiah (HWV 56) by Georg Frederich Handel, also known as “A New Sacred Oratorio”, tells the life and suffering of Christ: a story of passion, fire, and sacrifice. This is one of Handel's best-known works, which took only three weeks to compose this oratorio and its famous "Hallelujah". The work has immense popularity since its premiere in Dublin in 1742, and is often presented at Easter. This performance of the Dutch ensemble Ribattuta Musica under the direction of conductor Dick Duijst was filmed in the grand church of the city of Ermelo, the Netherlands, in 2016. The soloists are Elvire Beekhuizen (soprano), Rosina Fabius (viola), Oscar Verhaar (counter-tenor) Satriya Krisna (tenor), and Hans Voschezang (bass). Ribattuta Musica is a professional ensemble that delivers authentic performances based on current musical practices at the time of the composers.

Stefano Demicheli conducts the Ensemble Talenti Vulcanici and soloists Nicola Cianncio (bass) and Catherine Jones (cello) in a varied baroque music program, recorded at Chiesa di Santa Caterina da Seina in Naples, Italy. On the program are Alessandro Scarlatti's Quante i boschi han piane (from his serenade Erminia); Nicola Fago's Contro colpi di fortuna (from the opera Il faraone sommerso); Nicola Porpora's Idre, arpie, draghi e leoni (from his serenade La Iole); Angelo Ragazzi's Sonata a quattro, no. 1 in G major; Alessandro Scarlatti's cantata Nel mar che bagna al bel Sebeto; Giovanni Bononcini's Quanto abbraccia il mar (from Euleo festeggiante); Georg Frideric Handel's Precipitoso il mar che freme (from his cantata Aci, Galatea e Polifemo); Nicola Porpora's Concerto for Cello and Strings in G major; Nicola Fago's Miei fidi armatevi (from his cantata Il faraone sommerso); and Giovanni Bononcini's Per molti lustri (from Euleo festeggiante).

Celebrated German violinist Isabelle Faust performs J. S. Bach’s Partita No. 2 in D minor (BWV 1004). The work is part of the composer’s well-known Sonatas and Partitas for Solo Violin (BWV 1001-1006). Partita No. 2 is made up of four dance movements, concluded by its famous Chaconne, a monumental piece within the violin repertoire. In this Chaconne, Bach develops a series of continuous variations from a theme, exploring a complex range of harmonic possibilities. This performance was recorded at St. Thomas Church in Leipzig, Germany, in 2020.

Mikhail Pletnev leads the Russian National Orchestra (RNO) in a performance of Maurice Ravel's Piano Concerto No. 1 with Lucas Debargue as the soloist. The concert opens with a selection of music by Georges Bizet based on Alphonse Daudet's play 'L'Arlésienne'. The music is compiled by Mikhail Pletnev. The first movement of Ravel's Piano Concerto No. 1 contains five distinctive themes, of which three are reminiscent of jazz. Debargue's performance of Ravel's concerto is followed by Gabriel Fauré's Barcarolle No. 4. The performance was recorded at Tchaikovsky Concert Hall in Moscow as part of the Ninth RNO Grand Festival.

American conductor Michael Tilson Thomas leads the London Symphony Orchestra (LSO) in an energetic performance of Pyotr Ilyich Tchaikovsky's folk-infused Symphony No. 2 in C minor, Op. 17. Written in 1872, the work is nicknamed 'Little Russian' as the composer used several folk tunes from Ukraine, then known as ‘Little Russia’. This performance was recorded at LSO St Luke's, London, on May 31, 2021.

The Lucerne Festival Orchestra performs Gustav Mahler's Symphony No. 5 under the direction of Claudio Abbado. This unique orchestra was formed as part of the annual festival in Lucerne, Switzerland.

In time for his 65th birthday in 2007, pianist Daniel Barenboim rounded off a cycle of Ludwig van Beethoven piano concertos. Recorded live at the Klavier-Festival Ruhr in May 2007, this recording reflects both a very individual and unusual reading of Beethoven’s music and Barenboim's life-long dedication to the composer. Beethoven’s masterpieces have been a key part of Barenboim’s repertoire throughout his career. Simultaneously conducting and playing the piano, Barenboim leads the Staatskapelle Berlin in a performance of Beethoven’s Piano Concerto No. 4 in G major, Op. 58. Although solo concertos were traditionally opened by the orchestra, Beethoven let the soloist open his piano concerto before the orchestra came in – an idea that had been applied by Wolfgang Amadeus Mozart in his Piano Concerto No. 9.

The legendary pianist Vladimir Horowitz (1903-1989) won his first praise on his interpretation of Rachmaninoff's Third Piano Concerto from the composer himself. When Rachmaninoff heard the young Kiev-born pianist play his work shortly after Horowitz's arrival in New York in 1928, he exclaimed: "He swallowed it whole." Fifty years later, on September 24, 1978, Horowitz electrified his audience once again with this monumental work. Accompanied by the New York Philharmonic under Zubin Mehta, he gave a special performance of this work as part of the celebrations honoring his U.S. debut 50 years earlier. His unforgettable account was recorded live on video and broadcast simultaneously throughout the United States. It was the last time Horowitz played the Third in his lifetime. The work itself, reverently called "Rach 3" by pianists brave enough to tackle its monstrous technical challenges, achieved international celebrity of a different kind in recent years.