00:00
Purcell - King Arthur
Hervé Niquet conducts the choir and orchestra of Le Concert Spirituel in a rendition of Henry Purcell's (1659-1695) King Arthur. The recording took place in the National Opera of Montpellier Languedoc-Roussillon in March 2009. Soloists are Ana Marin Labin, Chantal Santon-Jeffery, Mélodie Ruvio, Mathias Vidal, Marc Mouillon and Joao Fernandes. King Arthur, or The British Worthy is a semi-opera in five acts. It was first performed at the Queen's Theatre, Dorset Garden, London in 1691. The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot. It is a semi-opera: the principal characters do not sing, except if they are supernatural or pastoral.
01:44
Waldbühne 2004 - Tchaikovsky night
The Berliner Philharmoniker and Lang Lang under the baton of Sir Simon Rattle
03:25
Galaxymphony Strikes Back
The Danish National Symphony Orchestra takes us on a spectacular symphonic space journey in an out-of-this-world concert program of film music. Under the direction of Dutch conductor Antony Hermus, the orchestra guides us through the musical universe, performing a selection of music from iconic sci-fi movies, such as Avatar, Gravity, Interstellar, and Star Wars, written by major composers such as John Williams, Hans Zimmer, and James Horner. Featured soloists in this concert are Tuva Semmingsen, Christine Nonbo Andersen, Steffen Bruun, and David Bateson. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in August 2021.
04:52
Mozart - String Quartet No. 19 in C major, K. 465
Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances’ string quartet – consisting of David Grimal (violin), Hans Peter Hofmann (violin), David Gaillard (viola), and Xavier Phillips (cello) – performs Wolfgang Amadeus Mozart’s String Quartet No. 19 in C major, K. 465, ‘Dissonance’ (Op. 10 No. 6). The String Quartet is the last in the set of six quartets that were dedicated to Joseph Haydn. Written between 1782 and 1785, these are also known as the Haydn Quartets (Op. 10). String Quartet No. 19 is remarkable for its slow, dissonant introduction, giving the piece its nickname. This ominous passage suddenly gives way to the bright Allegro in C major. This performance was recorded at Opéra Comique in Paris, France, in 2015.
06:00
Mozart - Piano Concerto No. 5, K 175
Malcolm Frager performs Mozart's Piano Concerto No. 5, K 175, a work of contrapuntal writing, a style that Mozart perfected under Padre Martini's tutelage. Discover the Orchestra della Radiotelevisione della Svizzera and conducted by Marc Andreae, at the Teatro Bibiena in Mantua.
06:29
House of Dreams
House of Dreams is an imaginative concert designed by Alison Mackay. The concert is a magical journey to the meeting places of baroque art and music - five European homes where exquisite works by Bach, Handel, Vivaldi, Purcell and Marais were played against a backdrop of paintings by Vermeer, Canaletto, and Watteau. Stage direction by Marshall Pynkoski and narrated by Blair Williams. The Tafelmusik Baroque Orchestra, also known simply as Tafelmusik, is a Toronto-based Canadian baroque orchestra, specialised in early music. The orchestra was founded in 1979 and has 19 full-time members who specialize in historical performance and technique, with additional musicians joining the ensemble when required. The ensemble is directed by violinist Jeanne Lamon.
08:00
Abbado conducts Mahler No. 4 and Rückert-Lieder
Mezzo soprano Magdalena Kožená does not only make the heavenly joys resound in the final movement of Gustav Mahler’s Symphony No. 4, earlier in the concert, she devotes herself to the seraphic beauty and intimate simplicity of Mahler’s Rückert Lieder. Practically all songs that Mahler composed prior to 1900 were based on texts from Des Knaben Wunderhorn, a collection of folk poems published by Clemens Brentano and Achim von Arnim. Since then, Mahler turned exclusively towards one single poet, the Franconian orientalist and translator Friedrich Rückert. Mahler acknowledged that the poems moved him so deeply that he sometimes felt he had written them himself. In the transcendent final Lied, Ich bin der Welt abhanden gekommen, he also quoted a phrase from the Adagio of his fourth symphony. Asked what it meant, he replied that it personifies himself.
09:30
CMIM Voice 2022 – First Round: Xueli Zhou
Soprano Xueli Zhou (China, 1992) performs ‘Exsultate jubilate – Allegro’ from Wolfgang Amadeus Mozart’s motet Exsultate, jubilate (Exult, rejoice), K. 165; ‘Où va la jeune Hindoue’ from Léo Delibes’s opera Lakmé; and ‘Glitter and Be Gay’ from Leonard Bernstein’s operetta Candide, during the first round of the Voice Edition of the Concours musical international de Montréal 2022 (CMIM). This performance was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.
10:02
Handel - Messiah, HWV 56
The Messiah (HWV 56) by Georg Frederich Handel, also known as “A New Sacred Oratorio”, tells the life and suffering of Christ: a story of passion, fire, and sacrifice. This is one of Handel's best-known works, which took only three weeks to compose this oratorio and its famous "Hallelujah". The work has immense popularity since its premiere in Dublin in 1742, and is often presented at Easter. This performance of the Dutch ensemble Ribattuta Musica under the direction of conductor Dick Duijst was filmed in the grand church of the city of Ermelo, the Netherlands, in 2016. The soloists are Elvire Beekhuizen (soprano), Rosina Fabius (viola), Oscar Verhaar (counter-tenor) Satriya Krisna (tenor), and Hans Voschezang (bass). Ribattuta Musica is a professional ensemble that delivers authentic performances based on current musical practices at the time of the composers.
11:35
The Red Priest and the Tanguero
The ensemble YES Camerata (Young European String Camerata) and violinist William Hagen perform The Red Priest and the Tanguero at the Academiezaal in the Belgian city of Sint-Truiden in 2017. The concert program includes The Four Seasons of Antonio Vivaldi (1679-1741) and Las quatros estaciones porteñas of Astór Piazzolla (1921-1992), in a transcription of Leonid Desyatnikov. YES Camerata is a young dynamic string ensemble that performs without a conductor. The young American violinist William Hagen was the third winner of the prestigious Queen Elisabeth competition in 2015.
12:43
Summertime at the Domaine Forget
The documentary Summertime at the Domaine Forget introduces internationally renowned treasure: Domaine Forget festival in Saint-Irénée, Québec. Domaine Forget is one of Canada's leading music academies and hosts this annual festival to promote music and dance. Every summer, 500 music students from around the world gather for an intensive course program featuring: masterclasses, individual lessons, chamber music sessions, lectures, and special workshops.
12:58
Rachmaninoff - Piano Concerto No. 4, Op. 40
Fabio Luisi conducts the Danish National Symphony Orchestra in this powerful performance taken from the 150th Anniversary celebrations of Denmark’s national composer, Carl Nielsen. Alongside Nielsen’s inscrutably ironic Symphony No. 6, this performance features world-renowned French pianist Lise de la Salle as soloist in Rachmaninov’s Piano Concerto No. 4. This lesser-known concerto saw three separate iterations throughout the composer’s life and is characterized by bold chromaticism and a distinctly Jazz-like quality. Luisi and de la Salle have prior experience with this piece, having previously performed and recorded it together. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in 2017.
14:00
Openingsconcert Brussels Philharmonic & Vlaams Radiokoor – Beethoven 5 & Mahler
14:54
Tchaikovsky - Symphony No. 5, Op. 64
In May 2019, the new principal conductor of the Gewandhaus, Andris Nelsons, presented Tchaikovsky’s Symphony No. 5 with his orchestra in combination with Shostakovich’s Violin Concerto No. 1 with outstanding violinist Baiba Skride as the soloist. In this composition, the violin does not allow itself a break, continually tells its dark story and gets into a vicious circle of ostinato Passacaglia bass lines again and again falls into beguilingly beautiful singing. Tchaikovsky initially thought his 'Symphony of Fate' was a failure and believed himself to be at the end of his creative powers. It was probably the composer's nature, plagued by self-doubt, that made it almost impossible for him to develop a self-confident attitude to his own creative power. Between this two works, Skride performs Stravinsky's Elegy for Solo Violin.