Schedule

For over two decades, the Berlin Philharmonic has celebrated its creation on May 1 with the annual Europakonzert, which in 2010 was held in Oxford. Led by Daniel Barenboim, the orchestra performed a program including Johannes Brahms’ Symphony No. 1. The young American cellist Alisa Weilerstein, who has attracted widespread attention for her passionate yet precise musicianship, joined the orchestra for a breathtaking performance of Edward Elgar’s Cello Concerto.

Pianist Michelle Candotti (Italy, 1996) performs Barbara Assiginaak’s Mzizaakok Miiniwaa Mzizaakoonsak (Horseflies and Deerflies); Franz Liszt’s Après une lecture du Dante, fantasia quasi sonata (Années de pèlerinage, deuxième année, S. 161: No. 7); ‘Pavane’ from George Enescu’s Suite No. 2 in D major, Op. 10; Étude No. 111 in G minor from Hélène de Montgeroult’s Études; and Sergei Prokofiev’s Sonata No. 7 in B-flat major, Op. 83, during the solo recital of the two-part semi-final round of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). This performance was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.

In the summer of 2019, the Utrecht Early Music Festival explored the musical legacy of Naples: a cultural metropolis of contradiction and solidarity. In the documentary 'Napoli – Music’s Forgotten Capital', festival co-curator Thomas Höft unearths riveting tales from this multi-faceted city.

After a successful inaugural recital in 2016, pianist Misha Fomin returns to the stage in the intimate hall of the Concertgebouw Amsterdam on November 11, 2017. Celebrated by the local and international press for his natural virtuosity, the rich texture of his play and his great musical intelligence, Fomin interprets Fantasia, op. 17 by Schumann, Piano Sonata No. 30, op. 109 of Beethoven, as well as works by Tchaikovsky, including the plays "May", "June" and "October" from the Seasons, op. 37b, and a Liszt transcription of the "Polonaise", taken from the opera Eugene Onegin.

Celebrated German violinist Isabelle Faust performs J. S. Bach’s Sonata No. 3 in C major (BWV 1005). The work is part of the composer’s well-known Sonatas and Partitas for Solo Violin (BWV 1001-1006). Sonata No. 3 includes an extensive fugue in which Bach employs many contrapuntal techniques. In this wonderful performance, Faust shows her mastery of Bach’s technically challenging piece. This performance was recorded at St. Thomas Church in Leipzig, Germany, in 2020.

Italian composer Claudio Monteverdi (1567-1643) composed nine books of madrigals in half a century, which helped transform the genre from the polyphonic, a cappella madrigals of the late Renaissance to the ‘concertato’ madrigals of the early Baroque, shifting the style’s focus to the ability of music to express emotions contained in a text. In 2011, British tenor Paul Agnew and renowned Baroque ensemble Les Arts Florissants started recording eight books of Monteverdi’s madrigals. In this program, Agnew leads Les Arts Florissants in the madrigals of Book I. Published on New Year’s day of 1587, Book I consist of seventeen madrigals for five voices. This performance was recorded at the Cité de la musique in Paris, France, in 2011.

String quartet Cuarteto Mendelssohn de BP, in its 2018 configuration of violinists Olga Artyugina and Eva Rabchevska, violist Bella Chic and cellist Hayk Sukiasyan, performs Edvard Grieg’s String Quartet in G minor, Op. 27. Completed in 1878, it is the composer’s second attempt in the genre. His first string quartet, written in the early 1860s, was lost, and the third one was left incomplete at the composer’s death. Grieg based the main theme of the quartet on the song ‘Spillemænd’ (Minstrels, from Six songs, Op. 25), appearing in all four movements. This performance was recorded at Auditorio Sony of the Reina Sofía School of Music in Madrid, Spain, on May 17, 2018.

Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.

In this splendid concert, exceptional Russian pianists Nikolay Lugansky and Vadim Rudenko join forces in a program for two pianos comprising works of Wolfgang Amadeus Mozart, Maurice Ravel, Anton Arensky, Sergei Rachmaninoff, and Nikolai Kapustin. Both pianists, laureates of the prestigious International Tchaikovsky Competition in 1994, have received international recognition. They perform regularly in a duo. On the program: Mozart’s Sonata for two pianos in D major, K. 448/375 A; Ravel’s La Valse (arr. for two pianos); Arensky’s Suite No. 1 for two pianos, Op. 15; and Rachmaninoff’s Suite No. 1 (Fantasy) for two pianos, Op. 5. As an encore, the duo performs ‘Romance’ from Rachmaninoff’s Suite No. 2 for two pianos, Op. 17, followed by ‘Overture’ from Nikolai Kapustin’s Sinfonietta, Op. 49. This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on November 25, 2021.

English conductor and pianist Wayne Marshall leads the Orchestre national d’Île-de-France in a special concert celebrating classical music in film. The extensive program opens with the overture of Rossini’s The Thieving Magpie and concludes with Brahms’ Hungarian Dance No. 5. In between we are treated to renditions of Mussorgsky’s Night on Bald Mountain, Gerswhin’s Rhapsody in Blue, Duke Ellington’s C Jam Blues, Wagner’s Ride of the Valkyries, Barber’s Adagio for Strings, Rimsky-Korsakov’s Flight of the Bumblebee, the Adagietto of Mahler’s Symphony No. 5, and Strauss’ Emperor Waltz. Each of the evening’s featured works has found its way onto the silver screen in one way or another. This concert was recorded at the Salle Pleyel, Paris, in 2014.

For over two decades, the Berlin Philharmonic has celebrated its creation on May 1 with the annual Europakonzert, which in 2010 was held in Oxford. Led by Daniel Barenboim, the orchestra and the young American cellist Alisa Weilerstein, who has attracted widespread attention for her passionate yet precise musicianship, perform a breathtaking rendition of Edward Elgar’s Cello Concerto, Op. 85

This visually stunning production of Nutcracker is a graceful and timeless adventure on a grand scale. From the lovely Waltz of the Flowers to the crystalline beauty of the stunning Snowflake Waltz, each scene is more breathtaking than the last, bringing to life all the well-known and beloved characters with fresh sparkle and compelling originality. It is Christmas Eve and we are brought to a party at which Drosselmeyer gives young Clara a nutcracker doll - beginning a night that includes a magically growing Christmas tree, a midnight battle of toy soldiers at which the Nutcracker defeats the villainous Mouse King and his army of mice, and a headlong pas de deux in which Clara and Hans-Peter meet and celebrate their triumph before being enveloped in a magical snowstorm. Act II whisks the young pair off to the Kingdom of the Sweets, where they are entertained by the Sugar Plum Fairy with her handsome Prince and her glittering court in a series of dazzling dances. Under the direction of Andreas Morell, Valery Gergiev conducts the Mariinsky Orchestra and Choir. Soloists are Mikhail Makarov, lldar Abdrazakov, Anna Markarova, Sergei Skorokhodov, Timur Abdikeyev, Vladislav Sulimasky. This production was recorded at the Mariinsky Theatre in 2012.

For twenty years, the Berlin Philharmonic has celebrated its 1882 founding with a concert at a major European venue, and the 2011 event takes place at the magnificent Teatro Real in Madrid. Under the baton of Sir Simon Rattle, the renowned orchestra performs Joaquín Rodrigo’s beloved Concierto de Aranjuez, Emmanuel Chabrier’s exuberant España, and Sergey Rachmaninov’s dramatic Second Symphony. For the first piece, the orchestra is joined by famous flamenco guitarist Cañizares, whose virtuosity and sensitivity are on full display in this multi-faceted and subtle work. The soloist's virtuosity, his technique, harmony, strength and sensitivity have distinguished Cañizares as a unique artist, considered one of the great flamenco musicians of the turn of the century. Above anything else, however, Cañizares praises simplicity and purity of sound, transmitting a message with a high emotional impact, as is proven in this splendid concert.

Every summer, the Greek island of Patmos hosts the Patmos Musical Festival, a unique musical event comprising both a Chamber and a Sacred Music Festival. This documentary captures the 2024 edition, featuring performances by distinguished soloists and ensembles from around the world. The lineup includes the festival’s artistic director and pianist Roberto Prosseda, Steven Isserlis, Irène Duval, Michael Guttman and the Brussels Chamber Orchestra, and Peter Phillips and The Tallis Scholars. In interviews, several artists share their experiences of this intimate festival and the unique atmosphere of the island. The documentary was produced by the Patmos Music Festival Association and directed by Alberto Girotto.

Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.

Composer George Frideric Handel’s oratorio Messiah, HWV 56 is his best-known work. He wrote this choral masterpiece in just 24 days in 1741. Following its premiere in Dublin in 1742, the work has been immensely popular. The oratorio’s three parts deal with the birth, death, and resurrection of Jesus Christ. Charles Jennens’ libretto is based on texts from the Old and New Testament. In this performance, English conductor Douglas Boyd leads chamber choir Accentus and Orchestre de chambre de Paris. The soloists are soprano Carolyn Sampson, mezzosoprano Paula Murrihy, tenor Allan Clayton, and bass Matthew Rose. Captured at the Philharmonie de Paris on December 22, 2015, this performance underlines the enduring majesty of Handel's masterpiece.

Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.

This Sonata for Violin and Harpsichord No. 1 BWV 1014 is the fourth out of the set of sonatas Johann Sebastian Bach composed before 1725, probably during his time as chapel master in Köthen. Presumably, he wrote these sonatas for Prince Leopold and later adapted them for further use in Leipzig. Maybe this is why these pieces are well playable for amateurs, while every sonata still has the finesse that can offer a challenge to professional musicians. The different pieces are meant to be a set, just like the Brandenburg concertos.

Mezzo-soprano Ekaterina Chayka-Rubinstein (Germany, 1998) and pianist Maria Yulin (Israel, 1988) perform ‘Colloque sentimental’ from Claude Debussy’s Fêtes galantes II; ‘Die Geister am Mummelsee’ from Hugo Wolf’s Mörike-Lieder; ‘Bei dir allein’ from Franz Schubert’s Vier Refrainlieder, D. 866; Bart Visman’s Vermeer’s Gold; ‘La fleur qui va sur l'eau’ from Gabriel Fauré’s Trois melodies, Op. 85; ‘Dance of the moon in Santiago’ from George Crumb’s Sun and Shadow (Spanish Songbook II); and ‘Den’ li tsarit?’ (Does the day reign?) from Pyotr Ilyich Tchaikovsky’s Seven Romances, Op. 47, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.