Schedule

On January 27, 2006, Chinese virtuoso pianist Lang Lang celebrated WA Mozart's birthday with a performance of the Piano Concerto No. 24 in the Forbidden City Concert Hall of Beijing with the China Philharmonic Orchestram directed by Long Yu. The concert hall is located inside the walls of the Forbidden City, in the beautifully maintained gardens of Zhongshan Park, directly adjacent to Tiananmen Square. The program of the concert also includes the opening of Cosi fan tutte, Symphony No. 25, KV 183, "Hai gia came the causa!" from Le Nozze di Figaro, "Finch'han dal vino" from Don Giovannia, and Piano Sonata No. 10, K. 330.

Every year, the Berliner Philharmoniker commemorate their founding in 1883 with the Europa Konzert at a venue of cultural importance in a different European city. This year, the Berliner Philharmoniker under the baton of internationally acclaimed conductor Gustavo Dudamel welcomes one of the world's leading young cellists, Gautier Capuçon. On the program are Johannes Brahms' Variations on a Theme by Haydn in B flat Major, Op. 56a; Joseph Haydn: Concerto for Violoncello and Orchestra in C Major Hob. VIIb: 1 and Beethoven's Symphony No. 5 in C minor, Op. 67. Filmed at the Spanische Hofreitschule, (Spanish Riding School), in Vienna, Austria.

Roberto Giordano performs Chopin's Ballade No. 1, Op. 23. The sketches of the work date back to 1831 during Chopin's eight-month stay in Vienna. The first ballade was completed in 1835 after the composer moved to Paris. The main section of the ballade is built from two main themes which return in different keys after which a thundering chord introduces the Presto con fuoco, which eventually ends the piece in a fiery double octave scale run down the keyboard. The work gained popularity after appearing on the soundtrack to the 2002 Roman Polanski film The Pianist, where it is played by Janusz Olejniczak.

Christian Zacharias performs Mozart's Piano Concerto No. 6, K 238, accompanied by the Radio-Sinfonieorchester Stuttgart under the direction of Gianluigi Gelmetti. This concert was recorded at Schwetzingen palace, where the Mannheim elector’s court would spend their summers.

In this concert, Herbert Blomstedt conducts the Gewandhaus Orchestra and Kammerchor for the last time as the Gewandhaus Music Director at the Leipzig Bachfest 2005. After seven successful years in Leipzig, the maestro performs J. S. Bach's Mass in B minor (BWV 232), one of the greatest works of church music ever written. Soloists are Ruth Ziesak (soprano), Anna Larsson (alto), Christoph Genz (tenor), and Dietrich Henschel (bass). The mass is a musical setting of the complete Ordinary of the Latin Mass and is one of last compositions Bach completed, just one year before his death, in 1750. Blomstedt's reading of the work is conceived and executed on the highest level with the performance pulsating with life. Since 1999, the Leipzig Bachfest has been regarded as the world’s leading festival celebrating the music of Bach.

Italian classical pianist Costanza Principe (1993) started playing the piano at age 6, making her public debut at age 7. Before long she would be performing as a soloist with numerous prestigious orchestras in Italy, the UK, France, and South America. Seen here in 2021 at one of Italy’s oldest extant Renaissance theatres, the gorgeous Teatro Olimpico in the northern Italian town of Vicenza, Principe performs Johann Sebastian Bach’s ‘Concerto italiano’ and ‘Ciaccona’, as transcribed for piano by Ferruccio Busoni.

Celebrated German violinist Isabelle Faust performs J. S. Bach’s Partita No. 2 in D minor (BWV 1004). The work is part of the composer’s well-known Sonatas and Partitas for Solo Violin (BWV 1001-1006). Partita No. 2 is made up of four dance movements, concluded by its famous Chaconne, a monumental piece within the violin repertoire. In this Chaconne, Bach develops a series of continuous variations from a theme, exploring a complex range of harmonic possibilities. This performance was recorded at St. Thomas Church in Leipzig, Germany, in 2020.

Pianist Michelle Candotti (Italy, 1996) joins the CMIM ensemble, consisting of three principal strings players of the Montreal Symphony Orchestra, in a performance of the first movement, Sostenuto assai – Allegro ma non troppo, of Robert Schumann’s Piano Quartet in E-flat major, Op. 47. This performance took place during the chamber music round of the two-part semi-final of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). It was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.

Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.

American conductor Leonard Slatkin leads the Orchestre National de Lyon in a concert recorded at the Auditorium de Lyon in 2014. The concert opens with William Bolcom´s Circus Ouverture, which was specially composed for Slatkin's 70th birthday. The concert continues with a performance of Beethoven's Triple Concerto in C, Op. 56 performed by three female soloists: Olga Kern (piano), Baibe Skride (violin) and Sol Gabetta (cello). The work is the only concerto which Beethoven ever completed for more than one solo instrument. The concert closes with Ravel's beloved orchestration of Mussorgsky's Pictures at an Exhibition.

Few Italian theatres can boast of being an absolute point of reference for national and world culture. The Teatro Regio in Turin is both a symbol of excellence in the national operatic tradition and a prestigious stage hosting operas, ballets, concerts, and musicals of great substance. This short documentary offers a behind-the-scenes tour of the Teatro Regio Torino and bears witness to the enviable reputation that has prevailed since its opening in 1740.

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 6 in B-flat major, Op. 18 No. 6; and String Quartet No. 15 in A minor, Op. 132. This concert performance was recorded at Philharmonie de Paris on November 24, 2020.

Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Aaron Copland’s Appalachian Spring Suite. Originally commissioned as a ballet for the legendary dancer Martha Graham, Aaron Copland's Appalachian Spring (1944) has since become an American classic. While first scored for a thirteen-piece ensemble, Copland later arranged the work for a full orchestra. This performance was recorded at Auditorio Nacional in Mexico City, in 2021.

Daniel Harding leads the Orchestra and Choir of the Maggio Musicale Fiorentino and four vocal soloists in a magnificent performance of Wolfgang Amadeus Mozart’s Requiem in D minor, K. 626. The soloists are soprano Christiane Karg, mezzosoprano Sara Mingardo, tenor Matthew Swensen, and bass Gianluca Buratto. The Austrian Count Walsegg commissioned Mozart to compose a Requiem in July 1791 to commemorate his late wife, Anna. At the time, Mozart was busy working on his operas La clemenza di Tito and The Magic Flute. By the time he started on the Requiem, in the fall of that same year, his health was seriously declining. Mozart passed away in December 1791, leaving the Requiem uncompleted. His pupil Franz Xaver Süssmayr completed Mozart’s swan song in the form known today, based on Mozart’s sketches and possibly verbal instructions. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

The Valerius Ensemble, consisting of Carola Ligt (flute), Robert Windak (violin), Eva Šušlíková (viola) and René Geesing (cello) played a concert in Concordia, Enschede on April 23, 2018. The program consists of Mozarts Flute Quartet No. 1, K. 285 and the Romanzo from Von Dohnányi’s Serenade Op. 10. Caroli Ligt follows with her own composition “Moods.” The ensembles closes with Thomas-Mifune’s and Joseph Haydn’s “Südamerikanische Saitensprünge.”

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances play Wolfgang Amadeus Mozart’s Violin Concerto No. 4 in D major, K. 218. Leading violinist Grimal features as the soloist. With the exception of the first violin concerto, Mozart composed his other four violin concertos in 1775 at a time when he was concertmaster at the Salzburg court. Among his five concertos, Violin Concerto No. 4 is one of the best-known. This performance was recorded at Cité de la Musique, France, in 2014.

Musicians of the Danish National Symphony Orchestra, the DR Big Band, and the Danish National Vocal Ensemble join forces under the baton of Klaus Tönshoff in this dazzling concert featuring great songs from black and white cinema. Norwegian mezzosoprano Tuva Semmingsen sings ‘Diamonds Are A Girl’s Best Friend’, from Gentlemen Prefer Blondes, ‘My Favorite Things’ from The Sound of Music, ‘Over the Rainbow’ from The Wizard of Oz, ‘Moon River’ from Breakfast at Tiffany's, and many other unforgettable hits. This concert performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in June 2020.

Baritone Matthias Goerne teams up with violinist Vilde Frang, cellist Nicolas Altstaedt, flutist Stathis Karapanos, and harpsichordist Michaela Hasselt in this program dedicated to the music of J. S. Bach. They perform baritone arias from Bach’s most beautiful cantatas, as well as solo pieces and duets. On the program are Sonata No. 3 in C major for violin solo, BWV 1005; arias ‘Hier, in meines Vaters Stätte’, BWV 32 and ‘Die Welt mit allen Königreichen’, BWV 59; Suite No. 5 in C minor for cello solo, BWV 1011; ‘Wenn Trost und Hülf ermangeln muß’, BWV 117; ‘Ja, ja, ich halte Jesum fest’, BWV 157; Invention No. 7 in E minor, BWV 778; Invention in A major, BWV 783; and ‘Welt ade, ich bin dein müde’, BWV 158. This performance was recorded at St. Mary’s Church in Wittenberg, Germany.

The Gustav Mahler Jugendorchester was founded in 1986 at the initiative of Claudio Abbado and has since become the world’s best youth orchestra. Named after the great composer, the programme is marked by the special relationship between the maestro and the young orchestra, as well as their special relationship to Gustav Mahler. Claudio Abbado is undeniably the supreme Mahler conductor of our time and his long-time association with this repertoire culminates in this stirring performance of Mahler’s last Symphony, written shortly before the composer’s untimely death. Recorded at Accademia di Santa Cecilia in Rome 2004, the film vividly shows the joy, talent, and professionalism of the young musicians drawn from all over Europe and their devotion to Claudio Abbado. A wonderful homage to orchestra, conductor, composer and to a triumphant master work - Gustav Mahler’s magnificent 9th symphony.

One of the first Christmas carols ever written is Perotin the Great’s Salvatoris Hodie. This brilliant 12th century composition, one of the first works ever written for four voices, opens First Snow: the atmospheric Christmas concert by the Brussels Philharmonic. Straying from ‘ars antiqua’, the program also features a performance of two contemporary melodies penned by conductor Bo Holten based on texts by the Icelandic poet Gunnar Gunnarsson (1889-1975). As an added bonus, a hand-picked selection of various Polish and French Christmas songs rounds off this enjoyable yuletide program.

For over two decades, the Berlin Philharmonic has celebrated its creation on May 1 with the annual Europakonzert, which in 2010 was held in Oxford. Led by Daniel Barenboim, the orchestra and the young American cellist Alisa Weilerstein, who has attracted widespread attention for her passionate yet precise musicianship, perform a breathtaking rendition of Edward Elgar’s Cello Concerto, Op. 85

Richard Danielpour (*1956) is one of the most beloved American composers of his generation due to his frequent referencing of and connection with the past, being inspired by American icons such as Aaron Copland, Samuel Barber and Leonard Bernstein. His lush musical language is often infused with swingy jazz rhythms just as is the music of Copland and Bernstein. Thus, he conveys an intense musical experience to the listener with his intuitive musical style, his exquisite melodic lines and accessible harmonic language. All this makes him to be a hugely popular composer with American orchestras. The initial idea for the composition of a song cycle “Elegies” came from the American mezzo soprano Frederica von Stade who was born in 1945, the same year in which her father was killed when the Jeep he was driving drove over a land mine. Charles von Stade is buried at the American cemetery in Margraten (South Netherlands). His daughter could thus only create a picture of him for herself via family stories and through his letters. These letters form the basis of the text of the songs, where father and daughter “meet” and communicate for the first time. The first movement Vigil, depicts the arrival of the daughter who hopes for a spiritual connection with her father. The second movement describes the intense sorrow of her father at the horrors of war and is as if his daughter is calling on him to return to her. In the third movement we hear the father give his unborn daughter his blessing, “Little soul, to where would you go from the darkness of the womb?” Movement four is the preparation for the reunion of the souls of father and daughter which takes place in movement five, Paradise. Here the daughter welcomes her father’s spiritual rest and sings, “Peace, the air which I breathe”. The philharmonie zuidnederland is conducted by Harmut Haenchen. The German born conductor who naturalized to become Dutch and was chief conductor of the Dutch Opera Amsterdam, the Dutch Philharmonic Orchestra and the Dutch Chamber Orchestra from 1986 to 1996. He was knighted for his services to Dutch music. Harmut Haenchen is a regular guest conductor with the philharmonie zuidnederland. Conductor: Hartmut Haenchen Orchestra: philharmonie zuidnederland Soloists: Marina Prudenskaya (mezzo-soprano), Thomas Oliemans (baritone)

Russian pianist Nikolay Lugansky has received world-wide praise for his interpretations of the music of Sergei Rachmaninoff. In this wonderful recital, the great pianist presents works by the Russian Romantic composer as well as Ludwig van Beethoven and Alexander Glazunov. Lugansky opens his concert with Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2, ‘Moonlight’, followed by Alexander Glazunov’s Piano Sonata No. 2 in E minor, Op. 75. Then Lugansky performs a selection of works by Rachmaninoff: Rachmaninoff’s piano transcription of J. S. Bach’s Partita No. 3 in E major; a selection of Études-Tableaux (Nos. 1, 2, 4, and 8, Op, 33, and Nos. 5 and 6, Op. 39); Lilac (Op. 21, No. 5); Prelude in C minor, Op. 23 No. 7; and Rachmaninoff’s transcription of Pyotr Ilyich Tchaikovsky’s Lullaby (Op. 16 No. 1). This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on June 4, 2021.

This unique production of Carl Maria von Weber’s ‘Der Freischütz’ was created to celebrate both the piece’s 200th premiere anniversary at Konzerthaus Berlin and the 200th anniversary of the famed concert hall itself. For this production, Catalan theatre group La Fura dels Baus – internationally acclaimed for its avant-garde opera – created a virtual forest in the Konzerthaus’ Great Hall, delivering a thrilling new interpretation of Von Weber’s Romantic opera. Stage director Carlus Padrissa calls this 2021 production a “journey to the roots of opera, where myth, history and the current reality of the forest meet”. Christoph Eschenbach conducts Konzerthausorchester Berlin and Rundfunkchor Berlin. Among the soloists are Jeanine De Bique (Agathe), Anna Prohaska (Ännchen), Benjamin Bruns (Max), Falk Struckmann (Kaspar), Franz Hawlata (Kuno), and Viktor Rud (Kilian). This performance was recorded on June 18, 2021.

Italian pianist Roberto Prosseda performs Frédéric Chopin's technically challenging Ballade No. 4 in F minor, Op. 52. Completed in 1842, this piece is celebrated as a masterpiece within the Romantic piano repertoire, renowned for its intricate structure and profound emotional depth. This performance was recorded at the stunning baroque palace Villa Contarini in Piazzola sul Brenta, Italy, in 2006.

On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored chamber music repertoire in a wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists. As part of this concert, violinist Tedi Papavrami, violist Lyda Chen-Argerich, cellist Mischa Maisky, and pianist Lily Maisky perform Johannes Brahms’s Piano Quartet No. 3 in C minor, Op. 60.

Italian pianist Andrea Molteni (1998) performs Alban Berg’s Piano Sonata in B minor, Op. 1. Molteni began studying the piano at the age of six. He graduated with honors and honorable mention at the Conservatorio di musica Giuseppe Verdi di Como, and was awarded a master’s degree Magna cum Laude in Advanced Performance Studies by the Conservatorio della Svizzera Italiana in Lugano. He has appeared at the Wiener Saal of the Mozarteum University in Salzburg, Scriabin Museum in Moscow, National Opera Center in New York, and several other international venues. This performance was recorded at the Verbrugghen Hall of the Sydney Conservatorium of Music, Australia, in 2023.

In this splendid concert, exceptional Russian pianists Nikolay Lugansky and Vadim Rudenko join forces in a program for two pianos comprising works of Wolfgang Amadeus Mozart, Maurice Ravel, Anton Arensky, Sergei Rachmaninoff, and Nikolai Kapustin. Both pianists, laureates of the prestigious International Tchaikovsky Competition in 1994, have received international recognition. They perform regularly in a duo. On the program: Mozart’s Sonata for two pianos in D major, K. 448/375 A; Ravel’s La Valse (arr. for two pianos); Arensky’s Suite No. 1 for two pianos, Op. 15; and Rachmaninoff’s Suite No. 1 (Fantasy) for two pianos, Op. 5. As an encore, the duo performs ‘Romance’ from Rachmaninoff’s Suite No. 2 for two pianos, Op. 17, followed by ‘Overture’ from Nikolai Kapustin’s Sinfonietta, Op. 49. This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on November 25, 2021.