Schedule

The 2019 documentary ‘Approaching the Maelström’ follows the process leading up to a recording of American composer Philip Glass’s composition ‘A Descent into the Maelström’. The work is based on American writer Edgar Allan Poe’s 1841 short story of two fishermen caught in torrents raging between the mountainous islands of Lofoten, Norway. Glass’s work, originally a choral piece for the Australian Dance Theatre, was only ever performed at the Adelaide Festival of Arts in 1986. Over thirty years later, in 2019, Beacon Isle Films recorded a symphonic arrangement of Glass’s work, performed by the Arctic Philharmonic Orchestra and Choir conducted by Tim Weiss with soprano Berit Norbakken Solset as the soloist. Their recording was made against the backdrop of Lofoten’s spectacular landscape: the very surroundings that inspired Poe’s story. Moreover, this inspiring documentary features a rare interview with Glass.

Pianist Vadim Repin and Violist Murad Hüseynov perform Gara Garayev's Violin Sonata and 24 Preludes for Piano. Recorded at La Grange au Lac. Written and directed by Juliette Swierczewski and recorded at La Grange au Lac. Although Garayev is a 20th century composer, his music nonetheless carries allusions to romantic music. Murad, the main actor, will represent one of those characters carried by solitude that can be found in the romantic paintings of Friedrich. The overall atmosphere of the musical program is rather melancholic, tending either towards a certain musical lightness, or, on the contrary, towards drama. The production is a cinematographic accompaniment of the music and its performers.

The DR Symphony Orchestra breaks the sound barrier and takes you out into the galaxies — to a place between reality and fantasy with soundtracks from Star Wars, The Mandalorian, Star Trek, Dune, and many more. Join the orchestra on the third and final symphonic journey through musical universes and cinematic galaxies — all the way to the outermost asteroids and back to Earth again.

Franz Liszt (1811 - 1886) composed 13 symphonic poems, largely inspired by literary texts. The composer himself wrote piano duet arrangements for these pieces, showcasing his incredible ability of imitating a full orchestra on the piano. Liszt, one of the 19th century’s most important piano virtuosos, strongly influenced the further development of piano music. The Romantic period was the era of the virtuoso pianists: the piano was the instrument of choice for countless musicians and listeners alike. No house of standing could do without a piano: it was a status symbol. Piano music was played in concert halls, palaces, salons, churches and public houses alike. Liszt’s symphonic poem no. 4, ‘Orpheus’, breathes a meditative atmosphere. No. 3, ‘Les Préludes’, is best known in its symphonic version – the piano version presented here is rarely heard. The work dates back to the period 1848 – 1854 and was initially meant to serve as introduction to a choral cycle to be based on the texts of the poet Joseph Autran, ‘Les quatre éléments’: earth, air, water and fire. In this broadcast, the Italian piano duo of Marco Sollini and Salvatore Barbatano performs these Liszt piano works. These recordings were made at the beautiful 12th century church of San Marco in the small but picturesque village of Ponzano di Fermo, as part of the 2015 edition of the annual, itinerant festival ‘Armonie della sera’ in the Italian province of Le Marche.

Maestro Myung-Whun Chung leads the Orchestra del Maggio Musicale Fiorentino in this touching performance of Gustav Mahler’s Symphony No. 9 in D major. Written in 1908-1909, it was the last symphony Mahler completed. Initially, the superstitious composer, believing in the so-called ‘curse of the ninth,’ did not want to write a Symphony No. 9. After all, fellow composers Ludwig van Beethoven and Anton Bruckner died before writing their tenth symphonies. Mahler’s Symphony No. 9 premiered on June 26, 1912, in Vienna, performed by the Vienna Philharmonic led by Bruno Walter. Unfortunately, the composer himself did not live to see this: he died in 1911. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

Italian cellist Silvia Chiesa and Italian pianist Maurizio Baglini perform a wonderful recital as part of the 2023 edition of the Amiata Piano Festival. On the program are Claude Debussy’s Cello Sonata, L. 135; Allegro moderato from Camille Saint-Saëns’s Cello Sonata No. 1 in C minor, Op. 32; Allegro ma non troppo from Johannes Brahms’s Cello Sonata No. 1 in E minor, Op. 38; Allegro scherzando from Sergei Rachmaninoff’s Cello Sonata in G minor, Op. 19; Alla Romanza – Largo doloroso from Francesco Cilea’s Cello Sonata in D major, Op. 38; Scherzo – Allegro molto from Ludwig van Beethoven’s Cello Sonata No. 3 in A major, Op. 69; Vive Henri IV (No. 2) and Charmante Gabrielle (No. 3) from Azio Corghi’s Après cinq chansons d’élite; and George Gershwin’s Rhapsody in Blue (transcription for cello and piano by Thierry Huillet). This performance was recorded at the Forum Fondazione Bertarelli in Poggi del Sasso, Italy, on July 29, 2023.

One of the world’s most popular pieces of classical music, Maurice Ravel’s Boléro (1928), was no longer copyrighted as of May 1, 2016. Up to then it had made Ravel and his heirs millions. Ravel died in 1937 and left all he owned to his brother Edouard. Edouard’s death in 1960 unleashed a complex legal battle over the rights, involving among others Edouard’s nurse and her husband. This 2017 documentary gives a fascinating account of what happened to one this iconic piece of music right under the nose of the public. Filmmaker Fabien Caux-Lahalle underpins this investigative story with clips of the Boléro in various guises.

Under the direction of Conrad van Alphen, the Sinfonia Rotterdam Orchestra performs Haydn's Symphony No. 45 at the Nieuwe Kerk (New Church) in The Hague. This piece is nicknamed "Farewell" because of a funny anecdote. Haydn and his musicians stayed every year from May to October at the magnificent Esterháazy Palace, at the request of Prince Nicholas. In early November 1772, the prince announced his intention to remain at the palace for two more months. The musicians then told Kapellmeister Haydn their disagreement with this forced extension of their stay. The solution proposed by Haydn was to compose a piece delivering a clear message: at the end of the last movement of the Symphony, the musicians were called to blow the candles on their lectern and leave the room one after the other. Prince Nicholas understood the message; the next day a car was waiting for the musicians to take them home.

Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.

Baritone Samuel Hasselhorn and pianist Daniel Heide perform Franz Schubert’s song cycle Winterreise (‘Winter’s journey’). The 30-year-old Schubert wrote this masterpiece in 1827, just a year before his death. Like Schubert’s earlier song cycle Die schöne Müllerin (1823), Winterreise is a setting of the poetry of Wilhelm Müller (1794-1827). In twenty-four songs, we follow a rejected young man on a lonely journey through a frozen landscape. Wandering as a lost soul, tormented by his memories, the man searches for peace. This performance was recorded at Schloss Wörlitz, part of the Dessau-Wörlitz Garden Realm, near Dessau, the birthplace and final resting place of Wilhelm Müller.

Mexican conductor Carlos Miguel Prieto leads the Orquesta Sinfónica de Minería in a performance of Gustav Mahler’s Symphony No. 1 in D major, “Titan”. Composed between 1887 and 1888, the symphony blends traditional form with innovative ideas like folk melodies, march rhythms, and fanfare motifs. The work contrasts idyllic natural scenes with moments of profound melancholy, military fanfares, and a funeral march for a “woodland creature” that uses a famous folk round in a minor key. It’s characterized by its bold use of harmony, unexpected melodic juxtapositions, and an expansive form rooted in a classical framework. This performance was recorded at Sala Nezahualcóyotl of the Centro Cultural Universitario in Mexico City, in 2012.

Mahler's "Resurrection" Symphony, written between 1888 and 1894, is a colossal five-movement work exploring themes of death and resurrection. It was one of Mahler's most popular and acclaimed works during his lifetime, famously culminating in a powerful choral finale. The symphony features immense orchestral forces, including offstage brass and a large choir, which combine to create overwhelming sonic experiences that depict profound spiritual and emotional narratives. The grand scale and dramatic structure represent the triumph of life over death.

The Danish National Symphony Orchestra and Concert Choir take you on a musical journey through the greatest Oscar-winning films, from timeless classics like Casablanca to monumental masterpieces like The Godfather and iconic blockbusters like Forrest Gump —epic movies with music that deserves its very own place in film history. These are famous soundtracks that, for nearly a century, have made us shiver, melt, and cry in the darkness of the cinema. Christian Schumann conducts The Danish National Symphony Orchestra and Concert Choir and soloists are Silas Bjerregaard and eee gee with host Caspar Phillipson as special guest.

This chamber music concert is part of the ‘Solistas del Siglo XXI’ concert series of the Reina Sofía School of Music in Madrid. First, Quinteto Zéphyros performs Leoš Janáček’s Mládí (‘Youth’) for wind sextet. This is followed by French flautist Paul Taffanel’s Wind Quintet in G minor, performed by Quinteto Scarlatti de Casa de la Moneda. The program closes with Sergei Prokofiev’s Quintet in G minor, Op. 39, played by Quinteto Cosan. This performance was recorded at Auditorio Sony of the Reina Sofía School of Music in Madrid, Spain, on May 11, 2024.

The Royal Ballet Flanders performs a beautiful program with ballets by choreographers Sidi Larbi Cherkaoui and Jeroen Verbruggen. The Symphonic Orchestra of the Opera Vlaanderen is conducted by Yannis Pouspourikas. Ravel remains a source of inspiration for many choreographers. Cherkaoui and rising talent Verbruggen take their vision of Ravel's music to the stage with the Ballet Flanders. Verbruggen draws his inspiration from Ravel's ”Pavane pour une infante défunte” and from ”Ma mère l'Oye.” Cherkaoui also translates Ravel into dance, opting for the colorful ”Pictures at an Exhibition” composed by Mussorgsky, which was orchestrated by Ravel to become the most widely performed orchestration of this work. Among the star dancers are Nancy Osbaldeston, Alexander Burton, and Drew Jacoby. Recorded in the Opera Antwerp in 2016 and directed by Andreas Morell.

Conductor Marien van Staalen leads Amadeus Ensemble Rotterdam in a performance of Wolfgang Amadeus Mozart's Clarinet Concerto in A major, K. 622. Henk de Graaf is the featured soloist. This performance was recorded at St. Nicholas Church in Vollenhove, the Netherlands.

Mahler's Symphony No. 10 is an unfinished work left by the composer at his death, representing his ultimate emotional journey from torment and heartbreak to an unreserved acceptance of life and human love. The symphony, built on the composer's personal anguish and existential explorations, is characterized by its deep emotional range, intricate orchestration, and epic scale, culminating in a powerful affirmation of human connection in the face of mortality. Deryck Cook completed a version of the work with the help of materials provided by Mahler's widow.