Schedule

Frédéric Chaslin leads the Orchestre Symphonique Région Centre-Val de Loire/Tours and the Choir of Opéra de Tours in a performance of Gaetano Donizetti’s comic opera Don Pasquale (1842). Featuring a cast of the most famous singers of the day, Don Pasquale premiered at the Parisian Salle Ventadour in 1843. It was an immediate success, being performed in the great opera houses of Europe within a year after its premiere. The work’s libretto is largely written by Giovanni Ruffini, as well as by the composer himself. It tells the hilarious story of the old, wealthy bachelor Don Pasquale, who is outraged when hearing his nephew Ernesto wishes to marry the impoverished widow Norina. Consequently, Pasquale decides to disinherit his nephew by marrying himself. His friend Malatesta and Norina, however, make up a plan to thwart the old bachelor, arranging a mock marriage. Among the soloists are Laurent Naouri (Don Pasquale), Florian Sempey (Malatesta), Sébastien Droy (Ernesto), Anne-Catherine Gillet (Norina), and François Bazola (notary). This performance was recorded at Opéra de Tours, in 2021.

Every year, the Europakonzert is hosted by the Berliner Philharmoniker in a notorious concert hall or on a special location. This years concert is performed at the magnificent Royal Albert Hall in London. The Dutch conductor Bernard Haitink starts with Tchaikovsky's Fantasy Overture from "Roméo et Juliette". The second piece by Wolfgang Amadeus Mozart is his famous Violin Concerto No. 3 in G major K. 216 played by the German violinist Frank Peter Zimmermann. During his career he played with a lot of famous orchestras and conductors such as the Boston Symphony Orchestra and Mariss Jansons. He has a great passion for chamber music and plays a lot of recitals with the Italian pianist Enrico Pace. The concert closes with Stravinsky's The Rite of Spring which he wrote in 1913 for Sergei Diaghilev's Ballets Russes. The première caused a lot of sensation and near-riot in the audience because of the avant-garde nature, music and choreography of the piece. The Rite of Spring is now considered as one of the masterpieces of classical music history and has influenced many 20th-century music composers. The encore is Tchaikovsky's Flower Waltz from the Nutcracker.

Gioacchino Rossini's Petite Messe Solennelle was written in 1863, "the last", the composer called it, of my "péchés de vieillesse" (sins of old age). For its first performance (1864) Rossini arranged the work with only two pianos and harmonium. Partly for fear that it would be done anyway after his death, Rossini discreetly orchestrated the Petite Messe Solennelle during 1866-67, without losing its candor and subtlety. The resulting version had its first public performance on 28 February 1869, three months after the composer's death. "Mr Chailly's genius for the Rossini style has ripened with the years. His performance has daring and velocity”. Chailly conducts the Gewandhausorchester Leipzig, the Gewandhauschor and the Choir of the Leipzig Opera in an orchestral version from the Gewandhaus in Leipzig in 2008.

Mikhail Pletnev leads the Russian National Orchestra (RNO) in a performance of Maurice Ravel's Piano Concerto No. 1 with Lucas Debargue as the soloist. The concert opens with a selection of music by Georges Bizet based on Alphonse Daudet's play 'L'Arlésienne'. The music is compiled by Mikhail Pletnev. The first movement of Ravel's Piano Concerto No. 1 contains five distinctive themes, of which three are reminiscent of jazz. Debargue's performance of Ravel's concerto is followed by Gabriel Fauré's Barcarolle No. 4. The performance was recorded at Tchaikovsky Concert Hall in Moscow as part of the Ninth RNO Grand Festival.

Claudio Abbado conducts the Berlin Philharmonic in a performance of Mozart’s “Haffner” Symphony No. 35, K. 385, recorded during the very first Europakonzert in the Smetana Hall in Prague, 1991. Mozart originally composed the symphony as a serenade for the family of Sigmund Haffner, a childhood friend from Salzburg in 1782. The composer made some revisions in the following year, adding multiple instruments and conducted the premiere of the four-movement piece on March 23, 1783, in Vienna. The “Haffner” Symphony, as it is known now, is a transitional work in Mozart’s career. The work was meant to be party music for Salzburg and was transformed into a symphony for Vienna.

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 7 in F major, Op. 59, No. 1, known as “Razumovsky”; String Quartet No. 13 in B-flat major, Op. 130; and the monumental Great Fugue, Op. 133. This concert performance was recorded at Philharmonie de Paris on October 12, 2020.

This very special concert event celebrates the diversity and richness of Canada through the eyes and ears of its people. Ensemble Made in Canada’s Mosaique Project features a commissioned suite of piano quartets by 14 Canadian composers, each inspired by a region of our vast country. Their album release and two-year National tour culminate in St. Catharines’ stunning Partridge Hall! The ensemble consists of Elissa Lee (violin) Sharon Wei (viola), Rachel Mercer (cello) and Angela Park (piano) and is rapidly gaining recognition as Canada’s premier piano quartet.

Pianist Jakub Kuszlik (Poland, 1996) performs Barbara Assiginaak’s Mzizaakok Miiniwaa Mzizaakoonsak (Horseflies and Deerflies); Wolfgang Amadeus Mozart’s Fantasia No. 3 in D minor, K. 397; and Johannes Brahms’s Sonata No. 3 in F minor, Op. 5, during the solo recital of the two-part semi-final round of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). This performance was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.

"It would be hard to find anything greater, more significant or more moving anywhere in musical life today: total harmony of mind and heart, poetry and outcry, fear and consolation, knowing and feeling," declared the Berne paper Der Bund after this stunning performance of Mahler's Resurrection Symphony in August 2003 by the newly founded Lucerne Festival Orchestra. Claudio Abbado had formed this ensemble from famous instrumentalists, celebrated chamber-musicians and experienced soloists from the world's best orchestras, and the event was sold out months in advance. In this performance, the magnificent soloists Eteri Gvazava (soprano) and Anna Larsson (mezzo-soprano) are accompanied by Orfeón Donostiarra choir.