00:00
Tchaikovsky - Symphony No. 4 in F minor, Op. 36
Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances perform Pyotr Ilyich Tchaikovsky’s Symphony No. 4 in F minor, Op. 36. The composer wrote the symphony between 1877 and 1878, and dedicated it to Nadezhda von Meck – an exceptionally wealthy widow and great admirer of Tchaikovsky’s music, whom the composer described as ‘my best friend’. Tchaikovsky explained in his letters that the symphony is characterization of the nature of fate. The work opens with a powerful motif in the horns and bassoons representing fate. The second movement expresses melancholy, whereas the third presents ‘fleeting images that pass through the imagination when one has begun to drink a little wine’. Although the ‘fate’ motif reappears toward the end of the final movement, the movement has a festive character. This performance was recorded at La Cité de la musique in Paris in 2016.
00:47
Waldbühne 1997 - St. Petersburg White Night
The 1997 edition of the Waldbühne concert is dedicated to Russian composers. The Berliner Philharmoniker, directed by Zubin Mehta, kicks off the evening with the opening of Mikhail Glinka's opera Ruslan and Ludmila, after which Daniel Barenboim takes center stage to perform Tchaikovsky's Piano Concerto No. 1 and Chopin's Waltz in D flat major, op. 64 No. 1. The evening then pays homage to Mussorgsky with the prelude Khovanshchina and Gopak, taken from The Fair at Sorotchinsky. The orchestra also interprets Flight of the Bumblebee and Capriccio Espagnol, op. 34 from Rimsky-Korsakov. As is tradition, the Berliner Philharmoniker closes this Waldbühne concert with Paul Lincke's Berliner Luft.
02:25
Summertime at the Domaine Forget
The documentary Summertime at the Domaine Forget introduces internationally renowned treasure: Domaine Forget festival in Saint-Irénée, Québec. Domaine Forget is one of Canada's leading music academies and hosts this annual festival to promote music and dance. Every summer, 500 music students from around the world gather for an intensive course program featuring: masterclasses, individual lessons, chamber music sessions, lectures, and special workshops.
02:40
Handel - Agrippina
Schwetzingen, a small German town near Heidelberg, boasts a famous palace with gardens as magnificent as those at Versailles. In the spring, the palace is the backdrop for the Schwetzingen Festival. Every year, the festival commissions a small-scale opera for the palace's exquisite Rococo theatre, built in 1752. Agrippina is a brilliant early George Frideric Handel opera. Composed when he was just twenty-four, it was Handel's first big hit in the theater. It’s full of his fresh, exuberantly inventive music, and set to a libretto by Cardinal Vincenzo Grimani, one of the finest librettists Handel ever worked with. This staging of Agrippina was recorded under the baton of Arnold Östman, a renowned specialist in the music of the 17th and 18th centuries. The London Baroque Players accompany Barbara Daniels, Janice Hall, and David Kuebler in Michael Hampe's elegant and colourful production that shows us the perfidious intrigues of the power-crazy Empress Agrippina, and the criminal power struggles in classical Rome.
05:13
PIAM - Semi-final: Mendelssohn and Chopin
Acclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Leonardo Colafelice (Italy, 1995) performs Felix Mendelssohn’s Variations sérieuses, Op. 54, and Frédéric Chopin’s “Heroic” Polonaise in A-flat major, Op. 53. This performance was recorded at Nuovo Teatro Ariberto in Milan, in May, 2021.
05:34
CMIM Piano 2024 - Semi-final I: Gabriele Strata
Pianist Gabriele Strata (Italy, 1999) joins the CMIM ensemble, consisting of three principal strings players of the Montreal Symphony Orchestra, in a performance of the first movement, Sostenuto assai – Allegro ma non troppo, of Robert Schumann’s Piano Quartet in E-flat major, Op. 47. This performance took place during the chamber music round of the two-part semi-final of the Piano Edition of the Concours musical international de Montréal 2024 (CMIM). It was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.
06:00
Mozart - Symphony No. 31, K. 297
Jeffrey Tate conducts the Mozarteum Salzburg Orchestra in a performance of Mozart’s “Paris” Symphony No. 31 (K. 297). Mozart composed the work in 1778, during his unsuccessful job-hunting time in Paris. The opening movement of the “Paris” symphony is one of the grandest and most thrilling sounds Mozart ever made from an orchestra. The composer used the clarinets for the first time in a symphony, having heard the new instrument earlier in Mannheim. With horns, trumpets, timpani, and a full section of woodwind with flutes, oboes, clarinets, and bassoons, it is the biggest orchestra the composer had used until then. This broadcast is directed by János Darvos.
06:23
Bachfest Leipzig 2004: Ascension Oratorios
Sigiswald Kuijken conducts baroque ensemble La Petite Bande and the Ex Tempore choir at the St. Nicolas Church in Leipzig in this recording from Bachfest 2004, a leading music festival for the performance of the Bach family's music. This concert opens with J. S. Bach’s Ascension Oratorio “Lobet Gott in seinen Reichen” (BWV 11). Written in 1735, this short work ended up being the composer’s final contribution to the genre. Due to its brevity, the oratorio was accidentally classified as a cantata in the Bach Gesamtausgabe of 1852. Next is “Die Auferstehung und Himmelfahrt Jesu” (Wq 240), an oratorio by Bach’s most famous son, Carl Philipp Emanuel Bach. Soloists are Sophie Karthäuser (soprano), Patrizia Hardt (alto), Christoph Einhorn (tenor), Christoph Genz (tenor), Jan van der Crabben (baritone), and Stephan Genz (bass).
08:12
Mahler – The Song of the Earth
Mahler: Das Lied von der Erde, performed live by Carlos Miguel Prieto conducting the Orquesta Sinfónica de Minería, with mezzo-soprano Ruxandra Donose and tenor Ramón Vargas, presents Mahler’s song-symphony — one of the composer’s most profound masterpieces.
09:21
Ueda - Someone Out There is Praying for Peace III
Italian conductor Andrea Vitello leads Ensemble BIOS in a performance of ‘Someone Out There is Praying for Peace (Let Us Not Be the Reason), III’, by contemporary Canadian composer Rita Ueda. This piece is written for strings and shō, a Japanese free-reed mouth organ, played here by Naomi Sato. Ensemble BIOS specializes in 20th and 21st century music. This performance was recorded at Chiesa di San Cristo in Brescia, Italy.
10:02
Beethoven - Symphony No. 9, Op. 125
Sir Simon Rattle leads the London Symphony Orchestra (LSO) and Chorus in a performance of Ludwig van Beethoven’s Symphony No. 9 in D minor, Op. 125. The soloists are Iwona Sobotka (soprano), Anna Stephany (mezzo-soprano), Robert Murray (tenor), and Florian Boesch (baritone). Engineered with unmatched symphonic finesse, Beethoven set aside ruminations on fate and heroism to compose his utterly musical and wholly satisfying Ninth Symphony. It is a monumental work, renowned for its innovative use of a chorus and vocal soloists in the final movement, singing a setting of Friedrich Schiller's poem "Ode to Joy". Premiered in 1824, it remains one of the most performed and recognizable pieces of classical music. This performance was recorded at Barbican Hall in London, on February 16, 2020.
11:13
Fomin plays Schumann, Beethoven and Tchaikovsky
After a successful inaugural recital in 2016, pianist Misha Fomin returns to the stage in the intimate hall of the Concertgebouw Amsterdam on November 11, 2017. Celebrated by the local and international press for his natural virtuosity, the rich texture of his play and his great musical intelligence, Fomin interprets Fantasia, op. 17 by Schumann, Piano Sonata No. 30, op. 109 of Beethoven, as well as works by Tchaikovsky, including the plays "May", "June" and "October" from the Seasons, op. 37b, and a Liszt transcription of the "Polonaise", taken from the opera Eugene Onegin.
12:43
Documentary: Gianandrea Noseda
Although the great Italian composer Giuseppe Verdi applied unsuccessfully to study at the Milan Conservatory, this renowned college of music was eventually named after him. Today, the ‘Conservatorio Giuseppe Verdi’ counts numerous successful musicians among its alumni: from Giacomo Puccini, Alfredo Catalani, Claudio Abbado, Riccardo Chailly, Luigi Einaudi and Daniele Gatti, to Gianandrea Noseda. The acclaimed conductor Noseda (*1964) is one of the most important conductors of his generation. Recently, he taught a conducting masterclass at his alma mater for promising students from all over the world. For three days, Noseda joined forces with a hand-picked group of students to work on a varied concert programme. This documentary shows you these young, talented musicians rehearse compositions by Mozart, Tchaikovsky, and Stravinsky under the enthusiastic guidance of Maestro Gianandrea Noseda himself.
13:19
Schubert - Four Impromptus, Op. 90
Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.
13:48
Weinberg - Rhapsody on Moldovan Themes, Op. 47/1
Over the course of 19 days, the best youth orchestras in the world led by great conductors, and flanked by virtuoso soloists, guaranteed exciting and inspiring concert performances at the Young Euro Classical 2017. The festival is known to be the most important platform for international young orchestra musicians in the European classical music tradition, and for its development. This highlight version is a collection of infectiously energizing and outstanding performances by musicians from across the globe. Their repertoire includes renowned classical works as well as local composers. On the program: Verdi - La forza del destino, Beethoven - Meeresstille und glückliche Fahrt, Tchaikovsky - Piano Concerto No. 1, Tchaikovsky - Six Romances, Kohji - Georgian, Mingrelian Songs, Weinberg - Rhapsody on Moldavian Themes Op. 47 and Wong - As the Heart Soars.