00:00
Meyerbeer - Les Huguenots
The dramatic events surrounding the St. Bartholomew's Day massacre, in which approximately 3000 Protestants were murdered by Catholics, forms the setting for this historical ‘grand opera’ by Giacomo Meyerbeer. Protestant Raoul is in love with Catholic Valentine: an impossible love. Religion is not the only matter that keeps the two lovers apart, as Valentine has been promised to the Catholic Comte de Nevers, his enemy... This work enjoyed an incredible popularity after it premiered, but suffered oblivion shortly after. This production of the Deutsche Oper Berlin (1991) marks a triumphant comeback for this timeless work, presented in a contemporary setting. Soloists: Angela Denning (Margarethe von Valois), Lucy Peacock (Valentine), Richard Leech (Raoul von Nangis), Hartmut Welker (Graf von Saint-Bris), Camille Capasso (Urban), Martin Blasius (Marcel). Conductor: Stefan Soltesz. Directed by John Dew.
02:41
Concert Live from Geneva
To transcend the political and ideological divides between their respective countries, Daniel Barenboim, an Argentinian Jew and Israel's most famous pianist and conductor, and Edward Said, a Palestinian philosopher and Christian, created the West-Eastern Divan Orchestra, an ensemble of young musicians between the ages of 13 and 26 who have as many Israelis as there are Arabs. Despite this great symbolism, the objectives and ambitions of the West-Eastern Divan Orchestra are first and foremost musical: the political divisions of the Middle East are setting aside the time of the union of these young musical talents which speaks volumes about the power of cultural interaction. This performance delivered to Victoria Hall in Geneva features two famous masterpieces: Beethoven's Piano Concerto No. 3 and Tchaikovsky's Symphony No. 5. The concert ends with the Sad Waltz of Sibelius and the opening of La Forza del Destino of Verdi.
04:26
Piano works by Mendelssohn
The Italian pianist Roberto Prosseda (*1975) is considered one of today’s leading interpreters of Felix Mendelssohn’s piano repertoire. Prosseda’s discovery of unknown Mendelssohn compositions made the headlines throughout Europe and led to several releases on the celebrated Decca label. In the current recital, recorded in 2015 at Teatro alle Vigne in Lodi, Italy, Prosseda performs a selection of Felix Mendelssohn’s Songs Without Words (Lieder ohne Worte) (Op. 19 No. 1, Op. 38 No. 2, Op. 38 No. 6, Op. 53 No. 2, Op. 30 No. 6, and Op. 62 No. 2), Variations sérieuses, Op. 54, and Fantasie, Op. 28.
05:07
Stravinsky - Jeu de cartes
Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.
06:00
Rolando Villazón - One Night in Berlin
French-Mexican tenor Rolando Villazón (1972) is accompanied by the Südwestdeutsche Kammerphilharmonie Konstanz in performing a colourful recital from the Berliner Philharmonie. In this concert from 2006, Villazón performs various arias by Italian opera composers like Verdi, Rossini, Donizetti, Cilea and Mascagni. On the program are also some French works by Massenet, like Ô Souverain, ô juge, ô père from Le Cid and Toute mon âme est là! Pourquoi me réveiller, ô souffle du printemp from ‘Werther’. Through his uniquely compelling performances with leading opera houses and orchestras around the world, Villazón established himself as one of the music world’s most beloved stars and one of the leading tenors of our day. The Times heralded him as “the most charming of today’s divos.”
07:00
J. S. Bach - Arias, solos, and duets
Baritone Matthias Goerne teams up with violinist Vilde Frang, cellist Nicolas Altstaedt, flutist Stathis Karapanos, and harpsichordist Michaela Hasselt in this program dedicated to the music of J. S. Bach. They perform baritone arias from Bach’s most beautiful cantatas, as well as solo pieces and duets. On the program are Sonata No. 3 in C major for violin solo, BWV 1005; arias ‘Hier, in meines Vaters Stätte’, BWV 32 and ‘Die Welt mit allen Königreichen’, BWV 59; Suite No. 5 in C minor for cello solo, BWV 1011; ‘Wenn Trost und Hülf ermangeln muß’, BWV 117; ‘Ja, ja, ich halte Jesum fest’, BWV 157; Invention No. 7 in E minor, BWV 778; Invention in A major, BWV 783; and ‘Welt ade, ich bin dein müde’, BWV 158. This performance was recorded at St. Mary’s Church in Wittenberg, Germany.
07:59
Handel at Chambord Castle
This 2016 concert at Chambord Castle in France under the direction of Hervé Niquet features 70 musicians that gave a spectacular performance of Handel‘s Water Music and Music for the Royal Fireworks. In between Le Concert Spirituel also plays Concerto Grosso’s No. 4 and No. 5 also by Georg Friedrich Handel. After that you can enjoy the celebrated movement of Marc- Antoine Charpentier’s Te Deum, now universally known as the signature tune of Eurovision. The music brings to mind the splendor at the court of King Louis XIV, who sojourned in Chambord on several occasions.
09:23
Bach - Sonata No. 3 BWV 1016
Johann Sebastian Bach’s Sonata for Violin and Harpsichord No. 3 BWV 1016 belongs to a group of sonatas composed before 1975, probably during the composer’s tenure as Kapellmeister at Köthen. He presumably wrote these sonata’s for Prince Leopold, later adapting them for his own purposes in Leipzig. This would explain why the sonatas, which are sophisticated enough to challenge the most experienced of musicians, are at the same time perfectly playable for amateurs. The several pieces were meant to be a set just like the Brandenburg concertos. This third sonata follows a typical ‘Italian’ pattern: slow – fast – slow – fast.
10:05
The Argonauts - Quest for the Golden Fleece
In 1419 Philip the Good inherits a realm stretching from Dijon to deep into the Netherlands. In 1430, he founds his Order of the Golden Fleece, which enables him to give form to and to maintain both his knightly ideals and his political relations. This legendary brotherhood provided Marnix De Cat and his singers with the inspiration for this programme: trumpets announce the arrival of the Duke and his retinue, and love’s praises are sung in refined chansons.
11:10
Misha Enzovoort
Misha Mengelberg, the forgetting has begun. He is waiting for a taxi he didn’t call to go to a performance that won’t take place. Dutch composer/pianist and grand duke of jazz Misha Mengelberg (1935) has been submerged in the shadow of dementia, ending his life as a musician. At the London jazz club Vortex in 2013 he impressively says his goodbyes to the international stage. It’s also his last major performance with his band, the Instant Composers Pool Orchestra. The musicians find it hard to let him go, but Misha’s decline is constant, and he slowly fades away from their midst. A film about exceptional loyalty, dilemmas, respect and dedication. And about music, the music of Misha Mengelberg.
12:16
Heyward conducts Dvořák’s Symphony No. 9
American conductor Jonathon Heyward makes his debut with the London Symphony Orchestra (LSO) with this performance of Antonín Dvořák’s beloved Symphony No. 9 in E minor, Op. 95, "From the New World". Composed during Dvořák’s stay in the United States, the work blends Bohemian warmth with the rhythms and spirit of American musical traditions. A deeply expressive and melodic masterpiece, it remains one of the most popular symphonies of all time. This performance was recorded at LSO St. Luke’s on Old Street in London, UK, on September 30, 2020.
13:01
PIAM - Semi-final II: Liszt and Chopin
Acclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Micah McLaurin (USA, 1994) performs various works by Franz Liszt: Liebestraum No. 3 in A-flat major; Liszt’s arrangement of Robert Schumann’s Widmung S.566; Funérailles from the cycle Harmonies poétiques et religieuses; Sonetto 104 del Petrarca from Années de Pèlerinage II; and Mephisto Waltz No. 1. As an encore, McLaurin plays Frédéric Chopin’s Nocturne Op. 9 No. 2. This performance was recorded at Auditorium Giorgio Gaber in Milan, in January 2020.
13:48
Chopin - Ballade No. 1, Op. 23
Roberto Giordano performs Chopin's Ballade No. 1, Op. 23. The sketches of the work date back to 1831 during Chopin's eight-month stay in Vienna. The first ballade was completed in 1835 after the composer moved to Paris. The main section of the ballade is built from two main themes which return in different keys after which a thundering chord introduces the Presto con fuoco, which eventually ends the piece in a fiery double octave scale run down the keyboard. The work gained popularity after appearing on the soundtrack to the 2002 Roman Polanski film The Pianist, where it is played by Janusz Olejniczak.