Schedule

‘Iolanta’ and ‘Perséphone’ – A double bill consisting of two stage works that “represent an ideal of beauty, poetry and hope” forms this new production by Peter Sellars in Madrid from the Teatro Real from 2012. In both works, the progression from darkness to light acts as an initiation rite that completely transforms the existential attitude of the leading characters. This broadcast features ‘Iolanta’, a mature composition by Tchaikovsky, which was premiered in 1892. It contains all aspects of the composer’s mastery: beautiful melodies, clear structure, and genuine passion in its many varieties. The Chorus and Orchestra of the Teatro Real are conducted by Teodor Currentzis. The soloists in this production are Ekaterina Scherbachenko (Iolanta), Alexej Markov (Robert), Pavel Cernoch (Vaudémont), Dmitry Ulianov (King René), Willard White (Ibn-Hakia), Vasily Efimov (Alméric), Pavel Kudinov (Bertrand), Ekaterina Semenchuk (Marta), Irina Churilova (Brigita) and Letitia Singleton (Irina Churilova).

At the gala concert of 2009, the Berlin Philharmonic under its musical director Sir Simon Rattle and Lang Lang present works by two Russian composers. The concert starts with a performance of Rachmaninov's Piano Concerto No. 2 in C minor, Op. 18, one of the composer’s most enduring popular pieces, which demands a virtuoso pianist and a huge supple orchestral sound. Both it gets from the world-famous Berlin Philharmonic and the gifted Chinese piano star Lang Lang. The orchestra continues with ballet music from Tchaikovsky’s The Nutcracker, perhaps the most popular of all ballets. The concert concludes a few following encores: Tchaikovsky ‘Waltz of the Snowflakes’ from The Nutcracker and Chopin’s Etude No. 1, Op. 25.

The Tafelmusik Baroque Orchestra, also known simply as Tafelmusik, is a Toronto-based Canadian baroque orchestra, specialised in early music. The ensemble is directed by violinist Jeanne Lamon. In ‘The Galileo Project: Music of the Spheres’ they perform music by Monteverdi, Vivaldi, Bach and Handel to a backdrop of high-definition images from the Hubble telescope, NASA and Canadian astronomers. Explore the fusion of arts, science and culture in the 17th and 18th centuries in this imaginative concert commemorating Galileo’s first public demonstration of the telescope. Actor Shaun Smyth narrates a compelling script while the musicians weave in and around a magical stage set by Marshal Pynkoski. Created and scripted by Alison Mackay.

Swiss conductor Philippe Jordan and the Orchestre de l’Opéra national de Paris recorded all of Ludwig van Beethoven’s symphonies in 2014-2015. In this program, Jordan conducts Beethoven’s Symphony No. 8 in F major, Op. 93. Beethoven wrote the work in 1812 upon completion of his Symphony No. 7. The composer conducted the February 27, 1814 première at a concert in Vienna that also included a reprise performance of his Symphony No. 7 and his 15-minute orchestral piece Wellington’s Victory, Op. 91. The shortest of Beethoven’s nine symphonies, Symphony No. 8 lacks a truly slow movement. Instead it has a second movement, Allegretto scherzando, that features a steady ‘ticking’ rhythm maintained by the woodwinds throughout the movement. This is thought to be an imitation of the Andante movement of Joseph Haydn’s ‘Clock’ Symphony. Jordan’s performance was recorded at Opéra Bastille in Paris, France, in 2015.

Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances play Wolfgang Amadeus Mozart’s Violin Concerto No. 5 in A major, K. 219, also known as the ‘Turkish Concerto’. Leading violinist Grimal features as the soloist. With the exception of the first violin concerto, Mozart composed his other four violin concertos in 1775 at a time when he was concertmaster at the Salzburg court. It is the third and final movement that gives Concerto No. 5 its nickname, the ‘Turkish Concerto’. This movement features a striking middle section of ‘Turkish music’, which the composer achieves not only by changing the meter, and the mode to minor, but also by letting the cellos and basses play col legno - creating a percussive sound with the wood of their bow. This performance was recorded at Cité de la Musique, France, in 2014.

Set in the magnificent Cistercian Monastery Schulpforte near Naumburg, Germany, Sounds like Christmas combines festive music with the spontaneity and freshness of jazz. This Christmas program is the musical encounter between soprano Angelika Kirchschlager and jazz trumpeter Tomasz Stańko. Interpreting popular and lesser-known Christmas songs, the soloists are accompanied by the outstanding Freiburg Baroque Orchestra and the Leipzig a cappella ensemble Amarcord, consisting of former members of St. Thomas Boys Choir. The artists' different backgrounds and stylistic preferences create a suspenseful, varied musical experience. The origins of the monastery date back to the Benedictine convent founded in Schmölln in 1127. Concert footage is juxtaposed with snowy mountain landscapes and cities decorated for Christmas.

Joseph Haydn (1732-1809): Symphony No. 94 in G major "Surprise". Berliner Philharmoniker; conductor: Mariss Jansons. The European Concert has been a tradition of the Berliner Philharmoniker since 1991. The musicians commemorate the anniversary of the orchestra's founding on May 1st, 1882, playing in different European cities. This concert was recorded in the church "Hagia Eirene" in Istanbul, Turkey.

Baritone Samuel Hasselhorn and pianist Daniel Heide perform Franz Schubert’s song cycle Winterreise (‘Winter’s journey’). The 30-year-old Schubert wrote this masterpiece in 1827, just a year before his death. Like Schubert’s earlier song cycle Die schöne Müllerin (1823), Winterreise is a setting of the poetry of Wilhelm Müller (1794-1827). In twenty-four songs, we follow a rejected young man on a lonely journey through a frozen landscape. Wandering as a lost soul, tormented by his memories, the man searches for peace. This performance was recorded at Schloss Wörlitz, part of the Dessau-Wörlitz Garden Realm, near Dessau, the birthplace and final resting place of Wilhelm Müller.

Baritone Geng Lee (China, 1994) and pianist Nils Basters (Germany, 1989) perform Henri Duparc’s Chanson triste; ‘Ein Jüngling liebt ein Mädchen’ and ‘Am leuchtenden Sommermorgen’ from Robert Schumann’s Dichterliebe, Op. 48; ‘Litany’ from John Musto’s Shadow of the Blues; Bart Visman’s Vermeer’s Gold; ‘Hôtel’ from Francis Poulenc’s Banalités, FP 107; and ‘Ging heut’ Morgen über’s Feld’ from Gustav Mahler’s Lieder eines fahrenden Gesellen, during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.