Schedule

Claude Debussy’s symphonic sketches for orchestra known collectively as ‘La Mer’ evoke a richly varied vision of the sea. The first part (‘De l’aube á midi sur la mer’) calls up a morning and afternoon at sea, the second (‘Jeux de vagues’) echoes the play of the waves, and the third and final part (‘Dialogue du vent et de la mer’) conjures the communing voices of wind and waves. Debussy knew his sea, the Mediterranean, intimately both from childhood visits to Cannes and from his Italian travels later in life.

“The Unanswered Ives” is the first documentary about American modernist composer Charles Ives (1874-1954). Ives was among the first generation of American composers that achieved international acclaim. Born in 1874, in Danbury, Connecticut, Ives took music lessons at a young age, becoming a church organist at the age of 14. Following his graduation from the music department at Yale University, the young composer decided to pursue a career outside of the arts. He started working in insurance, co-founding an innovative and highly successful insurance company. It was in his spare time that Ives composed his ambitious music, in which he experimented with advanced features including polytonality, twelve-tone technique, and quarter tones. The documentary film “The Unanswered Ives” (2018) sheds light on Ives’s life and work in all its facets, exploring his aural world by showing music performances in churches, concert halls, open-air venues, and a circus tent. Using interviews with relatives, insurance brokers, musicologists, and musicians, documentary filmmaker Anne-Kathrin Peitz explores the question “who was Charles Ives?"

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. This program features Quatuor Ébène performing Beethoven’s String Quartet No. 15 in A minor, Op. 132. This concert performance was recorded at Philharmonie de Paris on November 24, 2020.

Sir Simon Rattle leads the London Symphony Orchestra (LSO) and Chorus in a performance of Ludwig van Beethoven’s Symphony No. 9 in D minor, Op. 125. The soloists are Iwona Sobotka (soprano), Anna Stephany (mezzo-soprano), Robert Murray (tenor), and Florian Boesch (baritone). Engineered with unmatched symphonic finesse, Beethoven set aside ruminations on fate and heroism to compose his utterly musical and wholly satisfying Ninth Symphony. It is a monumental work, renowned for its innovative use of a chorus and vocal soloists in the final movement, singing a setting of Friedrich Schiller's poem "Ode to Joy". Premiered in 1824, it remains one of the most performed and recognizable pieces of classical music. This performance was recorded at Barbican Hall in London, on February 16, 2020.

Renowned French string quartet Quatuor Ébène marked the 250th birth anniversary of Ludwig van Beethoven (1770-1827) with a remarkable project: recording all of the great composer’s sixteen string quartets. For five years, violinists Pierre Colombet and Gabriel Le Magadure, violist Marie Chilemme, and cellist Raphaël Merlin immersed themselves in Beethoven’s 650 pages of sheet music. Their efforts culminated in the performance of the composer’s complete repertoire for string quartet, which covers three decades of Beethoven's musical creativity, during six impressive concerts at Philharmonie de Paris in the autumn of 2020. Quatuor Ébène explored every facet of Beethoven's string quartet repertoire: from the youthful Opus 18 string quartets to the Razumovsky, Harp, and Serioso quartets (Opus 59, 74, and 95) from his middle period, and finally, the depth of his late quartets (Opus 127 to 135). This program features Quatuor Ébène performing Beethoven’s String Quartet No. 6 in B-flat major, Op. 18 No. 6; and String Quartet No. 15 in A minor, Op. 132. This concert performance was recorded at Philharmonie de Paris on November 24, 2020.

Every summer, the Greek island of Patmos hosts the Patmos Musical Festival, a unique musical event comprising both a Chamber and a Sacred Music Festival. This documentary captures the 2024 edition, featuring performances by distinguished soloists and ensembles from around the world. The lineup includes the festival’s artistic director and pianist Roberto Prosseda, Steven Isserlis, Irène Duval, Michael Guttman and the Brussels Chamber Orchestra, and Peter Phillips and The Tallis Scholars. In interviews, several artists share their experiences of this intimate festival and the unique atmosphere of the island. The documentary was produced by the Patmos Music Festival Association and directed by Alberto Girotto.

Swiss conductor Philippe Jordan and the Orchestre de l’Opéra national de Paris recorded all of Ludwig van Beethoven’s symphonies in 2014-2015. In this program, Jordan conducts Beethoven’s Symphony No. 8 in F major, Op. 93. Beethoven wrote the work in 1812 upon completion of his Symphony No. 7. The composer conducted the February 27, 1814 première at a concert in Vienna that also included a reprise performance of his Symphony No. 7 and his 15-minute orchestral piece Wellington’s Victory, Op. 91. The shortest of Beethoven’s nine symphonies, Symphony No. 8 lacks a truly slow movement. Instead it has a second movement, Allegretto scherzando, that features a steady ‘ticking’ rhythm maintained by the woodwinds throughout the movement. This is thought to be an imitation of the Andante movement of Joseph Haydn’s ‘Clock’ Symphony. Jordan’s performance was recorded at Opéra Bastille in Paris, France, in 2015.

In May and June 2021, Argentinian star pianist Martha Argerich celebrated her 80th birthday performing at Château de Chantilly, France. In this concert, recorded at the festival Les Coups de Cœur de Chantilly, Argerich is joined by three musicians who are particularly close to her heart: cellist Mischa Maisky, violinist Maxim Vengerov, and pianist Iddo Bar-Shaï. They perform with the orchestra Les Siècles under the baton of Romanian-Austrian conductor Ion Marin. The concert opens with Ludwig van Beethoven’s Triple Concerto in C major, Op. 56, with Argerich, Vengerov, and Maisky as soloists. Written in 1803, it is Beethoven’s only concerto for more than one solo instrument. This is followed by Camille Saint-Saëns’s musical suite The Carnival of the Animals (Le carnaval des animaux), featuring Argerich and Bar-Shaï as the pianists. This musical suite from 1886 consists of 14 movements, each depicting a different animal. The work was published posthumously in 1922, as Saint-Saëns was concerned that his animal miniatures, full of delightful jokes, might damage his reputation as a serious composer. This performance was recorded at Château de Chantilly, on May 4, 2021.

Swiss conductor Ludwig Wicki leads the Danish National Symphony Orchestra and the DR Junior Choir in a sparkling concert program of film music. The program features a selection of music from great and Oscar-winning Hollywood films, including Titanic, The Bodyguard, Pirates of the Caribbean, Braveheart, and Moulin Rouge, written by major composers such as John Williams, Hans Zimmer, James Horner, and Klaus Badelt. Highlights include ‘He’s a pirate/Davy Jones’ from Pirates of the Caribbean: Dead Man’s Chest; ‘Now We Are Free’ from Gladiator; ‘My Heart Will Go On’ from Titanic; and ‘Shallow’ from A Star Is Born. Featured soloists in this concert are the young talented singers Andrea Lykke Oehlenschlæger and Diluckshan Jeyaratnam. This performance was recorded at the DR Koncerthuset in Copenhagen, Denmark, in May 2022.

Swiss conductor Philippe Jordan and the Orchestre de l’Opéra national de Paris recorded all of Ludwig van Beethoven’s symphonies in 2014-2015. In this program, maestro Jordan presents Beethoven’s final symphony: Symphony No. 9 in D minor, Op. 125. He conducts the Orchestre and Choeurs de l’Opéra national de Paris and four vocal soloists Ricarda Merbeth (soprano), Daniela Sindram (mezzosoprano), Robert Dean Smith (tenor), and Günther Groissböck (bass). Beethoven composed his last Symphony when his hearing had all but gone, between 1822 and 1824. Symphony No. 9 is the longest and most ambitious of Beethoven’s symphonies. Most striking is the piece’s finale movement, which includes a choir and four vocal soloists singing a setting of Friedrich Schiller’s poem ‘An die Freude’ (Ode to Joy). This performance was recorded at Opéra Bastille in Paris, France, in 2015.

Since his spectacular debut recital at the Amsterdam Concertgebouw in 2002, pianist Misha Fomin has become an indispensable part of Dutch musical life. National and international press praise his playing for its fluently natural virtuosity, rich color palette, and great musical intelligence. In this concert, recorded at the Concertgebouw Amsterdam, Fomin performs a number of pieces including Modest Mussorgsky’s Pictures at an Exhibition (1874). The movements are separated by the Promenade: a recurring, varied theme that evokes the walk from one painting to the next. The various promenades are variations on the same theme, which recurs in two other movements (Cum mortus in lingua mortua and The Bogatyr Gates (In the Capital in Kiev)). Mussorgsky wrote this cycle in three weeks’ time in 1874. When Mussorgsky visited the exhibition of his friend, the late painter Viktor Hartmann, he wrote to a friend that “sounds and ideas hung in the air, I am gulping and overeating, and can barely manage to scribble them on paper.”

In Geneva, the city where she spent the most of her life, Argentinian pianist Martha Argerich invites her lifelong music partner, the cellist Mischa Maisky, to play in private chamber music. Between each piece, Martha opens up to her daughter Annie Dutoit, in an intimate interview that brings both their intimacy and the music. On the program are Ludwig van Beethoven’s 7 variations after "The Magic Flute"; Robert Schumann’s Fantasiestücke, Op. 73; Frédéric Chopin’s Introduction & Polonaise, Op. 3; ‘Lerchengesang’ (No. 2) from Johannes Brahms’s 4 Gesänge, Op. 70; and ‘Largo’ from Chopin’s Cello Sonata in G minor, Op. 65. This broadcast was recorded on November 12 and 13, 2020, in Geneva, Switzerland.

This concert is the result of the collaboration between the “Giuseppe Nicolini,” Conservatory of Piacenza, and the “Giuseppe Verdi,” Conservatory of Milan, as part of the project "MIlanoPIACEnza ... suonare insieme”. On the program are works by the Dutch conductor and composer Johan de Meij. His Symphony No. 1 for woodwind and brass orchestra is titled “Lord of the Rings” and is based on the famous trilogy by writer J. R. R Tolkien. The work exists of five movements, inspired by characters and passages from the story: Gandalf, Lothlórien, Gollum, Journey in the Dark and Hobbits. The symphony premiered in Brussels in 1988. In 2001, a symphonic version was recorded by the London Symphony Orchestra. This concert is recorded at the Sala dei Teatini of the Teatri di Piacenza in 2018. Directed by Pietro Tagliaferri.

The soloists from the Lucerne Festival Orchestra present Ludwig van Beethoven’s Septet in E-flat major, Op. 20, which is scored for clarinet, horn, bassoon, violin, viola, cello and double bass. This 1799 piece achieved great popularity during Beethoven’s lifetime. It was arranged for many various instrumental ensembles, including versions for two guitars, and piano four-hands, but also a trio for clarinet (or violin), cello, and piano, arranged by Beethoven himself. This performance was recorded at the Lucerne Culture and Congress Center (KKL), Switzerland, in 2020.

Although the great Italian composer Giuseppe Verdi applied unsuccessfully to study at the Milan Conservatory, this renowned college of music was eventually named after him. Today, the ‘Conservatorio Giuseppe Verdi’ counts numerous successful musicians among its alumni: from Giacomo Puccini, Alfredo Catalani, Claudio Abbado, Riccardo Chailly, Luigi Einaudi and Daniele Gatti, to Gianandrea Noseda. The acclaimed conductor Noseda (*1964) is one of the most important conductors of his generation. Recently, he taught a conducting masterclass at his alma mater for promising students from all over the world. For three days, Noseda joined forces with a hand-picked group of students to work on a varied concert programme. This documentary shows you these young, talented musicians rehearse compositions by Mozart, Tchaikovsky, and Stravinsky under the enthusiastic guidance of Maestro Gianandrea Noseda himself.

Antoni Wit conducts the Warsaw Philharmonic Orchestra in performances of Chopin's Piano Concertos No. 1, Op. 11 and No. 2, Op. 21. Soloists are Nikolai Demidenko and Evgeny Kissin. After performing the first concerto, Demidenko encores with Chopin's Mazurka Op. 17/4. Kissin closes the concert with Chopin's Etude Op. 10/12 and the Waltz in E minor, Op. post. This concert was part of the celebration of Chopin's 200th anniversary in 2010. Chopin composed the second concerto one year before the Concerto No. 1 and completed both works at the age of 20, before leaving his home country Poland and moving to Paris.