Schedule

Gustavo Dudamel conducts the Paris Opera Orchestra and Choir in a performance of Giacomo Puccini’s La Bohème. Recorded at the Opéra National de Paris in 2017 and directed by Claus Guth. Among the soloists are Nicole Car, Aida Garifullina Atalla Ayan and Artur Ruciński. La Bohème premiered in 1896 at the Teatro Regio in Italy. The opera's libretto focuses on the relationship between Rodolfo and Mimì. When young poet Rodolfo meets seamstress Mimì, it's love at first sight. But faced by the cruel realities of poverty and ill health, will the flame that burns between them flicker and die? Or will the timeless strength of their youthful passion withstand every trial and tribulation that life can throw at them?

The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, Sir John Eliot Gardiner leads the Orchestra del Maggio Musicale Fiorentino in a wonderful concert program that includes Pyotr Ilyich Tchaikovsky’s Symphony No. 2 in C minor, Op. 17, ‘Little Russian’, and Edward Elgar’s Variations on an Original Theme, Op. 36, better known as the Enigma Variations. Written in 1872, Tchaikovsky’s Symphony No. 2 bears the nickname ‘Little Russian’, as the composer used folk tunes in his work from Ukraine, then known as ‘Little Russia’. Completed in 1899, Elgar’s Enigma Variations is an orchestral work comprising a theme and fourteen variations, each variation being a musical sketch of one of the composer’s friends. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

Maestro Myung-Whun Chung leads the Orchestra and Chorus of the Maggio Musicale Fiorentino, along with two vocal soloists, in this impressive performance of Gustav Mahler’s Symphony No. 2 in C minor, ‘Resurrection’. Soprano Christiane Karg and alto Claudia Huckle are the soloists. Written between 1888 and 1894, this five-movement symphony is scored for a large orchestra, chorus, and soprano and alto soloists. Mahler explores themes of life, death, and resurrection throughout the symphony. Its first movement resembles a funeral march, while the second, a graceful Ländler, creates a stark contrast with the somber character of the first. The third movement is a Scherzo based on Mahler’s musical setting of ‘Des Antonius von Padua Fischpredigt’ from the collection Des Knaben Wunderhorn. The composer also used another Wunderhorn poem, ‘Urlicht’ (Primal Light), for the fourth movement, incorporating both text and music, sung by the alto. The chorus makes its entrance in the second part of the fifth and final movement with the ‘Resurrection’ chorale. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.

In this exquisite 2016 concert from Moscow's Tchaikovsky Concert Hall, the Russian National Orchestra and star-pianist Boris Berezovsky are led by conductor Mikhail Pletnev in a performance of magnificent works by Nikolai Rimsky-Korsakov. Winner of the 1990 International Tchaikovsky Competition in Moscow, Berezovsky interprets the works of Rimsky-Korsakov with a virtuosic power. The programme features The Tale of the Invisible City of Kitezh and the Maiden Fevroniya, suite for orchestra, as well as The Tale of Tsar Saltan, musical pictures for orchestra. It is produced by the Moscow Philharmonic Society, which Saint Petersburg-born composer Dmitri Shostakovich himself once described as playing a significant role "in the development of musical life [in Russia]. It is a kind of university which is attended by millions of music lovers and thousands of musicians.” The Moscow Philharmonic Society was founded in 1922 by then-Commissar for Culture, Anatoly Lunacharsky, and has over the years come to be Russia's leading concert organizing institution.

The Valerius Ensemble, consisting of Robert Windak (violin), Michael Rein (violin), Eva Šušlíková (viola), Judith Chapman (cello) and Ingo Lylofs (piano) played a concert in Muziekcentrum Enschede on April 15, 2018. On the concert program are the Allegro Moderato from Glières String Quartet No. 2 and the Scherzo, Intermezzo, and Finale from Shostakovich’s Piano Quintet, Op. 57. The work is one of the more popular chamber music works by the composer and a year after its premiere it was awarded the Stalin Prize in 1941.

Not only was Mozart unlucky in love in Mannheim, but he also failed to achieve his ambition of becoming a court composer. The young lady Antonia Lützow, for whom he wrote his Piano Concerto No. 8, was not a very accomplished performer, but in all its simplicity, this concerto is seldom short of sublime. In this episode, soloist Christian Zacharias performs Mozart’s Piano Concerto No. 8, K 246, accompanied by the Radio-Sinfonieorchester Stuttgart and conducted by Gianluigi Gelmetti. The concert took place in Schwetzingen palace, where the Mannheim Elector’s court spent their summers.

Canadian conductor Yannick Nézet-Séguin leads the Berliner Philharmoniker in a wonderful performance of the symphonic poem Vltava (The Moldau) from Bedřich Smetana’s Má Vlast (My Country). This performance was part of the Waldbühne Concert 2016 in Berlin.

Conductor Herbert Blomstedt and the Gewandhausorchester take us on a musical journey to the Czech Republic in this 2020 concert from Leipzig’s Gewandhaus. The program opens with Bohemian composer Jan Václav Hugo Voríšek’s Symphony in D major, Op. 23 (1821). Although the composition – Voríšek’s only symphony – was never performed during the composer’s lifetime, it has become one of his most-performed works today. Also on the program is Wolfgang Amadeus Mozart’s Symphony No. 38 in D major, K. 504. This work, which premiered while Mozart was visiting Prague in 1787, is often referred to as the ‘Prague Symphony’.

Soprano Vassia Alati (the Netherlands/Greece, 1992) and pianist Yuto Kiguchi (Japan, 1989) perform ‘C’est l’extase langoureuse’ from Claude Debussy’s Arriettes oubliées, L. 63, and ‘Fantoches’ from Debussy’s Fêtes galantes, L. 86; Bart Visman’s Het goud van Vermeer; ‘Lerchengesang’ from Johannes Brahms’s Vier Gesänge, Op. 70; Franz Schubert’s Gruppe aus dem Tartarus, Op. 24, No. 1, D. 583; ‘Now the leaves are falling fast’ from Benjamin Britten’s On this island, Op. 11; and ‘I gria zoi’ (Old mother life) from Manolis Kalomiris’s Mayovotana (Magic herbs), during the semi-finals of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at Het Noordbrabants Museum in ’s-Hertogenbosch, the Netherlands.

The compelling documentary How to Get Out of the Cage (2012) by award-winning filmmaker Frank Scheffer presents an intimate portrait of John Cage (1912-1992), one of 20th century's most important composers. From 1982 to 1992, Scheffer worked with Cage on numerous occasions, which resulted in unique archives of historical audio-visual material, including interviews, musical performances, and images of locations related to the composer’s life and work. In all Scheffer’s works related to Cage, he used the old Chinese method of chance operations based on the Yi Jing – as often used by Cage himself in his compositions. Instead of using chance operations, Scheffer edited the film in the usual way that is based on choice.

After recording all 32 Ludwig van Beethoven piano sonatas to celebrate the composer's 250th birth anniversary, celebrated Italian pianist Riccardo Schwartz decided to record solo piano works by Robert Schumann. Schumann composed his Piano Sonata No. 3 in F minor, Op. 14 (a "Concerto for piano without orchestra", in the words of music publisher Tobias Haslinger) in 1836. He dedicated it to piano virtuoso Ignaz Moscheles. In 1853, Schumann revised the work and added a Scherzo as a second movement. The final movement is reminiscent of Schumann’s earlier composition Kreisleriana, Op. 16. Acclaimed pianist Riccardo Schwartz (1986) has performed as a soloist with many world-renowned conductors, including Gustav Kuhn and Yuri Temirkanov. His acclaimed performances include recitals and concertos for piano and orchestra in many prestigious concert halls.

To strengthen faith and stimulate piety: this was the role of music according to Pope Benedictus XIV, who in the 18th century carried out radical church reforms. Festival resident Giulio Prandi closely examines the religious repertoire of this period from a double perspective: that of traditional counterpoint, as in Domenico Scarlatti’s ‘Madrid’ Mass, and that of the modern, theatrical style of Perez and Jommelli.

Testing Mozart is a 60 minute film about the Mozart effect; the power of Mozart's music to fight disease and increase the mental ability of listeners. It is common knowledge that cows give more milk and tomatoes grow bigger when Mozart is played, but what effect does his music have on humans? In this journey into the worlds of music and medicine, Testing Mozart examines the latest scientific discoveries that shed new light on the influence the composer’s work has on the brain. The documentary by award-winning director Frederick Baker explains why Mozart is so special. Produced in 2006 as part of Mozart Year, this captivating documentary caters to a wide audience and introduces neophytes to the work of Mozart.

For over two decades, the Berlin Philharmonic has celebrated its creation on May 1 with the annual Europakonzert, which in 2010 was held in Oxford. Led by Daniel Barenboim, the orchestra and the young American cellist Alisa Weilerstein, who has attracted widespread attention for her passionate yet precise musicianship, perform a breathtaking rendition of Edward Elgar’s Cello Concerto, Op. 85

The Italian pianist Roberto Prosseda (*1975) is particularly noted for his performances of newly discovered works by Felix Mendelssohn. Moreover, Prosseda is particularly praised for his interpretations of W. A. Mozart, Franz Schubert, Robert Schumann and Frédéric Chopin. He won major prizes in several piano competitions and has frequently performed with some of the world’s most important orchestras, including the London Philharmonic Orchestra, the New Japan Philharmonic, and the Leipzig Gewandhaus Orchestra. In this recital, Prosseda performs Alexander Scriabin’s Nocturne Op. 9, No. 2, Alan Berg’s Piano Sonata, Op. 1, and Ludwig van Beethoven’s Piano Sonata No. 32, Op. 111. This performance was recorded at Teatro alle Vigne in Lodi, Italy, in 2015.

Tenor Zhuohan Sun (China, 1993) and pianist Sara Pavlovic (Serbia, 1996) perform ‘Wanderlied’ from Robert Schumann’s Kerner-Lieder, Op. 35; ‘Der Abend kommt gezogen’ from Alphons Diepenbrock’s Drie ballades, Op. 1; Gabriel Fauré’s Prison, Op. 83, No. 1; ‘Ganymed’ from Hugo Wolf’s Goethe-Lieder; Franz Schubert’s Nacht und Träume, D. 827; Zaiyi Lu’s The bridge in my homeland; ‘Mit Myrten und Rosen’ from Schumann’s Liederkreis, Op. 24; ‘C’ from Francis Poulenc’s Deux poèmes de Louis Aragon, FP 122; and ‘Scheiden und Meiden’ from Gustav Mahler’s Lieder und Gesänge aus der Jugendzeit, during the final round of the International Vocal Competition 2021 – Lied Duo. This performance was recorded at De Verkadefabriek in ’s-Hertogenbosch, the Netherlands.

Traditionally, many ensembles festively announce the Christmas season with a performance of Johannes Sebastian Bach’s Christmas Oratorio, BWV 248. It consists of six cantatas originally intended for performance on one of the major feast days of the Christmas period. The work saw its first performance in 1734, at St. Thomas Church in Leipzig, Germany, where Bach occupied the position of cantor. In that very same church the thirty-fourth ‘Thomaskantor’, Gotthold Schwarz, leads the St. Thomas Boys Choir Leipzig and the Gewandhausorchester Leipzig in a performance of Bach’s choral masterpiece. Among the soloists are Dorothee Mields (soprano), Elvira Bill (alto), Patrick Grahl (tenor, Evangelist), Markus Schäfer (tenor, arias), and Klaus Häger (bass). This performance was recorded in 2018.

Hannu Lintu conducts the Gulbenkian Orchestra in a Finnish flavoured concert program, since the concert features Cantus Articus, Op. 61 by Einojuhani Rautavaara, and Jean Sibelius’ Symphony No. 2. Furtermore, Daniil Trifonov (1991) is star soloist in Schumann’s Piano Concerto, Op. 54, which was premiered in 1841 by Clara Wieck, wife of the composer. Trifonov rose to fame after winning prizes at both the Tchaikovsky International Chopin competition in Moscow as well as the Chopin International Piano Competition in Warsaw. Trifonov has been called "arguably today's leading classical virtuoso,” and “without question the most astounding pianist of our age." This concert is recorded at the Grand Auditorium of the Calouste Gulbenkian Foundation of Lisbon, in 2018.

At the behest of Argentinian pianist Martha Argerich, several classical music stars took part in this concert in aid of the Erasmus Fund for medical research in intensive care, recorded at the Royal Conservatory of Brussels, Belgium, on October 21, 2023. The concert pays tribute to the renowned cellist Aleksandr Khramouchin (1979) who suddenly passed away on May 13, 2023. As part of this concert, pianists Martha Argerich and Khramouchin’s widow Eliane Reyes perform Maurice Ravel’s Ma mère l'Oye. This five-part suite was written for piano four hands.